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• Page 1
  User Guide English…

• Page 2: Table Of Contents

  Table of Contents Introduction ……….3 Adjusting Settings ……… 15 Overview ……….15 Parameters ………. 16 Box Contents ……….. 3 Amp ……….16 Cab ……….. 16 Support ………… 3 Effects ……….17 In …………17 Out ……….. 18 Features …………4 Mix …………

• Page 3: Introduction

  The HeadRush Pedalboard delivers a new generous and diverse offering of classic vintage and modern amp and effects models, including exclusive original boutique effects that can’t be found anywhere else, as well as the ability to load your own custom impulse response (IR) files.

• Page 4: Features

  11. Aux Volume: Turn this knob to adjust the volume level of the aux input. Important: The audio signal from the aux input is routed directly to the outputs of the HeadRush Pedalboard without any modeling applied. It is also unaffected by the master volume or phones volume knobs.

• Page 5: Rear Panel

  1. Power Input (IEC): Connect this input to a power outlet using the included power cable. 2. Power Switch: Press this button to turn the HeadRush Pedalboard’s power on. Press and hold this button to turn the HeadRush Pedalboard’s power off.

• Page 6
  17. USB Port: Connect this USB port to a computer using a standard USB cable. This connection allows the HeadRush Pedalboard to send and receive the digital audio signal to and from your computer. You can also use this connection to import or export rigs, model presets, setlists, and impulse response (IR) files. This…

• Page 7: Setup

  Setup Items not listed under Introduction > Box Contents are sold separately. Guitar PA loudspeakers or mixer Guitar amplifier Headphones Power outlet Computer External effect stompboxes, modules, etc.

• Page 8: Operation

  Operation This chapter describes the HeadRush Pedalboard’s functions. Main Screen Overview Tap to search for rigs by name. Tap to view setlists. Tap and drag this bar downward to view list of rigs. Turn encoder to move Rig name. Tap to save rig.

• Page 9: Basic Operations

  Basic Operations Important: The sequence of models in your signal chain is not necessarily reflected in the footswitches. You can freely assign models to available footswitches without changing your signal chain at all—and vice versa. See Hardware Assign to learn about this. To assign a model (amp, cab, or effect) to an empty slot, tap it () and then use the list that appears.

• Page 10: Signal Path

  Signal Path You can easily reconfigure the path of your signal chain to split, creating more complex routings. To reconfigure the signal path, tap  at the bottom of the main screen. The icon will change to match the current signal path as shown below. This straight signal path is the default and the most common.

• Page 11: Stereo Vs. Mono

  Stereo vs. Mono The outgoing signal from the HeadRush Pedalboard can be mono or stereo, depending on the models in your rig, the signal path, and which outputs you are using. An indicator near the end of the signal path indicates the current configuration.

• Page 12: Views

  Views The eight middle footswitches can be used to activate or bypass models (amps, cabs, or effects) as well as select rigs or setlists. These footswitches are always in one of four views: Stomp View, Rig View, Hybrid View, and Setlist View.

• Page 13: Rigs

  Rigs While using the HeadRush Pedalboard, a rig is a preset: the combination of assigned models—the amps, cabs, and effects—and the parameter settings of each of them. You can create, edit, save, and load rigs, making it easy to recall the perfect sound for each part of your performance.

• Page 14: Optimizing Your Signal Chain

  The signal chain is the path that the audio signal follows from your guitar through your selected models and ends at the outputs of the HeadRush Pedalboard. You can use the touchscreen to arrange your selected models in any sequence, but you may find that some configurations will sound better than others.

• Page 15: Adjusting Settings

  Adjusting Settings To adjust the settings of an item in your rig, double-tap it to open its settings screen. You can adjust the settings of any model (amp, cab, or effect), the input (the In/Lock icon), the output (the Out icon), or mix (the Mix icon). Overview Tap …

• Page 16: Parameters

  The Cab category is a list of popular amp cabinets, which contain the speakers. The HeadRush Pedalboard recreates not only the sound of the cabinet but also the type of microphone recording it.

• Page 17: Effects

  The available range is 1–3000 ms. USB Level: This setting controls the level of the audio signal sent from your computer to the HeadRush Pedalboard over a USB connection. The available range is -60.0 to 12.0 dB.

