Casio ctk 7000 инструкция на русском

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  USER’S GUIDE Please keep all information for future reference. Safety Precautions Before trying to use the keyboard, be sure to read the separate “Safety Precautions”. CTK7000/WK7500E1A…

• Page 2: Declaration Of Conformity

  Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. Declaration of Conformity Model Number: CTK-7000/WK-7500 Trade Name: CASIO COMPUTER CO., LTD. Responsible party: CASIO AMERICA, INC. Address: 570 MT. PLEASANT AVENUE, DOVER, NEW JERSEY 07801 Telephone number: 973-361-5400…

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  ● Any reproduction of the contents of this manual, either in part or its entirety, is prohibited. Except for your own, personal use, any other use of the contents of this manual without the consent of CASIO is prohibited under copyright laws.

• Page 4: Table Of Contents

  Contents General Guide … E-4 Reading the Display … E-6 Modes… E-7 Menus… E-7 , Precautions while “Please Wait” is displayed… E-7 Saving Settings… E-8 Returning the Digital Keyboard to Its Factory Default Settings … E-8 Getting Ready to Play … E-9 Preparing the Music Stand …

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  Using the Pattern Sequencer … E-102 About the Pattern Sequencer … E-102 Creating a User Rhythm … E-103 Creating a User Rhythm by Combining Exiting Rhythm Parts (Easy Edit) … E-112 Editing Individual Events (Event Editor)… E-113 Configuring Instrument Part Playback Settings (Part Parameters) …

• Page 6: General Guide

  General Guide • Illustrations in this User’s Guide show the WK-7500. L-1 — L-18 C-1 — C-17 Dial D-1 — D-12 R-1 — R-20 T-1 — T-9 Back…

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  • In this manual, the term “Digital Keyboard” refers to the CTK-7000/WK-7500. • This manual uses the numbers and names below to refer to buttons and controllers. • The following explains the meanings of the # and $ symbols that appear on the product console and with the key names below.

• Page 8: Reading The Display

  General Guide Reading the Display This section explains the contents of the Digital Keyboard’s display screen.  Detailed information area This area displays a variety of information while the Digital Keyboard is being used. Use this area to confirm proper operation when changing values, when selecting a menu item, and when performing other operations.

• Page 9: Modes

  Modes Your Digital Keyboard has three modes: a rhythm mode, a card mode, and a song sequencer mode. The currently selected mode is shown as an indicator on the display. Card mode C-9 (CARD) or C-9 (CARD) button R-15 (EXIT) button Rhythm mode C-5 (SONG C-5 (SONG SEQUENCER) or…

• Page 10: Saving Settings

  General Guide Saving Settings Your Digital Keyboard is equipped with a song sequencer and other features that you can use to store data you create. This stored data is retained even when the Digital Keyboard is turned off. However, the tone, rhythm, and other settings you configure on the Digital Keyboard’s console normally are returned to their initial power on defaults whenever you turn off power.

• Page 11: Getting Ready To Play

  Getting Ready to Play Preparing the Music Stand Power Supply Prepare a household power outlet or batteries. • Be sure to comply with the separate “Safety Precautions”. Incorrect use of this product creates the risk of electric shock and fire. •…

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  Getting Ready to Play Using Batteries You can use six D-size batteries for power. • Use alkaline or zinc-carbon batteries. Never use oxyride or any other nickel based batteries. Open the battery cover on the bottom of the Digital Keyboard. Load six D-size batteries into the battery compartment.

• Page 13: Connections

  Connections Connecting Headphones Using headphones cuts off output from the built-in speakers, which means you can practice playing even late at night without disturbing others. • Be sure to turn down the volume level before connecting headphones. T-4 (PHONES) jack •…

• Page 14: Outputting Input From An External Device Or A Microphone Through The Digital Keyboard’s Speakers

  Use of unauthorized accessories creates the risk of fire, electric shock, and personal injury. • You can get information about accessories that are sold separately for this product from the CASIO catalog available from your retailer, and from the CASIO website at the following URL. http://world.casio.com/…

• Page 15: Selecting And Playing A Tone

  Selecting and Playing a Tone L-14 L-14 L-17 L-17 L-15 L-15 To turn on Digital Keyboard power Rotate the L-2 (MAIN VOLUME) knob towards MIN to set the volume to a low level. Referring to “Connections” (page E-11), connect headphones, amplifier, or other device. Use the L-1 (POWER) button to turn on power.

• Page 16: Listening To Demo Tunes

  Selecting and Playing a Tone ■ To disable Auto Power Off While the Digital Keyboard is turned on, press the L-1 (POWER) button to turn it off. While holding down the L-4 ([A] POPS/ROCK/ DANCE) button, press the L-1 (POWER) button to turn on the Digital Keyboard.

• Page 17: Layering And Splitting Tones

  Now you can play on the keyboard using the tone you selected. • You also can use the R-14 (–, +) buttons to select a tone. Holding down either button will scroll through tone numbers at high speed. Pressing both of the R-14 (–, +) buttons at the same time will select tone 001 in the currently selected group.

• Page 18: R-19 Split Button

  Selecting and Playing a Tone To layer two tones Refer to the separate “Appendix” to look up the group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) you want to use. Check to make sure that the @ and A indicators are not on the display.

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  To specify the keyboard split point While holding down the R-19 (SPLIT) button, press the keyboard key that you want to be the leftmost key in the right side (UPPER 1 part) range. LOWER part UPPER 1 part Split point •…

• Page 20: Raising And Lowering Keyboard Tuning (Transpose

  Selecting and Playing a Tone Raising and Lowering Keyboard Tuning (Transpose) The transpose feature lets you raise or lower the overall tuning of the keyboard in semitone steps. You can use this feature to adjust keyboard tuning to a key that better matches a vocalist, another musical instrument, etc.

• Page 21: Using The Metronome

  Using the Metronome Press the L-10 (METRONOME) button. • This will start the metronome. • The display will show the tempo along with a count of the measures and beats since you started the metronome. Tempo Press the L-10 (METRONOME) button again to stop the metronome.

• Page 22: Using The Pitch Bend Wheel

  Selecting and Playing a Tone ■ To adjust the tempo by tapping a beat While holding down the R-13 (FUNCTION) button, tap the L-12 (TAP) button four times at the speed (tempo) you want to set. • The first tap of the L-12 (TAP) button will cause the display shown below to appear.

• Page 23: Selecting A Temperament And Fine Tuning Its Scale

  Selecting a Temperament and Fine Tuning Its Scale Use the scale function to select one of the 17 preset temperaments (tunings) for the built-in sound source. You also can fine tune each note of a scale (from C to B) in one-cent units.

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  Selecting and Playing a Tone When you are finished, press the R-15 (EXIT) button twice. • This will return to the screen that was displayed before you displayed the scale screen. • The root note setting you specify here is retained, even if you later change to a different preset temperament.