• Page 18: Out

  0% produces a mono signal. This affects stereo signals only, not mono signals. See Main Screen > Stereo vs. Mono to learn how the HeadRush Pedalboard handles stereo and mono signals. These settings control mix of a split signal path. This is available only for rigs with split signal paths (see Main Screen >…

• Page 19: Hardware Assign

  Hardware Assign screen. The MIDI Prog field determines the MIDI program change number of the rig. Use the Prog Change setting in the Global Settings screen to determine whether the HeadRush Pedalboard can send and/or receive MIDI program change messages (see Global Settings >…

• Page 20: Footswitches

  Footswitches The eight boxes in the lower-left corner represent the middle eight footswitches of the HeadRush Pedalboard. You can assign any switch-based parameters (ones with only two states) to any of the footswitches—regardless of their location in the signal chain.

• Page 21: Expression Pedal

  Mode). Use the toe switch to switch between them—Expression Pedal A or B. To activate the toe switch, move the “toe end” of the expression pedal so it touches the pedalboard, and then press down. The expression pedal status LED will indicate A or B.

• Page 22: Setlists

  Setlists You can use setlists to organize your rigs. A setlist is a saved collection of rigs, which you can save and recall at a later time. This is useful, for instance, if you only need some of your rigs for a performance; you can save a setlist of just those rigs so you don’t have to spend time searching through all of your rigs before playing the next song.

• Page 23: Hands-Free Mode

  12 footswitch to switch between the two. Looper The HeadRush Pedalboard has a built-in looper that you can use to layer your performances. While the looper’s operation is shown in the display, you can control most of it conveniently with the footswitches.

• Page 24
  To record the first layer of a loop, press the Record footswitch. Recording will begin immediately and the footswitch indicator will light red. Press the Record footswitch again to stop recording and start loop playback. The footswitch is now called Overdub and the footswitch indicator is yellow. To record additional layers onto the loop (overdub), press the Overdub footswitch.

• Page 25: Global Settings

  Global Settings Use the global settings to configure the HeadRush Pedalboard’s overall operation. To show the global settings, tap the  button in the upper-right corner of the screen, and tap Global Settings. LCD Brightness: This setting determines the brightness of the main display. Tap this field, turn the encoder to select 1 (dim) through 5 (bright), and then press the encoder.

• Page 26
  These settings affect only the HeadRush Pedalboard’s MIDI input or MIDI output. MIDI Thru: Tap On to use the MIDI output as a MIDI throughput; any MIDI information sent to the HeadRush Pedalboard’s MIDI input will be sent directly to the MIDI output. Tap Off to use the HeadRush Pedalboard’s MIDI output normally;…

• Page 27: Usb

  5. Open the HeadRush drive. You can now freely click and drag contents between HeadRush and your computer. Note that any changes you make to the contents of your HeadRush will not be final until after the next step, but any changes you make to the files on your computer are immediate.

• Page 28: Recording

  When the HeadRush Pedalboard’s USB port is connected to your computer, you can select and use the HeadRush Pedalboard as a 24-bit audio interface, enabling you to play audio through it or to send its audio signal to the computer. It can use sample rates of 48 kHz or 96 kHz.

• Page 29: Technical Specifications

  Specifications are subject to change without notice. Trademarks & Licenses HeadRush is a trademark of inMusic Brands, Inc., registered in the U.S. and other countries. Avid and Eleven are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries.

• Page 30
  Manual Version 1.1…

1.Power Input (IEC): Connect this input to a power outlet using the included power cable.

2.Power Switch: Press this button to turn HeadRush Pedalboard’s power on. Press and hold this button to turn HeadRush Pedalboard’s power off.

3.Vent: Make sure this vent is unobstructed while using HeadRush Pedalboard.

4.Guitar Input (1/4”/6.35 mm, TS): Connect your guitar to this input using a standard instrument cable.

5.Expression Pedal Input (1/4”/6.35 mm, TRS): Connect an optional secondary expression pedal to this input using a standard instrument cable.

6.Aux Input (1/8”/3.5 mm, TRS): Connect an optional audio source (e.g., smartphone, tablet, etc.) to this input using an 1/8”/3.5 mm stereo cable.

7.Outputs (XLR): Connect these outputs to the inputs of your mixer, active loudspeaker, etc. If you only need to use one output, use the one labeled L/Mono.

8.Ground-Lift Switch: Engage (depress) this switch to reduce hum or noise.

9.Outputs (1/4”/6.35 mm, TRS): Connect these outputs to the inputs of your amplifier, audio interface, etc. Set the Amp/Line selector to the setting appropriate for the connected device. If you only need to use one output, use the one labeled L/Mono.

10.Amp/Line Selector: Use this switch to select the level of the signal sent from the 1/4”/6.35 mm outputs. When set to Amp, the output level will be +6 dBu for a standard guitar amplifier. When set to Line, output level will be line-level, +18 dBu.

11.Phones Output (1/4”/6.35 mm, TRS): Connect standard 1/4” (6.35 mm) stereo headphones to this output. Use the phones volume knob to control the volume level.

12.Send Outputs (1/4”/6.35 mm, TRS): Connect these outputs to the inputs of another effects module, an effect pedal, or the effects loop return of an amplifier. Set the Rack/Stomp selector to the setting appropriate for the connected device. If you only need to use one output, use the one labeled L/Mono.

13.Return Inputs (1/4”/6.35 mm, TRS): Connect these inputs to the outputs of another effects module, an effect pedal, or the effects loop send of an amplifier. Set the Rack/Stomp selector to the setting appropriate for the connected device. If you only need to use one output, use the one labeled L/Mono.

14.Rack/Stomp Selector: Use this switch to select the level of the signal sent from the send outputs to the return inputs. When set to Rack, output level will be line-level, +18 dBu. When set to Stomp, the output level will be +6 dBu like a standard guitar pedal (“stompbox”).

15.MIDI Input (5-pin DIN): Use a standard MIDI cable to connect this input to the MIDI output of an optional external MIDI device.

16.MIDI Output (5-pin DIN): Use a standard MIDI cable to connect this output to the MIDI input of an optional external MIDI device.

17.USB Port: Connect this USB port to a computer using a standard USB cable. This connection allows HeadRush Pedalboard to send and receive the digital audio signal to and from your computer. You can also use this connection to import or export rigs, model presets, and setlists.

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Headphones

Power outlet

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Basic Operation

This chapter describes some of HeadRush Pedalboard’s basic functions. You can visit headrushfx.com to download the complete user guide for even more information.

Main Screen

Important: The sequence of models in your signal chain is not necessarily reflected in the footswitches. You can freely assign models to available footswitches without changing your signal chain at all—and vice versa. See Hardware Assign to learn about this.

To rearrange the models in your signal chain, tap and drag a model to another slot or between two other models (the ones after that position will shift one slot further down the signal chain).

HeadRush Pedalboard’s footswitches can be used not only to activate or deactivate models (amps, cabs, or effects) but also to select rigs or setlists. The middle eight footswitches are always in one of four modes:

To change the view:

1. Press and hold the lower-left footswitch until Exit appears in its display. The adjacent four footswitches now correspond to the four views: Stomp, Rig, Hybrid, and Setlist.

Stomp View

Rig View

While using HeadRush Pedalboard, a rig is a preset: the combination of assigned models—the amps, cabs, and effects—and the parameter settings of each of them. You can create, edit, save, and load rigs, making it easy to recall the perfect sound for each part of your performance.

Each rig has 11 slots, each of which can have one model (amp, cab, or effect) assigned to it. Assigned slots will show graphical representations of the models, and empty slots will show a  symbol.

Creating a New Rig

To create a new rig, tap the  button in the upper-right corner of the screen, and tap New Rig.

To assign a model (amp, cab, or effect) to an empty slot:

1.Tap the empty slot ().

2.In the list that appears, tap the type of model you want to assign: Amp, Cab, or effect (Distortion, Dynamics/EQ, Modulation, Reverb/Delay, FX-Loop, or Expression).

3.In the list that appears, tap the model you want to assign.

4.In the next list that appears, tap the preset you want to load for that model.

If you load an amp or cab to a slot with an empty adjacent slot, a matching amp or cab will be loaded automatically to the other slot. After that, you can configure them independently: you can separate them in the signal chain, you can change the type of the amp or cab, and you can delete each model separately.

The signal chain is the path that the audio signal follows from your guitar through your selected models and ends at the outputs of HeadRush Pedalboard. You can use the touchscreen to arrange your selected models in any sequence, but you may find that some configurations will sound better than others.

Here are some common model placement suggestions for creating tones with HeadRush Pedalboard:

•Dynamics (e.g., compressors), filters (e.g., wah, pitch shifters), and volume pedals generally are placed at the beginning of the signal chain. Alternatively, you can place volume pedals at the end of the signal chain to provide a slight variance in functionality.

•Gain-based effects (e.g., overdrive/distortion, fuzz) usually come next.

•Equalization (EQ) is often used to shape the tonal characteristics of overdrive/distortion and fuzz effects, so put an EQ after them. Alternatively, place it before them to shape the guitar’s general tone—cutting unwanted frequencies—before the gain pedals.