• Page 25: Playing Arpeggio Phrases Automatically (Arpeggiator

  Playing Arpeggio Phrases Automatically (Arpeggiator) With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including playing arpeggios from a chord, playing various phrases automatically, and more.

• Page 26: Using Auto Accompaniment

  Using Auto Accompaniment L-4 L-9 L-4 L-9 L-4 — L-9 L-11 L-11 L-12 L-12 L-13 L-13 L-14 L-14 L-16 L-16 L-15 L-15 With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatically when you play a chord with your left hand.

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  Play other chords with your left hand as you play the melody with your right hand. • You can use “CASIO Chord” or other simplified chord fingering modes to play chords. For details, see “Selecting a Chord Fingering Mode” in the following section.

• Page 28: Selecting A Chord Fingering Mode

  Fingered 2 : Unlike Fingered 1, 6th input is not possible with Fingered 3 : Unlike Fingered 1, this mode allows input of ■ CASIO Chord With “CASIO Chord”, you can use simplified fingerings to play the four types of chords described below. Major Chords…

• Page 29: Modifying Auto Accompaniment Patterns

  Modifying Auto Accompaniment Patterns There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns. Use buttons L-13 through L-16 to select the pattern you want. L-13 L-13 L-14 L-14 L-15 L-15 Intro *…

• Page 30: Using Auto Harmonize

  Using Auto Accompaniment Using Auto Harmonize Auto harmonize lets you add harmony to melody notes you play with your right hand. You can select any one of 12 Auto harmonize settings. To play using auto harmonize Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button until the type selection screen shown below appears on the display.

• Page 31: Applying Effects To A Sound

  Applying Effects to a Sound You can apply a variety of different acoustic effects to the sounds produced by the Digital Keyboard. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. •…

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  Applying Effects to a Sound ■ DSP Effect Mode Configuration The DSP effect mode is enabled while “DSP” is selected for the “Chorus/DSP”effect parameter. DSP and reverb can be used in the DSP effect mode. Part A01-A16, B01-B16 Tone Generator Mic In Noise Auto Level…

• Page 33: Selecting An Effect

  Selecting an Effect Effects are divided among different types (reverb, chorus, DSP), so first you need to use the procedure below to select an effect type. To add reverb to sounds While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button. •…

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  Applying Effects to a Sound If you want, use the R-17 (t, y) buttons to move the thick brackets (%) to the “DSP Disable”setting, and then use the R-14 (–, +) buttons to change the setting to “on”. • For more information about this setting, see the “Important!”…

• Page 35: Creating A User Dsp

  Use the R-17 (t, y) buttons to move the thick brackets (%) to the “DSP” setting. • This causes the number and name of the currently selected preset DSP to appear within the thick brackets (%) on the display. Use the dial or R-14 (–, +) buttons to select the preset DSP you want to use.

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  Applying Effects to a Sound Use the R-17 (t, y) buttons to move the 0 to the parameter you want to change. • For information about the operation and the setting range of each parameter, see “DSP Parameter Settings” (page E-35). Use the dial or R-14 (–, +) buttons to change the setting value.
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  DSP Parameter Settings The table below shows the parameters that can be configured on the DSP editor screen. The settings marked with an asterisk (*) in the “Setting Range” column are initial defaults. Parameter Name Parameters 1 through 8 DSP RevSend (DSP Reverb Send) Mod Button Assign (Modulation Button Assign)

• Page 38: Using The Mixer

  Using the Mixer Mixer Overview The sound source of this Digital Keyboard is capable of sounding up to 32 individual parts simultaneously. Each part can be controlled individually, and each part can be configured to sound a different musical instrument. Different tones can be assigned to each part when using layer and split to sound multiple tones at the same time, and to sound multiple instruments at the same time with Auto…

• Page 39: Mixer Operation

  Mixer Operation To change mixer parameters Press the C-7 (MIXER) button. • This causes the mixer screen to appear. Currently selected setting (MASTER, DSP, MIC/INST, or A01 to A16/B01 to B16) Parameter/Setting value Currently selected setting part (when currently selected setting is A01 to A16/B01 to B16) Use the R-17 (u, i) buttons to select the mixer parameter you want to change.

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  Using the Mixer Using the Sliders to Change Parameter Settings While the mixer screen is displayed, use sliders D-4 (1/9/EXT) to D-12 (MASTER) to change the displayed parameter settings. The D-1 (PART/COMMON), D-2 (GROUP A/B) and D-3 (1-8/9-16) buttons are used to specify the parts that correspond to sliders D-4 (1/9/EXT) to D-11 (8/16).
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  ● Sliders D-4 (1/9/EXT) through D-11 (8/16): Allow configuration of the following parameter settings in accordance with the currently displayed mixer setting. When this setting These parameter settings can be screen is displayed: configured: MASTER parameters Slider D-4 (1/9/EXT): (page E-41), MIC/INST parameters* MIC/INST parameters Slider D-5 (2/10/DSP):…
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  Using the Mixer To initialize all mixer parameters • For details about how initial default settings are configured when you perform the following procedure, see “Parameter List” (page E-163). While the mixer screen is displayed, hold down the R-13 (FUNCTION) button as you press the C-17 (MENU) button.

• Page 43: Mixer Parameter Settings

  Mixer Parameter Settings The tables below show the parameters that can be configured on the mixer screen. The settings marked with an asterisk (*) in the “Setting Range” column are initial defaults. MASTER Parameters MASTER parameters include items for adjusting the volume level, pan position, and other settings that are applied globally to all parts.

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  Using the Mixer MIC/INST Parameters MIC/INST parameters include settings related to the T-5 (INST IN) and T-8 (MIC IN) terminals. Parameter Name Part Specifies if sound input should be output (on) or not output (oFF). (Mic/Inst Enable) Volume Specifies the volume level of sound input. (Mic/Inst Volume) Specifies the stereo pan position of sound input.

• Page 45: Part Parameters

  Part Parameters Part parameters include setting items that can be adjusted for parts A01 through A16 and B01 through B16. Parameter Name TONE Specifies a tone for each part. When configuring this parameter, you can use the (Part Tone) buttons R-1 ([A] PIANO) through R-12 ([L] DRAWBAR ORGAN) to select a tone group.

• Page 46: Using The Tone Editor

  Using the Tone Editor You can create a user tone by editing one of the built-in preset tones. • This section covers editing of preset tone groups A through • For information about editing group L (drawbar organ) tones, see “Editing Drawbar Organ Tones” (page E-52). E-44 R-13 R-13…

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  (1) Tone Characteristic Waveform • Tone Setting Specifies which of the preset tones should be used as the original tone. (2) Volume Characteristic Parameters These parameters control how the tone changes over time, from when the keyboard key is pressed until the tone decays. You can specify changes in volume and sound characteristics.

• Page 48: Creating A User Tone

  Using the Tone Editor Creating a User Tone User Tone Numbers Tone areas numbered K:001 through K:100 are for storage of user tones. You can have up to 100 user tones stored in memory at one time. You can recall a stored user tone by pressing the R-11 ([K] USER TONES) button.

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  • The message “Please Wait” will remain on the display while a data save operation is in progress. Do not perform any other operation while it is displayed. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted.

• Page 50: Tone Parameter Settings

  Using the Tone Editor Tone Parameter Settings The table below shows the parameters that can be configured on the tone editor screen. For information about each parameter, also refer to “Tone Creation Overview” (page E-44). The settings marked with an asterisk (*) in the “Setting Range” column are initial defaults. Parameter Name AttackTime Specifies the time until a note starts to sound after a key is pressed.

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  Parameter Name DSP Parameters 1 Shows up to eight parameters for “DSP Type”. through 8 DSP RevSend Adjusts how much reverb is applied to the post-DSP note. (DSP Reverb Send) Mod Setting Assigns either vibrato or DSP to the S-2 (MODULATION) button. (Modulation Setting) Mod Depth When vibrato is assigned to the S-2 (MODULATION) button, specifies the…

• Page 52: Using Drawbar Organ Tones

  Using Drawbar Organ Tones D-4 D-12 D-4 D-12 D-4 — D-12 Your Digital Keyboard comes with drawbar organ tones built in that you can use for mixing waveform ratios, just like a drawbar organ. The nine sliders, which correspond to drawbars, can be used to change harmonic overtone level settings and to create sounds by adding percussion and click sounds in real time as you play.

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  Adjusting a Drawbar Organ Tone in Real Time Use the sliders and buttons to adjust drawbar organ tones in real time. To do this: Adjust tone harmonic Shift sliders D-4 (16′) through D-12 overtone levels (1′) upwards and downwards. • Shifting one of the sliders upwards or downwards changes the harmonic overtone of the corresponding foot “length”…

• Page 54: Editing Drawbar Organ Tones

  Using Drawbar Organ Tones Editing Drawbar Organ Tones User Drawbar Organ Tone Numbers Tone areas numbered L:051 through L:100 are for storage of user drawbar organ tones. You can have up to 50 user drawbar organ tones stored in memory at one time. You can recall a user drawbar organ tone by pressing the R-12 ([L] DRAWBAR ORGAN) button and then using the dial or the R-14 (–, +) buttons to specify the tone number you…

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  Drawbar Organ Tone Parameter Settings The table below shows the parameters that can be configured on the drawbar editor screen. The settings marked with an asterisk (*) in the “Setting Range” column are initial defaults. Parameter Name Ft16′ to Ft1′ (Drawbar 16′ to Drawbar 1′) Perc.

• Page 56: Music Presets

  Music Presets L-4 L-9 L-4 L-9 L-4 — L-9 L-14 L-14 L-16 L-16 L-15 L-15 L-17 L-17 Using Music Presets Music presets provide one-touch access to Auto Accompaniment, tone, reverb, and other settings that are configured in accordance with preset chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musical styles.

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  Use the buttons from L-4 ([A] POPS/ROCK/ DANCE) to L-9 ([F] USER RHYTHMS) to select a music preset group. • The L-9 ([F] USER RHYTHMS) button is for the user preset group. For details, see “Creating a User Preset” (page E-58). Use the dial or R-14 (–, +) buttons to scroll through the music preset numbers until the one you want is displayed.
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  Music Presets Music Preset Settings The settings listed in the table below are recalled when a music preset is selected. • Except for the chord progression, all of the settings can be modified after a music preset is selected. Refer to the information noted in the “Go here for more information”…
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  To change music preset Auto Accompaniment settings While the music preset screen is displayed, you can use the L-18 (ACCOMP ON/OFF) button to change Auto Accompaniment settings. • Each press of the L-18 (ACCOMP ON/OFF) button cycles through settings as shown below. Setting Preset chord progression Normal Auto Accompaniment…

• Page 60: Creating A User Preset

  Music Presets Creating a User Preset User Preset Numbers Preset areas numbered F:001 through F:050 are for storage of user presets. You can have up to 50 user presets stored in memory at one time. You can recall a stored user preset after pressing the L-9 ([F] USER RHYTHMS) button.

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  Use the R-17 (y) button to move the 0 to “Store” and then press the R-16 (ENTER) button. • This displays a screen for specifying the destination user preset number and name. Save destination user preset number User preset name Use the dial or R-14 (–, +) buttons to select the destination user preset number you want.
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  Music Presets Timing Setting and Chord Progression Playback This section explains how chord progressions are played in accordance with the “Timing” (Timing set) settings in step 5 under “To create and save a user preset” (page E-58). Note that this setting affects playback only. It does not change the chord progression data.
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  • 3/4 Plays chords measure-by-measure at a timing that is 3/4 times that of the recording. This setting is best for use with a 6/8 time rhythm. Playing back a chord progression like that shown for “Half” above while “3/4” is specified results in the progression shown below. 3/4 Playback when a 4/4 time rhythm is assigned to the user preset Measure Beat…

• Page 64: Editing A Chord Progression

  Music Presets Editing a Chord Progression You can modify the preset chord progression and save it as a user preset, or you can create a new chord progression from scratch and save it. Chord Progression Editing Flow Perform steps 1 through 4 under “To perform using a music preset”…

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  To modify recorded chord data Perform steps 1 through 4 of the procedure under “Chord Progression Editing Flow” on page E-62. Use the R-17 (t, y) buttons to move the cursor to the chord you want to edit. • You can use the L-15 (dFF) and L-14 (sREW) buttons to move the cursor by measure-by-measure.
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  Music Presets Specify the location of the new chord insert as a number of beats after the current cursor position. To specify this number of beats after the current cursor position: 4 beats 2 beats 1 beat 1/2 beat 1/4 beat •…
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  To perform menu operations Perform steps 1 through 4 of the procedure under “Chord Progression Editing Flow” on page E-62. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. This displays a screen like the one shown below.

• Page 68: Saving Keyboard Setups To Registration Memory

  Saving Keyboard Setups to Registration Memory Registration memory lets you store Digital Keyboard setups (tone, rhythm, etc.) for instant recall whenever you need them. • For information about items that can be part of a registration setup, see “Parameter List” (page E-163). •…

• Page 69: To Save A Setup To Registration Memory

  To save a setup to registration memory Configure the tone, rhythm, and other settings you want to include in the setup. Press the C-10 (BANK) button to select the bank you want. • Each press of the C-10 (BANK) button cycles through the bank numbers.

• Page 70: Using The Song Sequencer

  Using the Song Sequencer L-13 L-13 L-15 L-15 L-14 L-14 L-17 L-17 You can use the song sequencer to record keyboard play (including Auto Accompaniment), or to record individual parts (multi-track recording) and combine them into a final song. After recording data, you can edit each individual note (event). You can have up to five recorded songs (approximately 30,000 notes total) stored in memory at the same time.

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  Press the C-6 (RECORD) button. • The button will start flashing and the EASY REC screen shown below will appear on the display. Song area number Arrows (e) will indicate all the parts in Group A. This indicates the Digital Keyboard is currently in system track (page E-70) record standby.

• Page 72: What You Can Do With The Song Sequencer

  Using the Song Sequencer To use EASY REC to record a performance using a music preset Perform steps 1 through 4 under “To perform using a music preset” (page E-54). Press the C-6 (RECORD) button. • The button will start flashing and the EASY REC screen will appear on the display.

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  System Track and Track 01 through 16 Common Recording Content ■ Recording Start • Beat setting • Rhythm selection • Tempo setting • Scale setting • The mixer settings below – All part parameters from A04 through A07 and B01 through B16 (Excluding part on/off) –…

• Page 74: Recording Individual Tracks

  Using the Song Sequencer Recording Individual Tracks This section explains how to record to the system track and how to record to Tracks 01 through 16. For details about track configuration and what is recorded to each track, see “What you can do with the song sequencer”…

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  • Page 2 of the menu screen has a “RecType” setting, but this setting cannot be used when recording a performance to the system track. Start playing something on the keyboard. • Recording starts automatically when you perform any one of the following operations. –…
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  Using the Song Sequencer Use the R-17 (u, i) buttons to select a track (Track 01 through Track 16). Configure panel settings as required for your performance. • Configure the following settings: tone selection, tempo, mixer settings, etc. For details about settings that can be configured, see “Recording Start”…
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  To clear the content of a single track immediately after recording it While the song sequencer mode initial screen is on the display after track recording is complete, hold down the R-13 (FUNCTION) button as you press the C-17 (MENU) button. •…

• Page 78: Re-Recording Part Of A Song (Punch-In Recording

  Using the Song Sequencer Mixer Settings in the Song Sequencer Mode You can access the mixer during playback, playback standby, or record standby (C-6 (RECORD) button flashing), or while recording is in progress (C-6 (RECORD) button lit). Press the C-7 (MIXER) button to display the mixer screen. To return to the song sequencer mode screen, press the C-7 (MIXER) button again or press the R-15 (EXIT) button.

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  Press the L-17 (START/STOP) button. • This starts punch-in playback. • The following operations are supported during punch-in playback. They help you move to the re-recording start point quickly and easily. To do this: Fast Forward Hold down the L-15 (dFF) button. Fast Backward Hold down the L-14 (sREW) button.

• Page 80: Using Panel Record To Rewrite Song Header Settings

  Using the Song Sequencer Use the R-17 (u, i) buttons to move the cursor, use the dial or the R-14 (–, +) buttons to change the value at the cursor position, and then press the R-16 (ENTER) button. • If you have already specified a range using the locator screen (page E-80), you can copy that range to this screen by holding down the L-13 (REPEAT) button.

• Page 81: Playing A Recorded Song

  Use the R-17 (y) button to move the 0 to “PanelRecord”. Press the R-16 (ENTER) button. In response to the “Sure?” message that appears, press the R-14 (YES) button to execute the panel record operation or the R-14 (NO) button to cancel. Playing a Recorded Song This section explains how to perform the following operations on songs recorded in the song sequencer mode.

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  Using the Song Sequencer To play back a particular part alone Press the C-5 (SONG SEQUENCER) button to enter the song sequencer mode. Use the dial or R-14 (–, +) buttons to select a song area number. Press the C-7 (MIXER) button to display the mixer screen.

• Page 83: Editing A Song

  To stop playback, press the L-17 (START/STOP) button. • Pressing the R-15 (EXIT) button without pressing the R-16 (ENTER) button in step 4 above will cancel the phrase setting operation and close the locator screen. • The start point and end point specified on the locator screen by the above operation will be displayed as the initial default values when you display the screen of editing the next event.

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  Using the Song Sequencer To clear a song Perform the procedure under “To start a song editor operation” on page E-81 to display the song editor menu, with the 0 located at “Clear”. Press the R-16 (ENTER) button. • This displays the “Clear Song” screen. Use the dial or R-14 (–, +) buttons to specify the song area number you want to clear.
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  To delete one or more measures from a song Perform the procedure under “To start a song editor operation” on page E-81 to display the song editor menu. Use the R-17 (t, y) buttons to move the 0 to “DeleteMeas.” and then press the R-16 (ENTER) button.
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  Using the Song Sequencer To extract system track recorded content to track 04 through 07 or 09 through 16 As explained in detail under “Songs, tracks, and parts” (page E-70), the system track is an individual track, while the keyboard play and Auto Accompaniment data are recorded individually to multiple parts (A04 through A07, A09 through A16).

• Page 87: Editing A Track

  Editing a Track The following operations are supported during track (system track, Tracks 01 through 16) editing. • Clearing a single track • Copying one track to another track (Tracks 01 through 16 only) • Combining two tracks into a single track (Tracks 01 through 16 only) To start a track editor operation Press the C-5 (SONG SEQUENCER) button to…

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  Using the Song Sequencer To copy one track to another track (Tracks 01 through 16 only) Perform the procedure under “To start a track editor operation” on page E-85 to display the track editor menu. Use the R-17 (t, y) buttons to move the 0 to “Copy”…

• Page 89: Editing Events

  After everything is the way you want, press the R-16 (ENTER) button. • If the destination track does not contain recorded data, combination of the tracks starts immediately. • If the destination track already contains recorded data, the confirmation message shown below appears asking if you want to overwrite the existing data.

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  Using the Song Sequencer Event Types and Screen Content The event editor screen displays the individual events that make up a song as values and characters as shown in the sample screen below. Event being edited (selected event) (Center of screen) Cursor (solid line) Events before (previous event) and after (following event) the current event…
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  ■ Event Data List The following table shows the event types that correspond to the abbreviations that appear on the display, as well as the parameters of each event type and setting ranges. • “  display” and “  display”…
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  Using the Song Sequencer System Track Events Event Type  display Event Name TnU1 UPPER 1 Tone TnU2 UPPER 2 Tone TnLo LOWER Tone TnHm Auto Harmonize Tone Chord Rhythm Rctl Rhythm Controller Accompaniment Part APrt On/Off Layr Layer On/Off Shft Octave Shift Splt…
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  Event Type  display Event Name RSnd Part Reverb Send CSnd Part Chorus Send DspL Part DSP Line AVol Accomp Volume AScl Accomp Scale OrgB Drawbar Organ Drawbar Drawbar Organ OrgP Percussion *1 A chord event is not displayed as the event name at position *2 See “Fingering Guide”…
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  Using the Song Sequencer To select the types of events that appear on the Event Editor screen (View Select) Perform the procedure under “To start an event editor operation” on page E-87. Use R-17 (i) button to display page three of the event editor menu, with the 0 located at “ViewSelect”.
• Page 95
  To delete all events in a track Display the event editor screen of the track that includes the events you want to delete. • See “To select a track for editing” (page E-91). While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button to display the event editor menu.
• Page 96
  Using the Song Sequencer To insert an event Display the event editor screen of the track where you want to insert the event. • See “To select a track for editing” (page E-91). Use the R-17 (t, y) buttons to move the cursor to the position where you want to insert an event.
• Page 97
  Press the C-12 (COPY) button. • This displays the “Copy” screen. • If you have already specified a range using the locator screen (page E-80), that range will be displayed on the range specification screen.  Copy destination point  Copy source range (start point — end point) Use the R-17 (u, i) buttons to move the cursor, and then use the dial or R-14 (–, +)
• Page 98
  Using the Song Sequencer To quantize all note events in a track Display the event editor screen of the track you want to quantize. • See “To select a track for editing” (page E-91). Press the C-13 (QUANTIZE) button. • This displays the “Quantize” screen. Use the dial or R-14 (–, +) buttons to change the setting in the thick brackets (%) to “All”.
• Page 99
  Deleting Pitch Bender Events You can use the procedures in this section to delete all pitch bender events from a track or from a specific range in a track. • To delete individual pitch bender events, perform the operation under “To delete an individual event” (page E-92).
• Page 100
  Using the Song Sequencer To adjust the velocity value of a note event Display the event editor screen of the track you want to edit. • See “To select a track for editing” (page E-91). Depending on the type of adjustment you want make, perform one of the operations below.
• Page 101
  To adjust the gate time value of a note event Perform steps 1 through 5 under “To adjust the velocity value of a note event” (page E-98). In step 4, select “GatetimeMod.” instead of “VelocityMod.”. Press the R-16 (ENTER) button. •…

• Page 102: Directly Inputting Note Events (Step Input

  Using the Song Sequencer To insert a beat event Perform steps 1 and 2 under “To delete a beat event” (page E-99). Move the cursor to the beat event that comes immediately before the location where you want to insert a new beat event. Press the C-11 (INSERT) button.

• Page 103
  Use buttons R-1 (5) to R-4 (•) and buttons R-7 (6) to R-10 (,) to specify the length of the note you want to input. • For information about how to specify note lengths, see step 4 under “To insert an event” (page E-94). •…
• Page 104
  Using the Pattern Sequencer L-13 L-13 L-14 L-14 L-16 L-16 L-15 L-15 L-17 L-17 About the Pattern Sequencer You can use the pattern sequencer to create accompaniment patterns that sound while using the Digital Keyboard’s Auto Accompaniment function and store them as user rhythms. Rhythms, Accompaniment Patterns, and Instrument Parts Each of the Digital Keyboard’s rhythms provides six different…

• Page 105: Using The Pattern Sequencer

  The following describes each of the different instrument part statuses that appear in the lower left corner of the screen. When this is It means this: displayed: Fix Data Instrument part data from a preset (Fixed Data) rhythm or user rhythm. The only settings that can be edited for an instrument part with this status are mixer settings.

• Page 106
  Using the Pattern Sequencer ■ Replacing the Accompaniment Patterns of an Existing Rhythm with New Recordings With this procedure, you re-record one or more of the accompaniment patterns of an existing preset rhythm or previously stored user rhythm to create a new rhythm. In this case, you clear all of the rec areas included in an accompaniment pattern and then create new recordings of each part of the accompaniment pattern.
• Page 107
  Use buttons L-13 (INTRO) through L-16 (SYNCHRO/ENDING) to select the accompaniment pattern you want to play. If you want to play the INTRO accompaniment pattern, for example, press the L-13 (INTRO) button. • Each press of the L-14 (NORMAL/FILL-IN) button toggles between NORMAL and NORMAL FILL-IN, and each press of the L-15 (VARIATION/FILL-IN) button toggles between VARIATION and VARIATION FILL-IN.
• Page 108
  Using the Pattern Sequencer To configure pattern rec settings (Rec Menu) While the pattern sequencer screen is displayed, press the C-6 (RECORD) button. • The button will start to flash and the Digital Keyboard will enter record standby. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button.
• Page 109
  To edit an existing rhythm Perform steps 1 through 6 under “To rehearse before editing an existing rhythm” (page E-104). Perform the procedure under “To configure pattern rec settings (Rec Menu)” (page E-106). • This step is not necessary if you want to perform operations using initial default settings or if you want to use previous settings without changing them.
• Page 110
  Using the Pattern Sequencer If you want to record notes you play on the keyboard in real time, perform the following steps. • The operation you can perform here depends on the status (page E-103) of the currently selected part, as described below.
• Page 111
  Repeat steps 4 through 7 for all of the parts you want to edit. • It is recommended that you save the rhythm as a user rhythm each time you finish editing each accompaniment pattern. For details about how to do this, see “To store an edited or newly created rhythm”…
• Page 112
  Using the Pattern Sequencer Configure mixer settings for the selected instrument part. You can skip this step if you do not want to configure mixer settings. • For details about mixer setting operations, see step 5 under “To edit an existing rhythm” (page E-107). Configure part parameter settings for the selected instrument part.
• Page 113
  To create a new rhythm from scratch Press the C-4 (PATTERN SEQUENCER) button. • This displays the pattern sequencer screen. For details about screen contents, see step 2 under “To rehearse before editing an existing rhythm” (page E-104). Perform the procedure under “To clear all rec areas included in the currently selected rhythm”…

• Page 114: Creating A User Rhythm By Combining Exiting Rhythm Parts (Easy Edit

  Using the Pattern Sequencer • Pressing the R-15 (EXIT) button in place of the operation in step 1 displays the confirmation screen shown below. Pressing the R-14 (YES) button at this time will display the user rhythm store screen in step 2. To cancel the editor operation without saving the edited results, press the R-14 (NO) button.

• Page 115: Editing Individual Events (Event Editor

  Use the R-17 (u, i) buttons to select the instrument part you want to edit. Edit the selected accompaniment pattern instrument part as desired. • While performing the procedure below, you can press the L-17 (START/STOP) button and perform repeat playback of only the accompaniment pattern you are editing.

• Page 116
  Using the Pattern Sequencer Event Editor Screen Contents The event editor screen shows the individual events recorded to an instrument part as shown in the sample screen below. Event being edited (selected event) Cursor Events before (previous event) and after (following event) the current event •…
• Page 117
  To edit events with the pattern sequencer On the pattern sequencer screen, select the “Recorded Data” or “Empty” status instrument part whose events you want to edit. • You can perform event editing on one of the following types of parts. –…

• Page 118: Configuring Instrument Part Playback Settings (Part Parameters

  Using the Pattern Sequencer Configuring Instrument Part Playback Settings (Part Parameters) The settings in this section control how instruments parts you are currently editing or creating are sounding when played back as Auto Accompaniment after being saved as a user rhythm.

• Page 119
  Pattern Sequencer Part Parameters ■ Table (Chord conversion table) Recording of each accompaniment pattern is normally performed using C major (root of C, major type). Accompaniment, you can use a root other than C and a chord type other than major, if you want. This is accomplished by using a “chord conversion table”…

• Page 120: Instrument Part Operations

  Using the Pattern Sequencer ■ BreakPoint (Break Point) This parameter specifies the key, from C to B, that is the point at which Auto Accompaniment bass and chord notes drop one octave. For example when F is specified as the break point, a C major chord recorded as C3E3G3 (CEG) becomes D3F raised one note each) when D is fingered on the chord keyboard, E3G…

• Page 121
  To copy preset or user rhythm instrument part data to a rec area • This procedure copies note events only. • You will not be able to perform this procedure if an INTRO or ENDING is selected as the accompaniment pattern.

• Page 122: Accompaniment Pattern And Rhythm Operations

  Using the Pattern Sequencer Accompaniment Pattern and Rhythm Operations To clear all instrument part rec areas included in an accompaniment pattern While the pattern sequencer screen is displayed, hold down the R-13 (FUNCTION) button and press the C-4 (EDIT) button to display the edit menu.

• Page 123: Recording And Playing Audio

  Recording and Playing Audio All of the sound output by the Digital Keyboard can be recorded as audio files on a memory card. The maximum recording time for a single audio file is approximately 13 minutes. You can have up to five audio files recorded on a single memory card.

• Page 124: Performing Audio Recording

  Recording and Playing Audio Performing Audio Recording Modes that Support Audio Recording You can record keyboard play while in the rhythm mode or song sequencer mode. • Recording is actually performed in the audio record mode, but you can switch between the rhythm mode screen and song sequencer mode screen from the audio record mode screen.

• Page 125: C-3 Audio Record Button

  L-13 L-13 L-14 L-14 L-16 L-16 L-15 L-15 L-17 L-17 To get ready for audio recording Referring to “Audio Recording” (page E-121), determine what type of performance you want to record. If you plan to use a microphone, CD player or some other external device as a sound source during recording, turn off both the external device and the Digital Keyboard and then…

• Page 126
  Recording and Playing Audio If required, perform the steps below to switch from the time counter screen to the tempo, measure, beat screen. If you want to leave the time counter displayed, go straight to step 5. (1) While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button.
• Page 127
  To record play using a music preset Perform the procedure under “To get ready for audio recording” (page E-123). • This enters the rhythm mode. Perform steps 1 through 4 under “To perform using a music preset” (page E-54). • This enters music preset record standby. Perform steps 3 through 6 under “To record play in the rhythm mode”…

• Page 128: Playing Back Audio

  Recording and Playing Audio Playing Back Audio • You can start audio playback operations from the rhythm mode or the song sequencer mode. You cannot start from the card mode. • You can perform normal keyboard play along with audio playback, and you can use layer and split.

• Page 129
  Press the L-17 (PLAY/STOP) button. • This will start playback of the audio file and cause the L-17 (PLAY/STOP) button to change from flashing to lit. The time counter also will start counting up. • The following operations are supported during playback.
• Page 130
  Recording and Playing Audio To repeat play a specific phrase Perform steps 1 through 4 under “To play back a recorded audio file” (page E-126) to start playback. When playback reaches the location you want to specify as the repeat start point, press the L-13 (REPEAT) button.
• Page 131
  To clear the data of an audio file or delete an audio file Press the C-2 (AUDIO PLAY) button to enter the audio play mode. Use the dial or the R-14 (–, +) buttons to display the audio file you want to clear or delete. •…

• Page 132: Using The Function Menu

  Using the Function Menu The function menu contains items for tuning and touch adjustments, local on/off, and other global settings that need to be changed by you relatively infrequently. It also includes some memory card operations (format, etc.). Using the Function Menu This section explains function menu operations.

• Page 133: Function Menu Settings

  To exit the function menu, press the R-13 (FUNCTION) button or R-15 (EXIT) button. • Note that all function menu settings you configure are returned to their initial defaults whenever you turn off the Digital Keyboard. You can configure the Digital Keyboard so it remembers its latest settings or to apply predetermined default settings each time you turn it on.

• Page 134
  Using the Function Menu ArpegSpeed (Arpeggiator Speed) Specifies how many times notes or chords should sound within one beat for arpeggio phrases played by the arpeggiator (page E-23). 1, 2, 2S, 3, 4 , 4S, 6, 8 The setting value indicates the number of times within one beat.
• Page 135
  Volume (Volume) Group • For details about “parts” mentioned here, see “How Parts are Organized” (page E-36). AccompVol. (Auto Accompaniment Volume) Adjusts the Auto Accompaniment volume level (master volume of parts A09 through A16). This setting does not affect the keyboard volume level (parts A01 through A03). 000 — 115 — 127 SongVol.
• Page 136
  Using the Function Menu AutoPower (Auto Power Off) Specifies if Auto Power Off (page E-13) is enabled (on disabled (oFF). Even when “on” is selected for this setting, you can temporarily disable Auto Power Off by holding down the L-4 ([A] POPS/ROCK/DANCE) button as you press the L-1 (POWER) button to turn on power.
• Page 137
  ■ To initialize all data and settings (or parameter settings only) Press the R-13 (FUNCTION) button to display the function menu. Use the R-17 (i, y) buttons to move the 0 to “General” and then press the R-16 (ENTER) button. Use the R-17 (i, y) buttons to move the 0 to “Initialize”…

• Page 138: Using A Memory Card

  Using a Memory Card You can save Digital Keyboard user area data to a memory card and load data from a memory card to Digital Keyboard memory. You also can play music files (MIDI files) stored on a memory card on the Digital Keyboard. •…

• Page 139: Loading And Removing A Memory Card

  • The message “Please Wait” will remain on the display while a data save operation is in progress. Do not perform any other operation while it is displayed. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted.

• Page 140: Saving Digital Keyboard Data To A Memory Card

  Using a Memory Card Use the R-17 (t, y) buttons to move the 0 to “CardFormat”. Press the R-16 (ENTER) button. • This will cause the confirmation message “Sure?” to appear. Press the R-14 (YES) button to format the memory card or the R-14 (NO) button to cancel. •…

• Page 141
  Press the R-17 (y) button to change to the “Xxxx Save” screen. • To save a song sequencer song in SMF format, press the R-17 (y) button one more time here to display the “Seq SmfSave” screen. You can switch between the “Xxxx Load”, “Seq Save”, and “Seq SmfSave”…

• Page 142: Loading Data From A Memory Card

  Using a Memory Card ■ Memory card Data Storage The above procedure stores Digital Keyboard data in a folder named MUSICDAT on the memory card. • The MUSICDAT folder is created automatically when you format the memory card on the Digital Keyboard (page E-137).

• Page 143: To Delete A File From A Memory Card

  To delete a file from a memory card Insert the memory card into the card slot. Press the C-9 (CARD) button to enter the card mode. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. • This displays the function menu “Play/CardUtl” screen. Use the R-17 (t, y) buttons to move the 0 to “FileDelete”…

• Page 144: Playing A Music File From A Memory Card

  Using a Memory Card L-13 L-13 L-14 L-14 L-16 L-16 L-15 L-15 Playing a Music File from a Memory Card You can use the Digital Keyboard to play music files you saved to a memory card with your computer. • Supported music files are SMF format 0 or 1 MIDI files (MID).

• Page 145
  Turning Off One Hand Part and Playing the Other Hand Part on the Keyboard (Part Off) When playing a music file of a piano piece that has the left hand and the right hand parts recorded in separate MIDI channels, you can turn off playback of one of the parts and play it on the keyboard along with playback of the other part.
• Page 146
  Using a Memory Card Playing on the Keyboard Along with Playback of a Music File on a memory card You can perform the following operations and play on the keyboard along with playback of a music file on a memory card.

• Page 147: Connecting To A Computer

  Start up your computer’s music software. Configure the music software settings to select one of the following as the MIDI device. CASIO USB-MIDI : (For Windows 7, Windows Vista, Mac OS X) USB Audio Device : (For Windows XP) • For information about how to select the MIDI device, see the user documentation that comes with the music software you are using.

• Page 148: Storing And Loading Digital Keyboard Memory Data

  Digital Keyboard memory to a computer for storage. You also can load Auto Accompaniment data you download from the CASIO website to the Digital Keyboard, which greatly expands the Auto Accompaniment patterns available to you. A special Data Manager application is required in order to transfer data to and from the Digital Keyboard.

• Page 149: Importing Data From Various Storage Media

  Importing and Transferring Rhythm Data from Other Models You can transfer rhythm data from other models by loading it from a memory card, or by using Data Manager to transfer the data from a computer to Digital Keyboard memory. For information about actual operations, see “Importing Data from Various Storage Media”…

• Page 150: Reference

  Reference Error Messages Display Message Format 1. The current memory card format is not compatible with this Digital Keyboard. 2. The memory card capacity is greater than 32GB. 3. You are trying to use an SDXC card. 4. There is something wrong with the memory card. Card Full There is not enough room available on the memory card.

• Page 151
  Display Message Memory Full 1. There is not enough memory capacity required for pattern sequencer operations. 2. Remaining memory capacity became too low during music preset editing. 3. There is not enough memory capacity required for song sequencer operations. File Name When renaming a file on a memory card, attempting to specify a file name that is already used.

• Page 152: Troubleshooting

  Reference Troubleshooting Symptom Included Accessories I can’t find something that should be included with the product. Power Requirements Power will not turn on. The Digital Keyboard outputs a loud sound and then suddenly powers down. The Digital Keyboard suddenly powers down after a few minutes.

• Page 153
  Symptom Some notes are cut off while they are playing. The volume or tone setting I configured has changed. Output volume does not change even though I change my keyboard pressure. In certain keyboard ranges, the volume and tone quality sound are slightly different from those in other keyboard ranges.

• Page 154: Specifications

  Auto Harmonize Arpeggiator MIDI E-152 CTK-7000 / WK-7500 CTK-7000: 61 standard-size keys WK-7500: 76 standard-size keys 2 types, Off 64 notes (32 for certain tones, 21 for drawbar organ tones) Up to 100 (Tone Editor), up to 50 (Drawbar Edit)

• Page 155
  12 cm × 2 + 3 cm × 2 (Output: 7.0W + 7.0W) 12V = 18W CTK-7000: 94.5 × 37.8 × 13.2 cm (37 WK-7500: 118.7 × 39.9 × 14.9 cm (46 CTK-7000: Approximately 6.8kg (15.0 lbs) (without batteries) WK-7500: Approximately 8.9kg (19.6 lbs) (without batteries)

• Page 156: Operating Precautions

  Reference Operating Precautions Be sure to read and observe the following operating precautions. ■ Location Avoid the following locations for this product. • Areas exposed to direct sunlight and high humidity • Areas subjected to temperature extremes • Near a radio, TV, video deck, or tuner The above devices will not cause malfunction of the product, but the product can cause interference in the audio or video of a nearby device.

• Page 157: Dsp Effect List

  DSP Effect List Preset DSP List The table below shows the preset DSPs that can be selected by the procedure under “To use a DSP” (page E-32). • The “Number” column shows DSP numbers, while the “Screen Name” shows the DSP name that appears on the display. •…

• Page 158
  Reference DSP Type List All of the Digital Keyboard’s preset DSPs belong to one of the DSP types shown in the table below. When creating a user DSP (page E-33) or when using the tone editor (page E-44) to edit the DSP applied to a tone, you need to select one of the DSP types in the table.
• Page 159
  DSP Parameter List ■ Single Type DSP Parameters 01: Wah This is a “wah” effect that can automatically affect the frequency using an LFO. Parameters and Value Ranges: 1 :Resonance (0 to 127) Adjusts the strength of resonance. 2 :Manual (0 to 127) Adjusts the wah filter reference frequency.
• Page 160
  Reference 08: Flanger Applies wildly pulsating and metallic reverberation to sounds. LFO waveform is selectable. Parameters and Value Ranges: 1 :LFO Rate (0 to 127) Adjusts the LFO rate. 2 :LFO Depth (0 to 127) Adjusts the LFO depth. 3 :LFO Waveform (sin, tri, random) Selects the LFO waveform.
• Page 161
  14: Lo-Fi Applies various types of noise to the input signal to reproduce a retro Lo-Fi sound. Includes wow and flutter for rotational fluctuation like that in tapes and records, a Noise 1 generator that generates continual FM radio type, and a Noise 2 generator that generates record play types scratch noise.

• Page 162: Fingering Guide

  Reference Fingering Guide Fingered 1, Fingered 2 Chords Cdim Caug Csus4 Csus2 C7sus4 Cadd9 Cmadd9 CmM7 Cdim7 *1 *3 *2 *3 *1 With Fingered 2, interpreted as Am7. *2 With Fingered 2, interpreted as Am7 b 5. *3 Inverted form not supported in some cases. E-160 Fingered 3, Full Range Chords In addition to the chords that can be fingered with Fingered 1…

• Page 163
  Reference E-161…

• Page 164: Assigning A Midi Channel To Each Part

  Reference Assigning a MIDI Channel to Each Part The following shows the relationship between MIDI IN and MIDI OUT channels and each part. This MIDI Channel part: Upper1 Upper2 Lower Harmonize System Upper1 System Upper2 System Lower Metronome Percussion Drum Bass Chord1 Chord2…

• Page 165: Parameter List

  Parameter List To check this setting item: Setting items that are always saved when power is turned off Setting items stored in registration memory (page E-66) When “on” is selected for the “AutoResume (Auto Resume)” setting (page E-134), setting items that are restored to those in effect the last time power was turned off Items that are stored as “Default (Default Settings)”…

• Page 168
  This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany. MA1008-A Printed in China CTK7000/WK7500E1A…

(скачивание инструкции бесплатно)

R

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Внимание!

Прежде чем приступать к эксплуатации данного изделия, ознакомьтесь со следующей важной информацией.

•Прежде чем приступать к эксплуатации адаптера переменного тока (приобретается дополнительно) для подачи питания на устройство, проверить адаптер на предмет повреждений. Сетевой шнур тщательно проверить на предмет разрывов, порезов, оголения провода, других серьезных повреждений. Если адаптер серьезно поврежден, не давать его детям.

•Не пытаться перезаряжать батареи.

•Не вставлять аккумуляторные батареи.

•Не вставлять старые батареи вместе с новыми.

•Вставлять батареи рекомендованного типа или эквивалентные.

•Ориентация положительного (+) и отрицательного (–) полюсов батарей должна соответствовать обозначениям у батарейного отсека.

•При первых же признаках разрядки батарей как можно скорее их заменять.

•Не допускать короткого замыкания полюсов батарей.

•Изделие не предназначено для детей в возрасте до 3 лет.

•Применять только адаптер CASIO AD-A12150LW.

•Адаптер переменного тока — не игрушка!

•Перед протиранием изделия отсоединять от него адаптер переменного тока.

Manufacturer:

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome, Shibuya-ku, Tokyo 151-8543, Japan

Responsible within the European Union:

CASIO EUROPE GmbH

Casio-Platz 1, 22848 Norderstedt, Germany

●Воспроизведение содержания данной инструкции, как частично, так и полностью, запрещается. Любое использование содержания данной инструкции, помимо личного пользования, без согласия «CASIO» запрещено законами об авторском праве.

●КОМПАНИЯ «CASIO» НИ ПРИ КАКИХ ОБСТОЯТЕЛЬСТВАХ НЕ НЕСЕТ ОТВЕТСТВЕННОСТИ НИ ЗА КАКОЙ УЩЕРБ (ВКЛЮЧАЯ, В ЧАСТНОСТИ, УБЫТКИ В СВЯЗИ С УПУЩЕННОЙ ВЫГОДОЙ, ПЕРЕРЫВОМ В ДЕЯТЕЛЬНОСТИ, ПОТЕРЕЙ ИНФОРМАЦИИ), ВОЗНИКАЮЩИЙ В РЕЗУЛЬТАТЕ ИСПОЛЬЗОВАНИЯ ИЛИ НЕВОЗМОЖНОСТИ ИСПОЛЬЗОВАНИЯ ДАННОЙ ИНСТРУКЦИИ ИЛИ ИЗДЕЛИЯ, ДАЖЕ ЕСЛИ КОМПАНИЯ «CASIO» БЫЛА УВЕДОМЛЕНА О ВОЗМОЖНОСТИ ТАКОГО УЩЕРБА.

●Содержание данной инструкции может быть изменено без предупреждения.

●Внешний вид изделия может отличаться от показанного на иллюстрациях в данной инструкции по эксплуатации.

●Упоминаемые в данной инструкции названия компаний и наименования изделий могут являться зарегистрированными торговыми марками других компаний.

Общие указания

• На иллюстрациях в данной инструкции по эксплуатации изображена модель WK-7500.

Общие указания

•В данной инструкции термином «синтезатор» обозначаются модели инструмента CTK-7000 и WK-7500.

•В данной инструкции органы управления обозначаются нижеуказанными числами и названиями.

•Ниже дается объяснение значения знаков #и $, нанесенных на пульте управления изделия и рядом с названиями нижеперечисленных клавиш.

#Обозначает функцию, которая включается в результате нажатия на соответствующую кнопку, если нажать и не отпускать кнопку R-13 (FUNCTION). Например, «SONG SEQUENCER, # EDIT» означает, что функция «EDIT» включается при нажатии на кнопку R-13

(FUNCTION).

$Обозначает функцию, которая включается, если на соответствующую кнопку нажать и некоторое время не отпускать. Например, «METRONOME, BEAT $» означает, что функция «BEAT» включается, если на кнопку нажать и некоторое время ее не отпускать.

Общие указания

3

1Область детальной информации

В этой области в процессе работы синтезатора отображается различная информация. Эта область предназначена для проверки правильности ввода новых значений, для выбора пункта меню, других действий.

4Область банков регистрационной памяти

В этой области отображается номер выбранного

банка регистрационной памяти (стр. R-66).

5Область аккордов

При применении автоаккомпанемента (стр. R-24) или музыкальной предустановки (стр. R-54) в этой области отображается обозначение взятого аккорда. Она рассчитана и на обозначения аккордов с самостоятельным басом, состоящие из символа корня аккорда (C, G и т. п.) и его типа (m, 7 и т. п.).

Общие указания

Сохранение показателей настройки

Синтезатор оснащен секвенсором композиций и другими функциями, позволяющими хранить создаваемые данные. Сохраненные данные не утрачиваются и после выключения синтезатора.* Однако у тембров, стилей и других показателей

настройки, обычно выставляемых на пульте синтезатора, после выключения синтезатора всегда восстанавливаются начальные значения, устанавливающиеся по умолчанию при включении синтезатора.

Можно запрограммировать синтезатор так, чтобы он запоминал последний набор настроек, а можно при каждом включении синтезатора применять определенный набор настроек, заданный по умолчанию. Подробности см. в частях «„AutoResume“ (автовозобновление)» (стр. R-134) и «„Default“ (показатели настройки по умолчанию)» (стр. R-134).

*Данные и показатели настройки, перечисленные ниже, всегда сохраняются и при выключении синтезатора.

–Набор настроек из регистрационной памяти (стр. R-66)

–Данные секвенсора композиций (стр. R-68)

–Пользовательские стили (стр. R-103)

–Пользовательские предустановки (стр. R-58)

–Пользовательские тембры (стр. R-44)

–Пользовательские тембры механического органа (стр. R-50)

–Пользовательские ЦОС-эффекты (стр. R-33)

–Величина контраста ЖКД (стр. R-133)

–Настройка автовозобновления (стр. R-134)

Восстановление заводских показателей настройки синтезатора

Можно удалить все данные из памяти синтезатора и восстановить все заводские показатели настройки. Подробности см. в части «Как инициализировать все данные и показатели настройки (или только параметры)» (стр. R-135).

Подготовка к игре

3.Вставить крышку батарейного отсека язычками в пазы по краям отсека и закрыть ее.

язычки

Подключения

Выбор и воспроизведение тембра

Прослушивание демонстрационных мелодий

•При воспроизведении демонстрационной мелодии можно подыгрывать на клавиатуре. Отметим, однако, что присвоенный клавиатуре тембр сменить при этом невозможно. Во время воспроизведения демонстрационной мелодии допускаются только основные действия, описанные выше.

2.Для остановки воспроизведения демонстрационной мелодии нажать на кнопку L-17 (PLAY/STOP).

Выбор и воспроизведение тембра

R-14

R-19

R-20

Выбор и воспроизведение тембра

•С первым ударом по кнопке L-12 (TAP) на дисплее появляется индикация, показанная ниже.

Выбор и воспроизведение тембра

мигает

•Информацию о типах № 001—012 см. в разделе «Применение автогармонизации» (стр. R-28).

R-23