•Modulation effects like flangers, phasers, and chorus are typically placed next.

•Time-based effects like delays and reverbs are generally placed near the end of the signal chain.

•An amp and a cab are often placed at the very end of the signal chain, although you can place it wherever you want.

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Saving a Rig

If you have changed the rig at all since loading it, you will see an asterisk () next to its name at the top of the screen. You can save these changes to this rig, save these changes as another rig, or discard them altogether.

To save a rig, tap Save in the upper-right corner.

To save your changes to the current rig, tap Save.

To save your changes as a new rig, tap Save New Rig, use the keyboard that appears to enter a name, and then tap Save.

To return to the previous screen without saving, tap Cancel at any time.

To discard any changes you’ve made to the rig, tap the  button in the upper-right corner, and tap Discard Changes.

Adjusting Settings

To adjust the settings of a model in your rig, double-tap it to open its settings screen.

Tap  to return to retain your changes and return to the main screen.

Tap this button and tap Discard Changes to discard any changes you’ve made since opening this screen.

To save a preset, tap Save in the upper-right corner.

To save your changes to the current preset, tap Save.

To save your changes as a new preset, tap Save New Preset, use the keyboard that appears to enter a name, and then tap Save.

To return to the previous screen without saving, tap Cancel at any time.

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You can use setlists to organize your rigs. A setlist is a saved collection of rigs, which you can save and recall at a later time. This is useful, for instance, if you only need some of your rigs for a performance; you can save a setlist of just those rigs so you don’t have to spend time searching through all of your rigs before playing the next song.

To view your setlists, tap the ≡ button in the upper-left corner of the main screen. The Setlists screen will appear.

To return to the main screen, tap the  button in the upper-left corner.

To create a setlist:

1.Tap New in the upper-right corner.

2.In the screen that appears, the left half is a list of all available rigs, and the right half is the list of rigs in the setlist.

To add a rig to the setlist, tap it to add it to the end of the list. Alternatively, tap and hold it, and then drag it to the desired location in the list. You can add the same rig to a setlist more than once. The [Empty ] rig in the lower-left corner is a slot to use as a placeholder to make rearranging the setlist easier; it will not be available as a selectable rig when moving through rigs in the setlist.

To rearrange the setlist, tap and hold a rig in the list on the right half, and then drag it to the desired location in the list.

To remove a rig from the setlist, tap the  on its right edge.

To save a setlist, tap Save in the upper-right corner.

To save your changes to the current setlist, tap Save.

To save your changes as a new setlist, tap Save New Setlist, use the keyboard that appears to enter a name, and then tap Save.

(At any time) To return to the previous screen without saving, tap Cancel.

To discard any changes you’ve made to the setlist, tap the  button in the upper-left corner, and tap Discard Changes.

To load a setlist:

1.While viewing the main screen, tap the ≡ button in the upper-left corner to view the Setlists screen. Each setlist will show the number of rigs in parentheses (including multiple instances of the same rig).

2.Tap the desired setlist. The first rig of that setlist will load immediately. Tap All Rigs to view all rigs instead of a specific setlist.

To edit a setlist, tap the  button on its left side, and then tap the pencil icon. You will see the same screen you used to create the setlist, where you can edit and save it.

To delete a setlist, tap the  button on its left side, and then tap the trash can icon. Tap Yes to confirm the deletion or Cancel to return to the Setlists screen without deleting it.

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Hands-Free Mode enables you to adjust any of the settings on your models by using just the footswitches and expression pedal.

To enter Hands-Free Mode, press and hold a footswitch assigned to a model for over one second. While in HandsFree Mode, the screen will show a single parameter and its value, and the top six footswitches will correspond to six parameters of that model.

To exit Hands-Free Mode, press the lower-left most (Exit) footswitch.

To change the value, move the expression pedal.

To show another parameter, press the corresponding footswitch. If that model has more than six parameters, press the lower-middle two ( or ) footswitches to show the previous or next six parameters.

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1.Entrada de corriente (IEC): Conecte esta entrada a una toma de corriente utilizando el cable de corriente incluido.

2.Interruptor de encendido: Pulse este botón para encender la HeadRush Pedalboard. Mantenga pulsado este botón para apagar la HeadRush Pedalboard.

3.Ventilación: Asegúrese de que esta ventilación no se encuentre obstruida mientras utiliza la HeadRush Pedalboard.

4.Entradas de guitarra (6,35 mm/1/4 pulg., TRS): Conecte su guitarra a esta entrada utilizando un cable para instrumentos estándar.

5.Entrada del pedal de expresión (6,35 mm/1/4 pulg., TRS): Conecte a esta entrada un pedal de expresión secundario opcional utilizando un cable para instrumentos estándar.

6.Entrada auxiliar (3,5 mm/1/8 pulg., TRS): Conecte una fuente de audio opcional (por ej., un teléfono inteligente [smartphone], tableta, etc.) a esta entrada mediante un cable estéreo de 3,5 mm (1/8 pulg.).

7.Salidas (XLR): Conecte estas salidas a las entradas de su mezclador, altavoz activo, etc. Si sólo precisa utilizar una salida, utilice la que tiene el rótulo L/Mono.

8.Interruptor de levantamiento de tierra: Acople (baje) este interruptor para reducir el zumbido o ruido.

9.Salidas (6,35 mm/1/4 pulg., TRS): Conecte estas salidas a las entradas de su amplificador, interfaz de audio, etc. Coloque el selector Amp/Line en la posición que corresponde al dispositivo conectado. Si sólo precisa utilizar una salida, utilice la que tiene el rótulo L/Mono.

10.Selector Amp/Line: Utilice este interruptor para seleccionar el nivel de la señal enviada desde las salidas de 6,35 mm/1/4 pulg. Cuando se lo coloque en Amp, el nivel de la salida será de +6 dBu para un amplificador de guitarra estándar. Cuando se lo coloque en Line, la salida tendrá nivel de línea, +18 dBu.

11.Salida para auriculares (6,35 mm/1/4 pulg., TRS): Conecte auriculares estéreo estándar de 6,35 mm (1/4 pulg.) a esta salida. Use las perillas phones volume para controlar el nivel de volumen.

12.Salidas de envío (6,35 mm/1/4 pulg., TRS): Conecte estas salidas a las entradas de otro módulo de efectos, un pedal de efectos o el retorno del bucle de efectos de un amplificador. Coloque el selector Rack/Stomp en la posición correspondiente al dispositivo conectado. Si sólo precisa utilizar una salida, utilice la que tiene el rótulo L/Mono.

13.Entradas del retorno (6,35 mm/1/4 pulg., TRS): Conecte estas entradas a las salidas de otro módulo de efectos, un pedal de efectos o el envío del bucle de efectos de un amplificador. Coloque el selector Rack/Stomp en la posición correspondiente al dispositivo conectado. Si sólo precisa utilizar una salida, utilice la que tiene el rótulo L/Mono.

14.Selector Rack/Stomp: Utilice este interruptor para seleccionar el nivel de la señal enviada desde las salidas de envío a las entradas de retorno. Cuando se lo coloque en Rack, la salida tendrá nivel de línea, +18 dBu. Cuando se lo coloca en Stomp, el nivel de la salida será de +6 dBu para un pedal de guitarra estándar (“stompbox”).

15.Entrada de MIDI: (DIN de 5 patillas): Use un cable MIDI estándar para conectar esta entrada a la salida MIDI de un dispositivo MIDI externo opcional.

16.Salida MIDI (DIN de 5 patillas): Use un cable MIDI estándar de para conectar esta salida a la entrada MIDI de un dispositivo MIDI externo.

17.Puerto USB: Conecte este puerto USB a un ordenador utilizando un cable USB estándar. Esta conexión permite que la HeadRush Pedalboard envíe y reciba la señal de audio digital desde y hacia su ordenador. También puede utilizar esta conexión para importar o exportar equipos, presets de modelos y listas de equipos.

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Los elementos que no se enumeran en Introducción > Contenido de la caja se venden por separado.

Auriculares

Toma de corriente

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Funcionamiento básico

Este capítulo describe algunas de las funciones básicas de la HeadRush Pedalboard. Puede visitar headrushfx.com para descargar la guía de usuario completa y obtener más información.

Pantalla principal

Para reacomodar los modelos de su cadena de señal, toque y arrastre un modelo hacia otra ranura o entre los dos otros modelos (los que le siguen a esa posición se desplazarán una ranura hacia abajo en la cadena de señal).

Para ver otras opciones, toque el botón  en la esquina superior derecha y luego toque una opción.

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Los interruptores de pedal de la HeadRush Pedalboard no sólo se pueden utilizar para activar o desactivar modelos (amplificadores, gabinetes o efectos) sino también para seleccionar equipos o listas de equipos. Los ocho interruptores de pedal del medio se encuentran siempre en uno de cuatro modos:

Para cambiar la vista: