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Owner’s Manual
Thank you, and congratulations on your choice of the Roland Percussion Sound
Module TD-6.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3) and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
*All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Copyright © 2001 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
USING THE UNIT SAFELY
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
•Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
……………………………………………………………………………………
002c
•Do not open (or modify in any way) the unit or
its AC adaptor.
……………………………………………………………………………………
003
•Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
……………………………………………………………………………………
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
•Damp (e.g., baths, washrooms, on wet floors); or are
•Humid; or are
•Exposed to rain; or are
•Dusty; or are
•Subject to high levels of vibration.
……………………………………………………………………………………
•This unit should be used only with a rack or
stand that is recommended by Roland.
……………………………………………………………………………………
006
•When using the unit with a rack or stand
recommended by Roland, the rack or stand must be carefully placed so it is level and sure
to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.
……………………………………………………………………………………
008c
•Be sure to use only the AC adaptor supplied
with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use
could result in damage, malfunction, or electric shock.
……………………………………………………………………………………
009
•Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
……………………………………………………………………………………
2
•This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
……………………………………………………………………………………
•Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
……………………………………………………………………………………
•Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:
•The AC adaptor or the power-supply cord has been damaged; or
•Objects have fallen into, or liquid has been spilled onto the unit; or
•The unit has been exposed to rain (or otherwise has become wet); or
•The unit does not appear to operate normally or exhibits a marked change in performance.
……………………………………………………………………………………
•In households with small children, an adult
should provide supervision until the child is capable of following all the rules essential for
the safe operation of the unit.
……………………………………………………………………………………
•Protect the unit from strong impact. (Do not drop it!)
……………………………………………………………………………………
•Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
……………………………………………………………………………………
•Before using the unit in a foreign country,
consult with your retailer, the nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
……………………………………………………………………………………
•The unit and the AC adaptor should be located
so their location or position does not interfere with their proper ventilation.
……………………………………………………………………………………
•Always grasp only the plug or the body of the
AC adaptor when plugging into, or unplugging from, an outlet or this unit.
……………………………………………………………………………………
•Whenever the unit is to remain unused for an
extended period of time, disconnect the AC adaptor.
……………………………………………………………………………………
•Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be placed so they are out of the reach of children.
……………………………………………………………………………………
•Never climb on top of, nor place heavy objects on the unit.
……………………………………………………………………………………
• Never handle the AC adaptor body, or its plugs,
with wet hands when plugging into, or
unplugging from, an outlet or this unit.
……………………………………………………………………………………
•Before moving the unit, disconnect the AC
adaptor and all cords coming from external devices.
……………………………………………………………………………………
•Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 23).
……………………………………………………………………………………
•Whenever you suspect the possibility of
lightning in your area, disconnect the AC adaptor from the outlet.
……………………………………………………………………………………
•Should you remove screws, make sure to put
them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.
……………………………………………………………………………………
3
IMPORTANT NOTES
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply
•Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
•The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
•Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
•Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
•This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
•Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
•To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.
Maintenance
•For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
•Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
•Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Memory Backup
•This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
4
IMPORTANT NOTES
Additional Precautions
•Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).
•Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
•Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
•Never strike or apply strong pressure to the display.
•When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
•To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
•Since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow such sound to become a nuisance to neighbors, especially at night and when using headphones. Although the drum pads and pedals are designed so there is a minimal amount of extraneous sound produced when they’re struck, rubber heads tend to produce louder sounds compared to mesh heads. You can effectively reduce much of the unwanted sound from the pads by switching to mesh heads.
•When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
•Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
•Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
5
Contents
USING THE UNIT SAFELY ……………………………………………………………… |
2 |
IMPORTANT NOTES………………………………………………………………………. |
4 |
Contents ……………………………………………………………………………………….. |
6 |
Features ……………………………………………………………………………………… |
12 |
How to Use This Manual ………………………………………………………………. |
14 |
Composition of This Manual …………………………………………………………………………………….. |
14 |
Terms Used in This Manual …………………………………………………………………………………….. |
14 |
Setup Guide …………………………………………… |
15 |
Panel Descriptions ………………………………………………………………………. |
16 |
Front Panel……………………………………………………………………………………………………………. |
16 |
Rear Panel ……………………………………………………………………………………………………………. |
18 |
Making the Settings……………………………………………………………………… |
19 |
Mounting the TD-6 to the Stand ……………………………………………………………………………….. |
19 |
Connecting the Pads and the Pedals ………………………………………………………………………… |
20 |
About Polarity Switch…………………………………………………………………………………………….. |
21 |
Connecting Two Pads to Trigger Inputs 5/6 (TOM2/AUX) and 7/8 (TOM3/4)…….. |
21 |
Connecting Two Kick Trigger Units ……………………………………………………………………….. |
22 |
Connecting Headphones, Audio Equipment, Amps, and Other Gear …………………………….. |
23 |
Turning On/Off the Power…………………………………………………………….. |
24 |
Turning Off the Power …………………………………………………………………………………………….. |
25 |
Restoring the Factory Settings (Factory Reset) …………………………….. |
26 |
Listening to the Demo Songs……………………………………………………….. |
28 |
Selecting the Pad Type ………………………………………………………………… |
30 |
Adjusting the Sensitivity of the Pad ……………………………………………… |
32 |
About the Pads ……………………………………………………………………………. |
34 |
Trigger Inputs and the Pads You Can Use…………………………………………………………………. |
34 |
Trigger Input Functions………………………………………………………………………………………….. |
34 |
Combinations of Pad and Trigger Type………………………………………………………………….. |
35 |
Recommended Parameters for the Pads …………………………………………………………………. |
36 |
Playing the Pads ……………………………………………………………………………………………………. |
37 |
Pad Head Shots and Rim Shots ………………………………………………………………………………. |
37 |
Cross Stick………………………………………………………………………………………………………………. |
37 |
Cymbal Bow Shots/Edge Shots/Bell Shots…………………………………………………………….. |
38 |
Cymbal Choke………………………………………………………………………………………………………… |
39 |
Hi-Hat Control Pedal ………………………………………………………………………………………………. |
39 |
6
Contents |
||
Quick Start…………………………………………….. |
41 |
|
Choosing a Drum Kit……………………………………………………………………. |
42 |
|
Playing While Listening to the Metronome/Click …………………………… |
43 |
|
Switching the Click On and Off…………………………………………………………………………………. |
43 |
|
Adjusting the Click Volume (Level)……………………………………………………………………………. |
44 |
|
Adjusting the Click Tempo……………………………………………………………………………………….. |
45 |
|
Playing Along with Songs ……………………………………………………………. |
46 |
|
Choosing a Song and Playing Back ………………………………………………………………………….. |
46 |
|
Choosing a Song …………………………………………………………………………………………………….. |
46 |
|
Playing Back a Song ……………………………………………………………………………………………….. |
47 |
|
Adjusting the Song Volume ……………………………………………………………………………………… |
48 |
|
Setting the Backing Part (Melodic Instruments etc.) Volume ………………………………….. |
48 |
|
Setting the Drums and Percussion Volume…………………………………………………………….. |
48 |
|
Temporarily Changing the Tempo of a Song ……………………………………………………………… |
49 |
|
Muting the Pre-programmed Drums in Songs …………………………………………………………….. |
50 |
|
Using the Pads to Play Songs………………………………………………………. |
52 |
|
Playing with a CD, Tape, or MD (Using MIX IN Jack) ……………………… |
53 |
|
Using the TD-6 As a General MIDI Sound Module………………………….. |
54 |
|
Advanced Use ………………………………………… |
55 |
|
Chapter 1 Creating Your Own Drum Kit ……………… |
(Kit Edit) ………….. |
56 |
About Drum Kits and the Drum Kit Screen …………………………………………………………………. |
56 |
|
About the Drum Kits………………………………………………………………………………………………. |
56 |
|
About the Drum Kit Screen…………………………………………………………………………………….. |
57 |
|
Choosing a Drum Kit ………………………………………………………….. |
(Drum Kit) …………………… |
57 |
Choosing the Pad to Edit…………………………………………………………………………………………. |
57 |
|
Choosing a Pad by Hitting It ………………………………………………………………………………….. |
57 |
|
Choosing on the TD-6 …………………………………………………………………………………………….. |
58 |
|
Notation Used in the Screen ……………………………………………………………………………………. |
58 |
|
Helpful Functions for Edit ………………………………………………………………………………………… |
58 |
|
Listening the INST (Instrument) assigned to a Pad ……….. |
(Preview) ………………………. |
58 |
Locking the Setting Screen While Editing One Instrument … |
(Note Chase) …………………. |
59 |
Choosing an Instrument ………………………………………………………………………………………….. |
59 |
|
About the Instruments……………………………………………………………………………………………. |
59 |
|
Choosing from the Group Names………………………………….. |
(Inst Group) ………………….. |
59 |
Choosing an Instrument ………………………………………………… |
(Inst) ……………………………… |
60 |
Instrument Settings ……………………………………………………………. |
(INST)………………………… |
60 |
Adjusting the Volume of the Pad …………………………………… |
(Level) …………………………… |
61 |
Setting the Pan Position …………………………………………………. |
(Pan)……………………………… |
61 |
Adjusting the Pitch ………………………………………………………… |
(Pitch)……………………………. |
61 |
Adjusting the Decay (Length of Sound)…………………………. |
(Decay)………………………….. |
61 |
7
Contents |
||
Ambience Settings …………………………………………………………….. |
(AMBIENCE) ………………. |
62 |
Switching Ambience On/Off…………………………………………. |
(Ambience Switch)………… |
62 |
Ambience “Send” Level for Each Instrument ………………… |
(Ambience Send Level) …. |
62 |
Choose “Location” Where the Drums are Played ………….. |
(Studio Type) ………………… |
62 |
Changing the Wall Surface Material………………………………. |
(Wall Type) …………………… |
63 |
Determine the Room Size ………………………………………………. |
(Room Size)…………………… |
63 |
Adjusting the Entire Drum Kit’s Overall Ambience ………. |
(Ambience Level) ………….. |
63 |
Equalizer Settings ……………………………………………………………… |
(EQUALIZER)……………… |
64 |
Switching the Equalizer On/Off……………………………………… |
(Master Equalizer Switch).. |
64 |
Adjusting the Sound ……………………………………………………… |
(High Gain, Low Gain)….. |
64 |
Settings for Various Functions …………………………………………….. |
(CONTROL) ……………….. |
64 |
Playing a Song by Hitting a Pad…………………………………….. |
(Pad Pattern) …………………. |
65 |
Control the “Level” of the Pattern with Playing Dynamics … |
(Pad Pattern Velocity) …… |
65 |
Pitch Control |
||
with the Hi-Hat Control Pedal On/Off for Each Pad …….. |
(Pitch Control Assign)…… |
66 |
MIDI Note Number for Each Pad ………………………………….. |
(Note Number) ……………… |
66 |
MIDI Gate Time for Each Pad………………………………………… |
(Gate Time) …………………… |
67 |
Overall Drum Kit Settings ……………………………………………………. |
(COMMON) ………………… |
68 |
Overall Drum Kit Volume …………………………………………….. |
(Master Volume) …………… |
68 |
Adjusting the Volume of the Pedal Hi-Hat Sound …………. |
(Pedal Hi-Hat Volume) …. |
68 |
Setting the Range for the Pitch Control |
||
with the Hi-Hat Control Pedal ……………………………………………… |
(Pedal Pitch Control Range) … |
68 |
Naming the Drum Kit ……………………………………………………. |
(Kit Name)…………………….. |
69 |
Copying a Drum Kit ……………………………………………………………. |
(COPY)………………………. |
69 |
Restoring the Factory Settings for the Edited Drum Kit………………………………………….. |
70 |
|
Switching the Order of the Drum Kits ……………………………………. |
(EXCHANGE)……………… |
70 |
Chapter 2 Making the Pad and Trigger Settings….. |
(SETUP/TRIG) ….. |
71 |
About the Screen Display ………………………………………………………………………………………… |
71 |
|
Notation Used in the Screen……………………………………………………………………………………. |
71 |
|
About the Input Indicator ………………………………………………………………………………………. |
71 |
|
Selecting the Pad Type…………………………………………………… |
(Trigger Type)……………….. |
71 |
Setting the Pad Sensitivity and Making Other Settings ……………. |
(TRIGGER BASIC)………. |
72 |
Adjusting the Pad Sensitivity ………………………………………… |
(Sensitivity) …………………… |
73 |
Setting the Minimum Levels for the Pads………………………. |
(Threshold)……………………. |
73 |
Adjust How Playing Dynamics Changes the Volume ……. |
(Trigger Curve)……………… |
73 |
Eliminate Crosstalk Between Pads…………………………………. |
(Crosstalk Cancel) …………. |
74 |
Fine-Tuning the Trigger Parameter Settings…………………………… |
(TRIGGER ADVANCED).. |
74 |
Adjusting the Trigger Signal Detection Time…………………. |
(Scan Time) …………………… |
75 |
Detecting Trigger Signal Attenuation |
||
and Cancelling Incorrect Triggering………………………………. |
(Retrigger Cancel) …………. |
75 |
Double Triggering Prevention……………………………………….. |
(Mask Time)………………….. |
75 |
Setting Rim Sensitivity on the PD-120 and PD-80R………… |
(Rim Sens) …………………….. |
76 |
Using the TD-6 with Acoustic Triggers ………………………………………………………………………. |
76 |
|
Chapter 3 Global Settings for the TD-6 ………………. |
(SETUP/UTILITY, |
|
Factory Reset) … |
77 |
|
Making the Global Settings …………………………………………………. |
(UTILITY)……………………. |
77 |
Display Contrast Adjustment ………………………………………… |
(LCD Contrast) ……………… |
77 |
Percussion Part Volume Control ……………………………………. |
(Percussion Part Level)….. |
77 |
8
Contents |
||
Backing Instruments Volume Control……………………………. |
(Backing Level)……………… |
78 |
Muting Parts of a Song…………………………………………………… |
(Mute) …………………………… |
78 |
Tuning the TD-6…………………………………………………………….. |
(Master Tune) ……………….. |
78 |
Preview Volume Control……………………………………………….. |
(Preview Velocity) ………… |
79 |
Checking the Remaining Amount of Memory……………….. |
(Available Memory) ……… |
79 |
Restoring the Factory Settings …………………………………………….. |
(Factory Reset)……………. |
79 |
Chapter 4 Setting the Metronome ………………………. |
(Click Edit)……….. |
80 |
Switching the Click On/Off…………………………………………………… |
(Click) ………………………… |
80 |
Tempo Adjustment …………………………………………………………….. |
(Tempo)……………………… |
80 |
Setting the Way the Click Sounds …………………………………………………………………………….. |
80 |
|
Volume Adjustment ………………………………………………………. |
(Click Level)………………….. |
80 |
Setting the Time Signature …………………………………………….. |
(Time Signature)……………. |
81 |
Setting the Interval ………………………………………………………… |
(Interval)……………………….. |
81 |
Selecting the Click Sound ………………………………………………. |
(Inst) ……………………………… |
81 |
Stereo Position……………………………………………………………….. |
(Pan)……………………………… |
81 |
Inserting a Count Before Playback or Recording ………………. |
(Play Count In, Rec Count In) .. |
81 |
Chapter 5 Editing Songs……………………………………. |
(SONG Edit)……… |
82 |
About Songs and the Song Screen …………………………………………………………………………… |
82 |
|
About Songs …………………………………………………………………………………………………………… |
82 |
|
About the Song Screen……………………………………………………………………………………………. |
83 |
|
Choosing a Song……………………………………………………………………………………………………. |
84 |
|
Choosing from a Category …………………………………………….. |
(Song Category)…………….. |
84 |
Choosing a Song ……………………………………………………………. |
(Song)……………………………. |
84 |
Playing Back a Song ………………………………………………………………………………………………. |
84 |
|
Convenient Function for Playback………………………………………………………………………….. |
84 |
|
Adjusting the Song Volume ……………………………………………………………………………………… |
85 |
|
Muting a Selected Part ……………………………………………………….. |
(Part Mute) …………………. |
85 |
Overall Song Settings…………………………………………………………. |
(COMMON) ………………… |
86 |
Setting the Tempo………………………………………………………….. |
(Tempo) ………………………… |
86 |
Selecting How the Song Plays Back (LOOP, 1SHOT, TAP) … |
(Play Type)……………………. |
86 |
Playing Back the Song from the First Note/Event …………. |
(Quick Play) ………………….. |
87 |
Reset Time When Using Tap Playback…………………………… |
(Reset Time) ………………….. |
87 |
Preventing Layering of Sounds in Tap Playback……………. |
(Tap Exclusive Switch)….. |
87 |
Protecting User Song Settings………………………………………… |
(Song Lock) …………………… |
87 |
Naming a Song………………………………………………………………. |
(Song Name) …………………. |
88 |
Part Settings ……………………………………………………………………… |
(PART) ………………………. |
88 |
Choosing Percussion Set and Instruments …………………….. |
(Percussion Set, Inst)……… |
89 |
Adjusting the Part Volume…………………………………………….. |
(Level) …………………………… |
89 |
Adjusting the Stereo Position…………………………………………. |
(Pan)……………………………… |
90 |
Adjusting the Amount of Ambience………………………………. |
(Ambience Send Level) …. |
90 |
Adjusting the Bend Range……………………………………………… |
(Bend Range) ………………… |
90 |
Copying a Song…………………………………………………………………. |
(COPY)………………………. |
90 |
Deleting a Song…………………………………………………………………. |
(DELETE) …………………… |
91 |
Erasing Performance Data in a Song ……………………………………. |
(ERASE)…………………….. |
92 |
9
Contents |
||
Chapter 6 Recording a Song ………………………………………. |
(Realtime Recording) |
.. 93 |
Preparations for Recording ……………………………………………………………………………………… |
93 |
|
When Recording Pad Performances ……………………………………………………………………….. |
93 |
|
Recording Performances by External MIDI Devices ……………………………………………….. |
93 |
|
How To Record………………………………………………………………………… |
(RECORDING STANDBY)..94 |
|
Setting the Time Signature …………………………………………….. |
(Time Signature)……………. |
94 |
Setting the Number of Measures……………………………………. |
(Length) ………………………… |
94 |
Setting the Song Tempo…………………………………………………. |
(Tempo) ………………………… |
94 |
Quantize During Recording…………………………………………… |
(Quantize) …………………….. |
95 |
Selecting the Recording Method |
||
(Loop All, Loop1, Loop2, Replace)…………………………………. |
(Recording Mode) …………. |
95 |
Start Recording with a Pad or Pedal Trigger………………….. |
(Hit Pad Start)……………….. |
95 |
Chapter 7 Making the MIDI Settings …………………… |
(SETUP/MIDI, |
|
BULK DUMP) ….. |
96 |
|
About MIDI ……………………………………………………………………………………………………………. |
96 |
|
MIDI Connectors ……………………………………………………………………………………………………. |
96 |
|
MIDI Channels and Multi-timbral Sound Modules ………………………………………………… |
96 |
|
How the Internal Sequencer Operates…………………………………………………………………….. |
97 |
|
Making the MIDI Settings ……………………………………………………. |
(MIDI COMMON)…………. |
97 |
Automatically Switching Instrument Settings Screens …… |
(Note Chase) …………………. |
98 |
When Using as MIDI Controller |
||
for External MIDI Device Only………………………………………. |
(Local Control)………………. |
98 |
Synchronizing with an External MIDI Device ……………….. |
(Sync Mode)………………….. |
98 |
Setting Priority for Playing Drums and Percussion ……….. |
(Channel 10 Priority) …….. |
99 |
Hi-Hat Control Pedal Data Reduction……………………………. |
(Pedal Data Thin) ………….. |
99 |
Switch to the GM (General MIDI) Mode………………………… |
(GM Mode) …………………. |
100 |
Preventing the TD-6 from Switching |
||
to GM (General MIDI) Mode …………………………………………. |
(Rx GM ON)………………… |
100 |
Mixing MIDI Signals Coming to the MIDI IN |
||
with Real Time Performance on the Pads ………………………. |
(Soft Thru) …………………… |
101 |
Set the Device ID……………………………………………………………. |
(Device ID) ………………….. |
101 |
Setting the TD-6 So That Program Changes |
||
Are Not Transmitted ………………………………………….. |
(Tx PC Sw) ………………….. |
102 |
Are Not Received ……………………………………………….. |
(Rx PC Sw) ………………….. |
102 |
MIDI Channel Settings for a Part………………………………………….. |
(MIDI PART)……………… |
102 |
MIDI Messages Stop Function for Specific Parts |
||
in GM (General MIDI) Mode ………………………………………………… |
(GM PART)……………….. |
103 |
Saving Data to an External MIDI Device ……………………………….. |
(BULK DUMP) …………… |
103 |
Returning Saved Data to the TD-6 ………………………………………………………………………… |
104 |
|
Chapter 8 Features Using MIDI and Setting Examples …………………. |
105 |
|
About Transmitting/Receiving Program Changes ……………………………………………………… |
105 |
|
Triggering an External Sound Device by Playing the TD-6 …………………………………………. |
105 |
|
Combining with an External MIDI Sequencer……………………………………………………………. |
106 |
|
Importing Sequence Data from an External MIDI Device |
||
to the TD-6’s Internal Sequencer …………………………………………………………………………… |
106 |
|
Recording Your Performance to an External Sequencer………………………………………… |
106 |
|
Using the TD-6 As a Sound Module………………………………………………………………………… |
107 |
10
Contents |
|
Appendices ………………………………………….. |
109 |
Troubleshooting ………………………………………………………………………… |
110 |
No Sound ……………………………………………………………………………………………………………. |
110 |
No Sound/Low volume from Device Connected to the MIX IN Jack …………………………….. |
112 |
Drum Kit Does Not Sound As Intended……………………………………………………………………. |
112 |
Pad Does Not Sound As Intended ………………………………………………………………………….. |
113 |
Song Does Not Sound As Intended ………………………………………………………………………… |
114 |
Sound is distorted…………………………………………………………………………………………………. |
114 |
Problems Operating the TD-6 ………………………………………………………………………………… |
115 |
Display Is Too Light Or Too Dark ……………………………………………………………………………. |
115 |
Messages and Error Messages …………………………………………………… |
116 |
System and Battery Error Messages……………………………………………………………………….. |
116 |
Messages and Error Messages Related to Sequencers and Songs…………………………….. |
116 |
Messages and Error Messages Related to MIDI……………………………………………………….. |
117 |
Drum Kit List ……………………………………………………………………………… |
118 |
Drum Instrument List …………………………………………………………………. |
120 |
Preset Percussion Set List …………………………………………………………. |
124 |
Backing Instrument List……………………………………………………………… |
126 |
Preset Song List ………………………………………………………………………… |
128 |
Parameter List …………………………………………………………………………… |
130 |
MIDI Implementation ………………………………………………………………….. |
135 |
Block Diagram …………………………………………………………………………… |
151 |
Specifications ……………………………………………………………………………. |
152 |
Index …………………………………………………………………………………………. |
153 |
11
Features
Full Palette of Internal Sounds for All Uses, from Practice to Live Performance
■ Includes 99 Different Drum Kits
You can immediately start playing any of a variety of drum kits, just by selecting the drum kit. Whether for practice or live performances, these kits can be applied in a wide range of situations.
■ 1, 042 Drum Instruments
You can combine different drum instruments used in a wide range of musical genres to create your own original drum kits.
■ 150 Different Preset Songs
To get right down to practicing, you merely need to select a Preset song. Then you can play the drum part just by muting only the Preset song’s drum performance.
You also get 100 internal songs that you can use to record your own drum performances (User songs).
■ 262 Backing Instruments
The TD-6’s abundance of backing instruments allow you to record in a variety of musical genres.
Rich Expression
■Cross Stick Technique Available (p. 37)
■Play Rim Shots (p. 37), Cymbal Edge Shots (p. 38), and Use Cymbal Choking (p. 39)
■Pitch Control Available with the Hi-Hat Control Pedal (p. 66)
You can use the hi-hat control pedal to change the pitch of the pad instruments.
12
Features
Function and Operations Perfect for Live
Performances
■Flat Top Design for Great Visibility
■Buttons Light for Easy Operation, Even On Stage
■Large [INC/+] and [DEC/-] Buttons That Can Be Operated Even with Drum Sticks
Convenient Functions for Practicing
■Includes Metronome (Click) (p. 80)
■Includes Part Mute Function for Muting of Specific Parts When Playing With Preset Songs (p. 50, p. 78)
Expandability/Compatibility
■ Also Compatible With
Pads (PD-5, PD-6, PD-7, PD-9, PD-80, PD-80R, PD-100, PD-120)
Cymbals (CY-6, CY-12H, CY-14C, CY-15R)
Kick Trigger Units (KD-5, KD-7, KD-80, KD-120)
Hi-Hat Control Pedals (FD-7, FD-6; FD-6 is included with TD-6K)
■Use the TD-6 As a MIDI Sound Module With an External Sequencer (p. 106)
■Support for General MIDI (p. 54, p. 100)
The TD-6 has a GM mode that can play back GM scores.
This mode includes a function allowing you to mute the sound only of a specified part during playback of GM scores. This is a very convenient feature for practicing and playing along.
General MIDI () System
General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meet the General MIDI standard bear the General MIDI logo ().
Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance.
13
How to Use This Manual
Composition of This Manual
This owner’s manual is organized as follows.
Setup Guide (p. 15)
For those using the TD-6 for the first time, this volume explains the preparations needed for playing sounds, including how to set up the stand, make pad settings, and turn on the TD-6’s power.
Also provided are explanations of how to combine the TD-6 with other optional pads for fullest utilization of the TD-6’s features and functions.
Quick Start (p. 41)
This contains descriptions explaining how to easily enjoy performing with the TD-6’s numerous internal drum kits and Preset songs.
Advanced Use (p. 55)
The TD-6 allows you use the drum kits you like to create new drum kits and to create songs from recordings of what you play.
This section provides detailed explanations of all of the TD-6’s functions.
•Chapter 1 Functions For Creating Drum Kits (p. 56)
Here are the settings used for creating sounds.
•Chapter 2 Functions For Correctly Performing with the Pads (p. 71)
This describes the settings you need to make in order to get the most expression from the TD-6 and pads.
•Chapter 3 TD-6 Settings (p. 77)
Included in this section are settings such as display contrast and song volume that are applied to the TD-6 as a whole.
•Chapters 4–6 Using the sequencer and related functions (p. 80)
Found here are metronome (click) settings, as well as song performance, recording, editing, and other settings for sequencers.
•Chapters 7–8 MIDI Settings and Examples of How MIDI Is Used (p. 96)
This chapter explains how to use MIDI —whether it be for saving data to an external device, or for using the TD-6 as a General MIDI sound module.
Appendices (p. 109)
If you run into problems, refer to “Troubleshooting” to make sure that the settings are correct. If an error message appears during operation, refer to “Messages and Error Messages” and take appropriate action. This section also provides various lists, and the MIDI implementation charts.
Terms Used in This Manual
•Button names are enclosed in square brackets “[ ],” as in [KIT] button.
•(p. **) indicates a reference page.
•Steps in operations may be abbreviated as described below.
[KIT] [EDIT]
1.Press [KIT].
2.Press [EDIT].
[SHIFT] + [KIT]
1.While holding down [SHIFT], press [KIT].
•The functions of some buttons, such as [EDIT (SETUP)], change if pressed while [SHIFT] is held down; the function that is enabled when [SHIFT] is held down is shown in parentheses.
•Symbols appearing before the beginning of sentences in the manual have the following meanings.
These indicate cautionary notes. Be sure to read
them.
These are memos containing information regarding settings and functions. Read it as necessary.
These are useful hints for operation. Read it as necessary.
These point to reference information. Read it as necessary.
These are descriptions of terminology. Read it as necessary.
*The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.
14
15
Panel Descriptions
Front Panel
Display
The screen displays information, indicating the drum kit name, song name, and settings etc.
VOLUME Knob
Adjusts the volume of the TD-6 (p. 25). Even when headphones are connected, sound will still be output from the various output jacks.
Sequencer Section
•CLICK (TEMPO) Button
Turn the click on/off (p. 43).
When you hold down the [SHIFT] button and press the [CLICK (TEMPO)] button, the tempo settings screen appears in the display (p. 45, p. 49).
•REC Button
Calls up the recording settings screen (Recording Standby; p. 94).
•STOP Button
Stop song playback (p. 47). When pressed while the song is stopped, this returns you to the beginning of the song.
•PLAY Button
Play back the song (p. 47). Starts recording if pressed when the TD-6 is in recording standby mode (p. 94).
•PART MUTE Button
Mutes the performance of specified parts (p. 50).
16
SONG Button
Calls up the song’s basic settings screen (p. 83).
KIT Button
Calls up the drum kit’s basic settings screen (p. 57).
SHIFT Button
Used in conjunction with other buttons.
Operation |
Function |
|||||||
[SHIFT] + [KIT] |
Gives a preview of the sound |
|||||||
of the instrument assigned to |
||||||||
the selected pad (Preview; p. |
||||||||
58) |
||||||||
[SHIFT] + |
• Selects the trigger input |
|||||||
[ |
], [ |
] |
(Trigger Select; p. 58) |
|||||
• Deletes or inserts one |
||||||||
character when setting |
||||||||
drum kit names and song |
||||||||
names (p. 69, p. 88) |
||||||||
[SHIFT] + |
Displays the tempo settings |
|||||||
[CLICK (TEMPO)] |
screen (p. 45, p. 49) |
|||||||
[SHIFT] + |
For making overall settings for |
|||||||
[EDIT (SETUP)] |
the TD-6 (Setup; p. 71, p. 77, p. |
|||||||
93) |
||||||||
[SHIFT] + [SONG] |
Displays the volume settings |
|||||||
screen for the backing |
||||||||
instruments (melodic and |
||||||||
other instruments) (p. 48) |
||||||||
[SHIFT] + |
While the song is playing |
|||||||
[PLAY |
] |
back, the buttons |
||||||
corresponding to the |
||||||||
percussion pad drum tones |
||||||||
are lit (p. 47). |
||||||||
[SHIFT] + |
Jumps to songs that have not |
|||||||
[STOP |
] |
been used (new User songs) |
||||||
(p. 93) |
||||||||
[SHIFT] + |
Displays the settings screen |
|||||||
[PART MUTE] |
for muting parts (p. 78) |
|||||||
[SHIFT] + |
• For making large changes |
|||||||
[INC/+], [DEC/-] |
at a time in the values of |
|||||||
settings |
||||||||
• Changes instrument groups |
||||||||
and song categories (p. 59, |
||||||||
p. 84) |
||||||||
• Switches uppercase and |
||||||||
lowercase letters and |
||||||||
symbols when setting |
||||||||
drum kit names and song |
||||||||
names (p. 69, p. 88) |
||||||||
Panel Descriptions
Editing section
• |
EXIT Button |
|||
Returns to the previous stage screen. When |
||||
pressed a number of times, the display returns |
Guide |
|||
to either the Drum Kit screen or the Song |
||||
screen. |
Setup |
|||
• |
, |
Button |
||
These switch the screen if pressed when “ ” or “ ” is shown in the display.
You can select the trigger input by holding down the [SHIFT] button and pressing [ ] or [ ] (p. 58).
In the SONG screen, rewinding and fast forwarding are carried out in one-measure units (p. 47).
•EDIT (SETUP) Button
Displays the drum kit or song settings screen. By holding down the [SHIFT] button and pressing the [EDIT (SETUP)] button, you can make overall settings for the TD-6.
•ENTER Button
Switches the screen if pressed when “ ” is shown in the display.
INC/+ (Increment) Button,
DEC/- (Decrement) Button
These are used to switch drum kits and songs and to make changes in the settings values.
•Pressing the [INC/+] button increases the value, and pressing the [DEC/-] button decreases the value.
•When making an on/off setting, [INC/+] will turn the setting on and [DEC/-] will turn it off.
•When [SHIFT] is held down and [INC/+] or [DEC/-] is pressed, settings values are then changed in larger increments or decrements.
•When [INC/+] is held down and then [DEC/-] is pressed, settings values increase rapidly; when [DEC/+] is held down and then [INC/-] is pressed, settings values then decrease rapidly.
17
Panel Descriptions
Rear Panel
POWER Switch
Switch turns the power on/off (p. 24).
Cord Hook
Anchor the power cord (p. 23).
AC Adaptor Jack
Connect the supplied AC adaptor to this jack (p. 23).
OUTPUT Jacks (L (MONO), R)
Connect these to your amp or audio system. For monaural output use the L/MONO jack (p. 23).
MIX IN Jack
Connect this to your CD, MD, cassette player, or other similar device (p. 53).
The sound that is input to this jack will be output from the OUTPUT jacks and the PHONES jack.
PHONES Jack
A pair of stereo headphones can be connected to this jack (p. 23).
Even when headphones are connected, sound will still be output from the output jacks.
MIDI Connectors (IN, OUT/THRU)
Use these connectors when using a MIDI sequencer, MIDI keyboard, or other MIDI device to play sounds with the TD-6, when using the TD-6 and pads to play sounds from an external MIDI sound generator, or when saving the TD- 6’s settings to, or loading settings from a MIDI sequencer.
HH CTRL (Hi-Hat Control) Jack
Connect a hi-hat control pedal (the optional FD- 7 or FD-6; FD-6 is included with the TD-6K) here. (p. 20)
TRIGGER INPUTS
Use these inputs to connect optional pads, cymbals, and kick trigger units to the TD-6 (p. 20).
For more detailed information on each trigger input, refer to “Trigger Inputs and the Pads You Can Use” (p. 34).
Security Slot
http://www.kensington.com/
18
Making the Settings
Mounting the TD-6 to the Stand
1 Attach the stand holder (included with the optional drum stand) to the
TD-6. |
• When turning the unit |
|
Using the screws attached to the bottom panel, attach the holder so the unit |
upside-down, get a |
|
bunch of newspapers or |
||
is oriented as shown in the diagram. |
||
magazines, and place |
||
them under the four |
||
corners or at both ends |
||
Use the 8 mm screws (M5 x provided with the TD-6. Use of other screws |
to prevent damage to |
|
the buttons and controls. |
||
may result in damage to the unit. |
Also, you should try to |
|
fig.P-009.e |
orient the unit so no |
|
buttons or controls get |
||
damaged. |
||
• When turning the unit |
||
upside-down, handle |
||
with care to avoid |
||
dropping it, or allowing |
||
it to fall or tip over. |
Narrow
Wide
2 Attach the TD-6 and stand holder to the drum stand (such as the
optional MDS-6, MDS-7U, MDS-8, or MDS-10).
For details on assembling the drum stand and attaching the TD-6, refer to the owner’s manual for the drum stand.
To attach the TD-6 to a
cymbal stand or other such
stand, you may want to
use the optional APC-33
All Purpose Clamp to
secure the stand holder. It
can be attached to a pipe of
10.5 mm–30 mm radius.
19
Set p G ide
Making the Settings
Connecting the Pads and the Pedals
Using the provided cables, connect the pads, cymbal pads, hi-hat control pedal, and kick trigger unit.
Carefully refer to the numbers shown in the illustration and connect to the appropriate TRIGGER INPUT jacks on the TD-6’s rear panel.
Setting Example
fig.P-011.e
TRIGGER INPUT jacks
Before using pads with mesh heads (PD-80, PD80R, PD-100, PD-120, KD80, or KD-120), be sure to adjust the head tension. Striking the head when the head tension is loose may damage the sensor. For more information on adjusting the head tension, refer to the owner’s manual for each pad.
For fullest performance expression, make exclusive use of Roland’s line of optional pads (PD-5, PD-6, PD-7, PD-9, PD-80, PD80R, PD-100, and PD-120), cymbals (CY-6, CY-12H, CY-14C, and CY-15R), and kick trigger units (KD-7, KD-80, and KD-120).
20
Making the Settings
■ About Polarity Switch
If you are using the PD-7, PD-9, or KD-7, move the pad’s polarity switch to the “- (Roland)” position. For more detailed information regarding the polarity switch, refer to your PD-7, PD-9, or KD-7 owner’s manual.
fig.P-011a.e
POLARITY
+ — (Roland)
■Connecting Two Pads to Trigger Inputs 5/6 (TOM2/AUX) and 7/8 (TOM3/4)
With the optional cable (PCS-31) or standard insert cable, two pads may be connected to the trigger inputs 5/6 (TOM2/AUX) and 7/8 (TOM3/4).
fig.P-012.e
TD-6 Rear Panel
These trigger inputs do not
handle rim sounds.
PD-6
Setup Guide
21
Making the Settings
■ Connecting Two Kick Trigger Units
When using the KD-7 kick trigger unit (optional), you can connect two KD-7s together for twin pedal performances.
When connecting two KD-7s with the KD-7’s Mix In jack, the Kick Trigger signal is slightly weakened. In this case, raise the sensitivity for the trigger inputs to which the KD-7’s are connected (SETUP/TRIG BASIC/Sensitivity; p. 73).
fig.P-013.e
TD-6 Rear Panel
Output Jack
Kick Trigger Units (KD-7)
+
Kick Pedals
When using two KD-7s,
you cannot assign different
instruments to each unit
individually.
22
Making the Settings
Connecting Headphones, Audio
Equipment, Amps, and Other Gear
fig.P-010
R
L
Stereo miniature phone type
CD/MD deck, cassette player, etc. |
||||
1 |
Turn off the power of all devices before you make connections. |
|||
To prevent malfunction and/or damage to speakers or other devices, always |
||||
turn down the volume, and turn off the power on all devices before making |
||||
any connections. |
||||
2 |
Connect the supplied AC adaptor to the AC adaptor jack. |
|||
3 |
Connect the OUTPUT L(MONO) and R jacks on the rear panel to your |
|||
audio system or amp. If using headphones, connect them to the |
||||
PHONES jack. |
||||
4 |
Plug the AC adaptor plug into a power outlet. |
To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.
Using the TD-6’s MIX IN Jack, allows you to play along with a CD or other such sound input (p. 53).
Setup Guide
23
Turning On/Off the Power
Once the connections have been completed (p. 23), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
fig.P-001
5
1 Turn the [VOLUME] knob completely to the left to lower the volume to the minimum level.
2 Turn down the volume control on the connected amp or audio system.
3 Press the [POWER] button to turn on the power.
Precautions When Turning on the Power
After the power is turned on, the drum kit name (shown in the following figure) appears in the display; do NOT press any pad or pedal until [KIT] has lighted.
fig.P-002ai
This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
If the hi-hat control pedal (the optional FD-7; or for the TD-6K exclusively, the FD-6) is pressed when the power is turned on, control of the hi-hat’s opening and closing will not work correctly. Striking the pads when turning on the power degrades the pad response when the pads are struck lightly.
24
Turning On/Off the Power |
||||
4 Turn on the power to the connected amp or audio system. |
Caution Concerning |
|||
5 Press [SHIFT] + [KIT] or strike the pad, and while listening to the |
Volume |
|||
If the volume levels used |
||||
sound, gradually bring up [VOLUME] to adjust the volume level. |
when striking the pads are |
|||
left unchanged when |
||||
Also raise the volume level of the connected amp or audio system to the |
playing back demo songs |
|||
appropriate level. |
or other songs, the volume |
|||
may increase suddenly, |
||||
which may cause ear pain |
||||
No Sound Even When Pressing [SHIFT] + [KIT] |
and damaged speakers. |
|||
Before playing back songs |
||||
Check the following points. |
or patterns, rotate the |
|||
When Using an Amp or Audio System |
[VOLUME] knob |
|||
counterclockwise to lower |
||||
• Is the amp or audio system volume setting correct? |
||||
the volume levels, then |
||||
• Are the TD-6 and the amp or audio system connected correctly? |
||||
readjust to a suitable |
||||
• Is there a problem with any connector cable? |
||||
volume while listening to |
||||
• Have the input select settings of your audio system or amp been |
||||
the playback. |
||||
made correctly? |
||||
When using headphones: |
||||
• Are the headphones connected to the [PHONES] jack? |
Turning Off the Power
1 Completely turn down the volume of the TD-6 and any connected external devices.
2 Turn off the power to all external devices.
3 Press the TD-6’s [POWER] switch to turn off the power.
Setup Guide
25
Restoring the Factory Settings (Factory Reset)
This restores the pad and instrument settings, song data, and other information stored in the TD-6 to the original factory settings.
fig.P-003
1 2
All data and settings stored in the TD-6 are lost in carrying out this operation. Use the “Bulk Dump” operation to save crucial data and settings to an external MIDI device (SETUP/BULK DUMP/ Bulk Dump; p. 103).
1 While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT (SETUP)] lights.
fig.P-004ai
2 Press [ ] to select “FactoryReset.”
fig.P-005_50
3 Press [ENTER ].
The Factory Reset screen appears.
fig.P-006_50
When [SHIFT] and [EDIT (SETUP)] are held down when the power is turned on, the display
jumps to the Factory Reset screen. When carrying out Factory Reset, read from Step 4.
26
Restoring the Factory Settings (Factory Reset)
4 Press [INC/+] or [DEC/-] to select the parameter you want to restore to factory settings.
Here, select “ALL” to restore all of the settings to the original factory values.
ALL:
All internal settings will be restored to the factory settings.
THIS DRUM KIT:
Only the settings for the currently selected drum kit are restored to the factory settings.
ALL DRUM KITS:
The settings for all of the TD-6’s internal drum kits are restored to the factory settings.
ALL SONGS:
All of the TD-6’s internal song data is restored to the factory settings.
5 Press [ENTER ].
The confirmation screen appears.
Press [EXIT] to cancel the
fig.P-007_50
operation.
6 If you’re ready to proceed, press [ENTER ], and the Factory Reset operation will be executed.
7 When the Factory Reset is finished, the Completed screen appears.
fig.P-008_50
Setup Guide
27
Listening to the Demo Songs
The TD-6 features four demo songs demonstrating the TD-6’s sounds and expressive capabilities.
The drums played on the demo songs were played in real time into a
sequencer.
fig.P-029
2
1 While holding down [KIT], press [SONG].
The “DEMONSTRATION” screen appears.
fig.P-030_50
• All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
• No data for the music that is played will be output from MIDI OUT.
28
Listening to the Demo Songs
Press [INC/+] or [DEC/-], or press [] or [] to select the song to play back.
1.CREOLET1
Copyright © 2001, Roland Corporation
Drum kit being used: #72 “RoseWood”
2.CREOLET2
Copyright © 2001, Roland Corporation Drum kit being used: #20 “Natural”
3.TC R&B
Copyright © 2001, Roland Corporation Drum kit being used: #1 “AcuStick’
4.SNAG LTN
Copyright © 2001, Roland Corporation Drum kit being used: #3 “Groove”
Press [PLAY].
Playback of the demo songs begins, and the four demo songs are played continuously in sequence.
When you want to stop the performance, press [STOP ].
When you have finished listening to the demo song, press [KIT], [SONG] or [EXIT].
Caution Concerning
Volume
If the volume levels used when striking the pads are left unchanged when playing back demo songs, the volume may increase suddenly, which may cause ear pain and damaged speakers. When playing back demo songs, rotate [VOLUME] to the left (counterclockwise) to bring the volume level back down, then while playing back the song, readjust the volume to an appropriate level.
Setup Guide
29
Selecting the Pad Type
Make the settings for the type of pads to be used (trigger type) to ensure that the TD-6 accurately receives what is being played on the pads.
Set each trigger input as described below.
Settings optimized for the TD-6K are provided in factory settings on the TD-6.
fig.P-014
63 2
1While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT (SETUP)] lights.
fig.P-015ai
2 Press [ ] to select “TRIG BASIC.”
fig.SETUP-BASIC_50 (SETUP-BASIC)
3 Press [ENTER ].
fig.P-016_50
The following parameters are automatically set to the most efficient values for each pad when you select the trigger type.
Basic Trigger Parameters (SETUP/TRIG BASIC; p. 72)
•Sensitivity
•Threshold
•TrigCurve
Advanced Trigger Parameters (SETUP/TRIG ADVNCD; p. 74)
•Scan Time
•Retrig Cancel
•Mask Time
•Rim Sens
For the most suitable
values for each trigger
type, refer to p. 36.
You may need to adjust
the value since these are
just the reference value.
30
4 Strike the pad you wish to set.
The setting screen for the struck pad appears.
Selecting the Pad Type
You can also make the selection by pressing
[SHIFT] + [ ] or
[SHIFT] + [ ] (Trigger Select).
5 |
Select the most suitable trigger type from the following chart for the |
|||||||
pad you are using. |
||||||||
Pad |
Trigger Type |
Pad |
Trigger Type |
|||||
PD-5 |
PD7/9 |
CY-6 |
CY6 |
|||||
PD-6 |
PD6 |
CY-12H |
CY Type |
|||||
PD-7 |
PD7/9 |
CY-14C |
CY Type |
|||||
PD-9 |
PD7/9 |
CY-15R |
CY Type |
|||||
PD-80 |
PD80/100 |
KD-5 |
KD7 |
|||||
PD-80R |
PD80R |
KD-7 |
KD7 |
|||||
PD-100 |
PD80/100 |
KD-80 |
KD Type |
|||||
PD-120 |
PD120 |
KD-120 |
KD Type |
|||||
6 |
Press [INC/+] or [DEC/-] to select the trigger type. |
|||||||
7 |
||||||||
These settings apply to |
||||||||
Repeat Steps 4–6 to set the trigger type for each pad. |
both the head and the rim. |
|||||||
8 |
Press [KIT]. |
|||||||
[KIT] lights, and the Drum Kit screen appears. |
fig.P-017ai
9 Strike the pads and press the pedals to check the following.
•Are sounds being played with all pads and pedals?
•Is the right instrument for each pad being played?
If the correct sound is not being played, check the pad settings once more and refer to “Troubleshooting” (p. 110).
Setup Guide
31
Adjusting the Sensitivity of the Pad
You may wish to adjust the sensitivity of the pads to accommodate your personal taste and style of performing. Adjusting the TD-6’s sensitivity allows you to change the correlation between your playing velocity (strength) and the response and volume of the sound.
fig.P-018
The sensitivity setting is automatically set to the most efficient values for each pad when you select the trigger type (p. 30). Adjust as needed.
1 While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT (SETUP)] lights.
fig.P-019ai
2 Press [ ] to select “TRIG BASIC.”
fig.SETUP-BASIC_50 (SETUP-BASIC)
3 Press [ENTER ].
32
Adjusting the Sensitivity of the Pad
4 Press [ ] to select “Sensitivity.”
You can also make the
fig.P-020_50
selection by pressing |
||||
[SHIFT] + [ |
] or |
|||
5 |
[SHIFT] + [ |
] (Trigger |
||
Select). |
||||
Strike the pad you wish to set. |
The setting screen for the struck pad appears.
These settings apply to both the head and the rim.
6 Press [INC/+] or [DEC/-] to adjust the sensitivity of the pads.
Here you can make a setting of 1–16.
Higher settings result in higher sensitivity, so that the pad will produce a loud volume even when struck softly.
Lower settings result in lower sensitivity, so that the pad will produce a low volume even when struck forcefully.
Setting the Overall Target
Set the sensitivity so that the indicator reaches the maximum position when you play with your maximum dynamics. A flag, such as shown in the following, is raised when the indicator reaches the maximum position
( ).
fig.P-020aai.e
Indicator
Maximum Indication |
Indicator (Maximum) |
|||
7 Repeat Steps 5 and 6 to make any other necessary pad sensitivity adjustments.
8 Press [KIT].
[KIT] lights, and the Drum Kit screen appears.
fig.P-021ai
With electronic drum kits, overall volume is another important element.
Listening at low volumes may make it seem that there is too little change in volume, so you might raise the sensitivity excessively without really needing to. In order to make these settings correctly, adjust the volume of amps or headphones to appropriate levels.
Setup Guide
33
About the Pads
Trigger Inputs and the Pads You Can Use
Although you can use previous model pads, kick trigger units, and other such devices with the TD-6, there may be incompatibilities between pads and trigger inputs, which may prevent you from being able to perform on some pads.
■ Trigger Input Functions
The following shows the available trigger input functions.
fig.P-024.e
Head 3 |
Head 2 |
Head 1 |
Rim 3 |
Rim 2 |
Use the cable provided with the pad to connect the pad to the TD-6. The rim sound becomes unavailable when you use a monaural cable to connect a pad that is capable of playing rim shots and chokes.
11 |
10 |
9 |
7 |
5 |
4 |
RIDE |
CRASH2 |
CRASH1 |
TOM3 |
TOM2 |
TOM1 |
Head 11 |
Head 10 |
Head 9 |
Head 7 |
Head 5 |
Head 4 |
Rim 11 |
Rim 10 |
Rim 9 |
Rim 4 |
||
8 |
6 |
||||
TOM4 |
AUX |
||||
Head 8 |
Head 6 |
||||
*1 |
*1 |
*1: By using an optional cable (the PCS-31) or standard insert cable, you can use two pads to a single trigger input jack. When using the cable provided with the pad to connect a single pad, use “Trigger Input 5 (TOM2)” and “Trigger Input 7 (TOM 3)”. For more on how to make the necessary connections, refer to p. 21.
34
About the Pads
■ Combinations of Pad and Trigger Type
To enjoy full use of all the functionality offered by the TD-6 and your pads, be sure to review the following chart and select the pads best suited for your aims.
fig.P-024a.e
Trigger Input Jacks |
||||||||||||||
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
||||
Units |
(KIK) |
(SNR) |
(HH) |
(T1) |
(T2) |
(AUX) |
(T3) |
(T4) |
(CR1) |
(CR2) |
(RD) |
|||
KD-5 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
Trigger |
KD-7 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
|
KD-80 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
Kick |
KD-120 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
|
PD-5 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
PD-6 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
PD-7 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
O |
O |
O |
O |
O |
O |
|||||||||
Rim, Choke |
||||||||||||||
PD-9 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
O |
O |
O |
O |
O |
O |
|||||||||
Pads |
Rim, Choke |
|||||||||||||
PD-80 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
PD-80R |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
O |
X |
X |
X |
X |
X |
|||||||||
Rim |
||||||||||||||
PD-100 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
PD-120 |
Head |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
O |
X |
X |
X |
X |
X |
|||||||||
Rim |
||||||||||||||
CY-6 |
Head (Bow) |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
Rim (Edge), |
O |
O |
O |
O |
O |
O |
||||||||
Choke |
||||||||||||||
CY-12H |
Head (Bow) |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
Cymbals |
Rim (Edge), |
O |
O |
O |
O |
O |
O |
|||||||
Choke |
||||||||||||||
CY-14C |
Head (Bow) |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
Rim (Edge), |
O |
O |
O |
O |
O |
O |
||||||||
Choke |
||||||||||||||
CY-15R |
Head (Bow) |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
O |
||
Rim (Edge/Bow), |
O |
O |
O |
O |
O |
O |
||||||||
*1 |
Choke |
|||||||||||||
*2 |
||||||||||||||
O: |
Can be used. |
|||||||||||||
X: |
Cannot be used. |
|||||||||||||
Slash: These trigger inputs do not handle rim sounds. |
||||||||||||||
*1: |
When choking is applied to the CY-15R, you can then play either edge shots or bell |
|||||||||||||
shots. |
||||||||||||||
*2: |
TRIGGER INPUTS 6 (AUX) and 8 (TOM) can only be used when using an optional |
|||||||||||||
cable (PCS-31) or standard insert cable to connect two pads to one trigger input jack. |
||||||||||||||
For more detailed information, refer to the previous section. |
Setup Guide
35
About the Pads
■ Recommended Parameters for the Pads
The trigger parameters (except the Xtalk Cancel) are automatically set to the most efficient values for each pad when you select the trigger type.
You may need to adjust the value since these are just the reference value. Make settings for the parameters as needed (Basic Trigger Parameters: p. 72; Advanced Trigger Parameters: p. 74).
Basic Trigger Parameters |
Advanced Trigger Parameters |
|||||||||
Pad |
TrigTyp |
Sensitivity |
Threshold |
TrigCurve |
Xtalk Cancel Scan Time Retrig Cancel Mask Time |
Rim Sens |
||||
Unit |
KD-5 |
KD7 |
8 |
5 |
LINEAR |
20 |
2.0 |
5 |
8 |
|
Trigger |
KD-7 |
KD7 |
8 |
5 |
LINEAR |
20 |
2.0 |
5 |
8 |
|
KD-80 |
KD Type |
10 |
4 |
LINEAR |
20 |
2.0 |
5 |
4 |
||
Kick |
KD-120 |
KD Type |
10 |
4 |
LINEAR |
20 |
2.0 |
5 |
4 |
|
PD-5 |
PD7/9 |
8 |
3 |
LINEAR |
40 |
0.5 |
3 |
4 |
||
PD-6 |
PD6 |
7 |
3 |
LINEAR |
40 |
1.0 |
3 |
4 |
||
PD-7 |
PD7/9 |
8 |
3 |
LINEAR |
40 |
0.5 |
3 |
4 |
||
Pad |
PD-9 |
PD7/9 |
8 |
3 |
LINEAR |
40 |
0.5 |
3 |
4 |
|
PD-80 |
PD80/100 |
8 |
3 |
LINEAR |
40 |
1.0 |
3 |
4 |
||
PD-80R |
PD80R |
8 |
1 |
LINEAR |
40 |
1.0 |
3 |
4 |
11 |
|
PD-100 |
PD80/100 |
8 |
3 |
LINEAR |
40 |
1.0 |
3 |
4 |
||
PD-120 |
PD120 |
9 |
1 |
LINEAR |
20 |
1.6 |
3 |
4 |
7 |
|
CY-6 |
CY6 |
10 |
3 |
LINEAR |
30 |
2.0 |
3 |
8 |
||
Cymbal |
CY-12H |
CY Type |
10 |
3 |
LINEAR |
30 |
0.5 |
3 |
8 |
|
CY-14C |
CY Type |
10 |
3 |
LINEAR |
30 |
0.5 |
3 |
8 |
||
CY-15R |
CY Type |
10 |
3 |
LINEAR |
30 |
0.5 |
3 |
8 |
||
Other 1 |
8 |
3 |
LINEAR |
40 |
1.5 |
3 |
4 |
|||
Others |
Other 2 |
8 |
3 |
LINEAR |
40 |
3.0 |
3 |
8 |
||
AcDrTrig |
12 |
5 |
LINEAR |
40 |
3.0 |
3 |
12 |
The “Xtalk Cancel (Crosstalk Cancel)” value does not change when the trigger type is changed. It should be adjusted as necessary to match the actual state of your configuration and the environment in which it is being used (SETUP/TRIG BASIC/Xtalk Cancel; p. 74).
•For details about “Other 1” and “Other 2,” refer to p. 72.
•Use the “AcDrTrig” setting when you use acoustic drums to sound the TD-6. For details refer to “Using the TD-6 with Acoustic Triggers” (p. 76).
36
About the Pads
Playing the Pads
■ Pad Head Shots and Rim Shots
When you perform a head shot, the head instrument is played; rim shots produce the sound of the rim instrument.
To play a rim shot, you must strike both the head and the rim of the pad simultaneously.
PD-7, PD-9, PD-80R, PD-120:
Both head and rim shots are available.
PD-5, PD-6, PD-80, PD-100:
Only head shots are available
fig.P-025.e
When using rim shots on
the PD-80R or PD-120,
connect the pad to
TRIGGER INPUT 2
(SNARE).
Head
Head
Rim
Rim
■ Cross Stick
When you perform a cross stick, the rim instrument is played.
When using the PD-80R or PD-120 to play the cross stick, be sure that you only strike the rim (outer edge) of the pad. Placing your hand on the head (center area) of the pad prevents the cross stick sound from being played properly.
fig.P-025a.e
Rim
Rim
•When using rim shots on the PD-80R or PD120, connect the pad to
TRIGGER INPUT 2 (SNARE).
•The cross stick is also referred to as a “closed rim shot.”
By selecting the
instruments with “XS”
after the instrument name,
playing a rim shot
produces a rim shot tone,
and cross sticking gives a
cross stick tone.
Setup Guide
37
About the Pads
■ Cymbal Bow Shots/Edge Shots/Bell Shots
When you perform a bow shot, the head instrument is played; edge shots and bell shots produce the sound of the rim instrument.
CY-6, CY-12H, CY-14C:
Capable of bow shots and edge shots.
CY-15R:
In addition to bow shots, either edge shots or bell shots can be played. Bell shots are played by striking the bell with the shoulder of the stick.
fig.P-026.e
Bow
Edge
Bell Shot
Bell
CY-15R
When playing edge shots with the CY-15R, use the BOW/EDGE output; for bell shots, use the BOW/ BELL output.
38
■ Cymbal Choke
By striking a pad and then squeezing the rim portion of the pad, you can mute the note while the note is still sounding. This performance technique is known as choking.
fig.P-027.e
Hi-Hat Control Pedal
By connecting a hi-hat control pedal (the optional FD-7; or for the TD-6K exclusively, the FD-6), you can obtain consecutive control of the hi-hat’s opening and closing.
fig.P-028.e
FD-7
Open Hi-Hat:
Strike the hi-hat without pressing the pedal
Closed Hi-Hat:
Strike the hi-hat with the pedal pressed
Foot Open:
Completely press down the pedal
Foot Closed:
Press the pedal and then immediately release it
About the Pads
Setup Guide
39
40
41
Choosing a Drum Kit
The TD-6 comes with 99 preset drum kits. Now’s probably a good time for you to try out the drum kits by selecting and playing them.
fig.Q-001
1
2
1 Press [KIT].
[KIT] lights, and the “DRUM KIT” screen appears.
fig.Q-002ai
2 Press [INC/+] or [DEC/-] to select the drum kit.
Pattern Inadvertently Starts Playing When Pad is Struck
Drum kits feature a setting whereby a pad can be struck to start playback of a song (Pad Pattern function; p. 65).
•To stop the song currently playing:
Press the [STOP ] button on the panel (the [PLAY ] light goes off).
•To stop the song from playing when the pad is struck:
Turn the Pad Pattern feature off (KIT/CONTROL/PadPtn; p. 65).
To see which drum sets can be selected here, refer to “Drum Kit List” (p. 118).
A drum kit is a collection of settings that includes each pad’s instrument settings, the effect settings, and other settings. For details, refer to p. 56.
A drum kit performance is recorded in preset song #1 “DRUMS.”
By switching drum kits during playback of preset song #1 (p. 46), you can listen to and compare a variety of different drum kits.
To see which drum set using the Pad Pattern function, refer to “Drum Kit List” (p. 118).
42
Playing While Listening to the Metronome/Click
Switching the Click On and Off
Try using metronome (click). |
|||
You can switch the click sound on and off by pressing [CLICK]. |
|||
[CLICK] lights when set to play the sound. |
You can select the |
||
fig.Q-003.e |
instrument sound and beat |
||
Click is played |
Click is not played |
used for the click.For |
|
details, refer to the p. 80. |
fig.Q-004a
1
1 Press [CLICK].
[CLICK] lights, and the click sound begins to play.
fig.Q-006
Quick Start
43
Playing While Listening to the Metronome/Click
Adjusting the Click Volume (Level)
fig.Q-004
1 Confirm that [EDIT] is not lit.
If [EDIT] lights, you can press [KIT] or [SONG] to turn it off.
fig.Q-005
2 Press [CLICK].
[CLICK] lights, and the click sound begins to play.
fig.Q-006
3 Press [EDIT].
[EDIT] lights, and the click volume settings screen appears.
fig.Q-007_50
Press [INC/+] or [DEC/-] to select the volume.
When you finish making settings, press [EXIT] to end the procedure.
44
Playing While Listening to the Metronome/Click
Adjusting the Click Tempo
fig.Q-008
Quick Start
3
1 Press [CLICK].
[CLICK] lights, and the click sound begins to play.
fig.Q-006
2 While holding down [SHIFT], press [CLICK (TEMPO)].
The Tempo screen appears.
fig.Q-009_50
3 Press [INC/+] or [DEC/-] to select the tempo.
4 When you finish making settings, press [EXIT] to end the procedure.
The “Tempo” screen is removed from the display.
45
Playing Along with Songs
Choosing a Song and Playing Back
The TD-6 features a sequencer that can record and play back accompaniment tracks and drum performances.
This sequencer comes loaded with 150 Preset (internal) songs.
fig.Q-010
4 3 1
2
You can record songs
yourself. For details, refer
to the p. 93.
The song stops suddenly
when playing the pads:
Striking the pad set the pad pattern function while a song is playing back will cause song playback to switch to the newly selected song. Some “songs” are very short, a few notes, or even one chord. So “sudden” stops can be caused by accidently triggering one of these short songs.
For more on this function, refer to p. 65 and p. 114.
■ Choosing a Song
1 Press [SONG].
[SONG] lights, and the SONG screen appears.
fig.Q-011ai
2 Press [INC/+] or [DEC/-] to select the song.
To see which songs can be selected here, refer to “Preset Song List” (p. 128).
By holding down [SHIFT] and pressing [INC/+] or [DEC/-], you can select the song category.
46
Playing Along with Songs
■ Playing Back a Song
3 Press the [PLAY] button, and the song will begin playing.
[PLAY] lights.
fig.Q-012
4 To stop playback of the song, press [STOP ].
The [PLAY ] light goes out.
fig.Q-013
When playback of a song is stopped, you can do the following.
•Pressing [STOP ], returns you to the beginning of the song.
•Pressing [ ], advances you to the next measure.
•Pressing [ ], returns you to the previous measure.
Convenient Function for Playback
When playing back a Preset song, you can have the buttons corresponding to the drums being played light up.
You can also have the buttons light even when drum tones are muted, making this convenient for practicing with the Preset songs.
1.Hold down [SHIFT] and press [PLAY].
Playback of the song begins, and the buttons corresponding to the performance of the percussion part drums light up.
Hi-Hat |
Mid Tom |
High Tom |
Low Tom |
2. To stop the playback, press [STOP ].
For details, refer to p. 84.
This function cannot be used with songs in which drum performances are recorded to the drum kit part. (The performance of the preset song #1 “DRUMS” is recorded to the drum kit part.)
Quick Start
47
Playing Along with Songs
Adjusting the Song Volume
You can adjust the song volume to correct the drum kit volume balance. Song volume consists of the two following adjustments.
Backing Volume:
Adjusts the volume of melodic instruments etc. other than percussion.
Percussion Part Volume:
Adjusts the volume of the drums and percussion sounds.
The volume set here is
applied to all songs.
fig.Q-016
2, 4
■ Setting the Backing Part (Melodic Instruments etc.) Volume
1 While holding down [SHIFT], press [SONG].
The screen for setting the volume level of the melodic instruments etc. appears.
fig.Q-018_50
2 Press [INC/+] or [DEC/-] to select the volume.
■ Setting the Drums and Percussion Volume
3 Press [ ].
The screen for setting the volume level of the drums and percussion appears.
fig.Q-017_50
•The volume balance among the parts is adjusted in the “Level” (SONG/PART/Level; p. 89)
•Here, adjust the volume of the percussion part. Although drum performances in the Preset songs are recorded to the percussion part (except for preset song #1 “DRUMS”), when you create your own songs, what you play on the pads is recorded to the drum kit part. The volume level of the drum kit part is adjusted in the “MasterVolume” (Master Volume) (KIT/ COMMON/ MasterVolume; p. 68).
48
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Содержание
- Husqvarna Huskystar 219
- Инструкции для Husqvarna Huskystar 219:
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- Строчки Husqvarna Huskystar 219:
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- Швейная машина Husqvarna Huskystar 219 — купить по выгодной цене на Яндекс.Маркете
Husqvarna Huskystar 219
Производитель: Husqvarna
Электромеханическая швейная машина Хускварна Хаскистар 219
Инструкции для Husqvarna Huskystar 219:
Характеристики Husqvarna Huskystar 219:
Строчки Husqvarna Huskystar 219:
- Прямая бельевая петля
- Ромбовидная сатиновая строчка для декоративной отделки
- Фестонный шов. Для декоративной отделки и обработки края
- Ромбовидная сатиновая строчка для декоративной отделки
- Треугольная сатиновая строчка для декоративной отделки
- Декоративная строчка. Часто используется для пришивания шнура или декоративных нитей.
- Краеобметочный шов. Используется для декоративной обработки кромки ткани
- Мостовой стежок. Используется для сшивания двух полотен ткани так, чтобы между ними оставался зазор
- Потайная строчка для эластичных тканей. Используется для подшивания кромки изделия, например брюк, если строчка не должна быть видна.
- Эластичная шаговая строчка. Используется для сшивания двух полотен, например лоскутной работы.
- Краеобметочный шов. Используется для декоративной обработки кромок тонких тканей
- Трехступенчатый зигзаг. Может использоваться например для пришивания резинки
- Зигзаг
- Прямая строчка
- Трикотажный шов. Применяется в качестве прямой строчки при шитье изделий из трикотажа средней толщины
- Усиленная прямая строчка. Рекомендуется для шитья эластичных тканей или толстого трикотажа. Также этот стежок применяется там, где нужна крепость и надежность шва. Используйте его для усиления таких деталей как крючки и проймы, для пошива рюкзаков и т.п. Строчка шьется двумя стежками вперед и одним стежком назад, образуя шов, который нелегко порвать
- Усиленный зигзаг. Может использоваться для сшивания тяжелых эластичных тканей и всех типов работ, для которых используется зигзаг. Его можно также использовать как декоративную строчку
- «Перьевая» строчка. Используется в качестве декоративной строчки и для сшивания встык
- Оверлочная строчка. Используется для одновременного сшивания и обметки края не очень склонных к осыпанию материалов
Комплектация
- Лапка стандартная
- Лапка для декоративных строчек
- Лапка краеобметочных строчек
- Лапка для невидимой подгибки
- Лапка для вшивания молнии
- Лапка для выметывания петли
- Вспарыватель
- Набор игл
- Стержень для второй катушки
- Фетровая прокладка и пластинки для катушки
- Линейка-направитель
- Кисточка
- Отвертка
- Шпульки
Обратите внимание!
«Швейный Мир» является официальным дистрибьютором швейных машин фирмы Husqvarna Viking. Покупая продукцию Husqvarna Viking в наших магазинах, Вы получите качественную машину обеспеченную гарантийным и сервисным обслуживанием.
Опубликуйте ваш отзыв
Отзывы о товаре могут оставлять только зарегистрированные покупатели.
Источник
Швейная машина Husqvarna Huskystar 219
Цвет на изображении может
отличаться от действительного рисунка.
Оценка на основе мнений 1 покупател я
Производитель | Husqvarna |
Тип управления | электромеханическое |
Тип челнока | ротационный горизонтальный |
Выполнение петли | автомат |
Строчки | Обметочная, потайная, эластичная, эластичная потайная, «зигзаг» |
Рукавная платформа | есть |
Средняя цена в магазинах не определена.
Технические характеристики Швейная машина Husqvarna Huskystar 219
Общие характеристики
Производитель Husqvarna Тип управления электромеханическое Тип челнока ротационный горизонтальный Регулировка давления лапки на ткань есть Кнопка реверса есть Максимальная высота подъема лапки 12 мм Освещение есть
Швейные операции
Количество швейных операций 18 Выполнение петли автомат Строчки Обметочная, потайная, эластичная, эластичная потайная, «зигзаг» Максимальная длина стежка 4 мм Максимальная ширина строчки 6.5 мм
Комплектация
Лапки для вшивания молнии, обметочная, для подрубки
Конструкция
Рукавная платформа есть Нитевдеватель есть Чехол мягкий Переключатель положения иглы (верх/низ) есть Вес 8 кг
Особенности
Дополнительная информация Ручка для переноски, электронный регулятор скорости, специальная система, предотвращающая запутывание нити
Словарь терминов
Полная информация о товаре, изготовителе, комплектации, технических характеристиках и функциях содержится в технической документации.
Описание товара
1 отзыв о Швейная машина Husqvarna Huskystar 219
Опыт использования: больше года
Достоинства
Тихо шьет, большое количество строчек, не требует особого ухода
Недостатки
Нельзя сделать петлю на толстых тканях, так как ткань просто не двигается под лапкой.
Комментарий
Моей машинке уже более 9 лет, за это время проблем не возникало, все что надо бывает зашить дома, шьет: молнии, петли, обметка, штопка, усиленный шов. Хорошая инструкция, возможность докупить лапки (отдельно докупала лапку для потайных молний).
Количество отзывов: 1
Ваш отзыв поможет кому-то сделать выбор. Спасибо, что делитесь опытом!
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Источник
Как настроить швейную машинку huskystar 219
На машинке шью и тонкие ткани и толстые. Недавно сшила пальто.И джинсы дочке переделывала. На оврлоке оказалось все легко и просто. А я боялась что не осилю! Швейный советник все подсказывает, хотя корректировать тоже приходится. Ткани то все разные. Но по крайней мере никогда не смотрю как настраивать шов в инструкции, смотрю что рекомендует советник и там уже все ясно. А замена пластины при распошивальных швах только в первый раз кажется долгой. А когда делаешь это чаще и не надо уже в инструкцию заглядывать, то все быстро. Особенно я люблю 4-х ниточным швом обрабатывать сыпучие ткани, так класно и шить потом намного удобнее, когда все уже обработано.
Аманда
У меня Платинум 770,я очень довольна.Когда подошло время покупать машинку,я сразу знала что это будет именно хускварна.Ни какой брайзер и рядом не стоял.Моя свекровь давно работала в швейном магазине и в машинках разбиралась поэтому ,и купила себе хускварну (не помню точно модель какая-то простенькая) и уже больше десяти лет прекрасно на ней шьет,то же самое у ее подруг которые купили хускварны,кто же взял себе брайзеры или поменяли их на другие машинки или несколько раз отдавали в ремонт.У моей сестры хускварна уже восемь лет и никаких проблем.Я однажды была у соседки,которая при мне шила на своем брайзере купленом год назад,он очень громко стучал. у моей мамы чайка 30-летней давности тише шьет чем этот брайзер.
Ленка-2
У оверлока Husqvarna Husky Lock 936 швы такие:
4-ниточный шов,
3-ниточный узкий и широкий шов,
3-ниточный плоский шов,
3-нитоный ролевый шов,
3-ниточная узкая кайма,
2-ниточный узкий и широкий шов,
2-ниточный плоский шов,
2-ниточный ролевый шов,
2-ниточная узкая кайма,
цепной стежок,
двойная узкая и широкая строчка,
тройная строчка,
5-ниточный оверлок.
Еще что очень удобно у него есть функция — свободный рукав.
Olgiya
Husqvarna Husky Lock 936 ,я на него тоже запала ,
на фотохостинг →
но есть вероятность что его не будет в продаже ,тогда прийдётся покупать Пфафф 4852.
Жи Лена
Ура, ура наконец то появилась счастливая обладательница оверлока Хускварна. Я собираюсь к 8 марта сделась себе подарок и приобрести именно его. У меня швейная машинка Хускварна с швейным советником, для меня это огромное удобство. Хотелось бы узнать как ведет себя оверлок с трикотажными тканями и еще есть ли у Вас дополнительные лапки.
Ленка-2
Трикотаж шьет хорошо. Лапки дополнительные к нему не покупала, а только к машинке. Что конкретно интересует спрашивайте.
Olgiya
Ленка-2 Раскажите о своей мошинке побольше как перенастройка происходит, как распошивачный шов выглядит, а также и на другие швы я бы не отказалась посмотреть и если можно меня очень ,очень интересует пошив трикотажа,может есть некоторые нюансы которыми вы можете поделиться с нами.
Зарание благодарю за ответ,Ольга.
borqna
А что вы скажете о HUSQVARNA HS E10 ,потому что тук я могу купить только эту и я не знаю если эта машина хорошая. Спасибо вам заранее.
redhat
На Тайване, на заводе Janome, производятся швейные машины Pfaff серии Hobby и Husqvarna серии Huskystar.
получается, что Huskystar это Husqvarna?
Пока соблазняюсь вот на эту модельку: Husqvarna Huskystar 219 http://market.yandex.ru/model.xml?hid=242704&modelid=935995
Что скажете?
Швейная машина Husqvarna Huskystar 219 — купить по выгодной цене на Яндекс.Маркете
Подробные характеристики швейной машины Husqvarna Huskystar 219, отзывы покупателей, обзоры и обсуждение товара на форуме.
Источник
Как настроить швейную машинку huskystar 219
На машинке шью и тонкие ткани и толстые. Недавно сшила пальто.И джинсы дочке переделывала. На оврлоке оказалось все легко и просто. А я боялась что не осилю! Швейный советник все подсказывает, хотя корректировать тоже приходится. Ткани то все разные. Но по крайней мере никогда не смотрю как настраивать шов в инструкции, смотрю что рекомендует советник и там уже все ясно. А замена пластины при распошивальных швах только в первый раз кажется долгой. А когда делаешь это чаще и не надо уже в инструкцию заглядывать, то все быстро. Особенно я люблю 4-х ниточным швом обрабатывать сыпучие ткани, так класно и шить потом намного удобнее, когда все уже обработано.
Аманда
У меня Платинум 770,я очень довольна.Когда подошло время покупать машинку,я сразу знала что это будет именно хускварна.Ни какой брайзер и рядом не стоял.Моя свекровь давно работала в швейном магазине и в машинках разбиралась поэтому ,и купила себе хускварну (не помню точно модель какая-то простенькая) и уже больше десяти лет прекрасно на ней шьет,то же самое у ее подруг которые купили хускварны,кто же взял себе брайзеры или поменяли их на другие машинки или несколько раз отдавали в ремонт.У моей сестры хускварна уже восемь лет и никаких проблем.Я однажды была у соседки,которая при мне шила на своем брайзере купленом год назад,он очень громко стучал. у моей мамы чайка 30-летней давности тише шьет чем этот брайзер.
Ленка-2
У оверлока Husqvarna Husky Lock 936 швы такие:
4-ниточный шов,
3-ниточный узкий и широкий шов,
3-ниточный плоский шов,
3-нитоный ролевый шов,
3-ниточная узкая кайма,
2-ниточный узкий и широкий шов,
2-ниточный плоский шов,
2-ниточный ролевый шов,
2-ниточная узкая кайма,
цепной стежок,
двойная узкая и широкая строчка,
тройная строчка,
5-ниточный оверлок.
Еще что очень удобно у него есть функция — свободный рукав.
Olgiya
Husqvarna Husky Lock 936 ,я на него тоже запала ,
на фотохостинг →
но есть вероятность что его не будет в продаже ,тогда прийдётся покупать Пфафф 4852.
Жи Лена
Ура, ура наконец то появилась счастливая обладательница оверлока Хускварна. Я собираюсь к 8 марта сделась себе подарок и приобрести именно его. У меня швейная машинка Хускварна с швейным советником, для меня это огромное удобство. Хотелось бы узнать как ведет себя оверлок с трикотажными тканями и еще есть ли у Вас дополнительные лапки.
Ленка-2
Трикотаж шьет хорошо. Лапки дополнительные к нему не покупала, а только к машинке. Что конкретно интересует спрашивайте.
Olgiya
Ленка-2 Раскажите о своей мошинке побольше как перенастройка происходит, как распошивачный шов выглядит, а также и на другие швы я бы не отказалась посмотреть и если можно меня очень ,очень интересует пошив трикотажа,может есть некоторые нюансы которыми вы можете поделиться с нами.
Зарание благодарю за ответ,Ольга.
borqna
А что вы скажете о HUSQVARNA HS E10 ,потому что тук я могу купить только эту и я не знаю если эта машина хорошая. Спасибо вам заранее.
redhat
На Тайване, на заводе Janome, производятся швейные машины Pfaff серии Hobby и Husqvarna серии Huskystar.
получается, что Huskystar это Husqvarna?
Пока соблазняюсь вот на эту модельку: Husqvarna Huskystar 219 http://market.yandex.ru/model.xml?hid=242704&modelid=935995
Что скажете?
Швейная машина Husqvarna Huskystar 219 — купить по выгодной цене на Яндекс.Маркете
Подробные характеристики швейной машины Husqvarna Huskystar 219, отзывы покупателей, обзоры и обсуждение товара на форуме.
Источник
View a manual of the Husqvarna Huskystar 219 below. All manuals on ManualsCat.com can be viewed completely free of charge. By using the ‘Select a language’ button, you can choose the language of the manual you want to view.
Page: 1
219/224
User’s Guide
Type A
Page: 2
This houshold sewing machine is designed to comply with
IEC/EN 60335-2-28 and UL1594
IMPORTANT SAFETY INSTRUCTIONS
When using an electrical appliance, basic safety precautions should always be followed,
including the following:
Read all instructions before using this household sewing machine.
DANGER — To reduce the risk of electric shock:
• A sewing machine should never be left unattended when plugged in. Always
unplug this sewing machine from the electric outlet immediately after using and
before cleaning.
• Always unplug before relamping. Replace bulb with same type rated 15 Watt.
WARNING — To reduce the risk of burns, fire, electric
shock, or injury to persons:
• This sewing machine is not intended for use by persons (including children)
with reduced physical, sensory or mental capabilities, or lack of experience and
knowledge, unless they have been given supervision or instruction concerning use
of the sewing machine by a person responsible for their safety.
• Children should be supervised to ensure that they do not play with the sewing
machine.
• Use this sewing machine only for its intended use as described in this manual. Use
only attachments recommended by the manufacturer as contained in this manual.
• Never operate this sewing machine if it has a damaged cord or plug, if it is not
working properly, if it has been dropped or damaged, or dropped into water.
Return the sewing machine to the nearest authorized dealer or service center for
examination, repair, electrical or mechanical adjustment.
• Never operate the sewing machine with any air openings blocked. Keep ventilation
openings of the sewing machine and foot controller free from the accumulation of
lint, dust, and loose cloth.
• Keep fingers away from all moving parts. Special care is required around the sewing
machine needle.
• Always use the proper needle plate. The wrong plate can cause the needle to break.
• Do not use bent needles.
• Do not pull or push fabric while stitching. It may deflect the needle causing it to
break.
• Switch the sewing machine off (“0”) when making any adjustment in the needle
area, such as threading needle, changing needle, threading bobbin, or changing
presser foot, etc.
• Always unplug sewing machine from the electrical outlet when removing covers,
lubricating, or when making any other user servicing adjustments mentioned in the
instruction manual.
• Never drop or insert any object into any opening.
• Do not use outdoors.
• Do not operate where aerosol (spray) products are being used or where oxygen is
being administrated.
• To disconnect, turn all controls to the off (“0”) position, then remove plug from
outlet.
• Do not unplug by pulling on cord. To unplug, grasp the plug, not the cord.
SAVETHESE INSTRUCTIONS
For the USA and Canada
This sewing machine has a polarized plug (one blade wider than the other). To reduce
the risk of electric shock, this plug is intended to fit in a polarized outlet only one way.
If the plug does not fit fully in the outlet, reverse the plug. If it still does not fit, contact
a qualified electrician to install the proper outlet. Do not modify the plug in any way.
Page: 3
1
Name of Parts 2-3
Extension Table 4
To Store Foot Control 4
Standard Accessories 5
GETTING READYTO SEW
Connecting the Machine to the
Power Supply 6
Controlling Sewing Speed 7
Up/Down Needle Position Button 8
Reverse Stitch Button 8
Pressure Adjusting Dial 8
Dropping the Feed Teeth 9
Sewing Light 9
Presser Foot Lifter 10
To Remove and Attach
the Presser Foot 10
To Remove and Attach
Presser Foot Ankle 10
Changing the Needle 11
Needle and Thread chart 11
Winding the Bobbin
Setting the Spool 12
Removing the Bobbin 12
Winding the Bobbin 13
Inserting the Bobbin 14
Threading the Machine 15
To Use Needle Threader 16
Drawing Up Bobbin Thread 17
Pattern Selector Dial 18
Stitch Length Dial 18
Zigzag Width Control 19
Infinite Needle Position 19
Balancing Needle Thread Tension 20
Straight Stitching 21
Starting to Sew 21
Changing Sewing Direction 21
Finishing Sewing 22
Straight Stitching on Heavy Fabrics 23
Seam Allowance Lines 23
UTILITY STITCHING
Zigzag Stitching 24
Overcasting 24
Seam/Overcast stitch 25
Multiple ZigZag 25
Reinforced Straight Stitch 26
Lightening Stitch 26
Sewing Buttons 27
Automatic Buttonhole 28-31
Corded Buttonhole 32
Manual Buttonhole 33-34
Zipper Sewing 35-38
Blind Stitch Hemming 39
Decorative Satin Stitch Patterns 40
Stretch Stitch Patterns 40
Adjusting Stretch Stitch Balance 41
Smocking 42
Quilting 43
Pin Tucking 44
Shell Tuck 44
Fagoting 45
Patch Work 45
Applique 46
CARE OFYOUR MACHINE
Cleaning the Hook Assembly Area
and Feed Teeth 47
Replacing the Bobbin Holder 48
Troubleshooting 49-50
TABLE OF CONTENTS
Page: 4
2
Name of parts (Model 224)
01. Bobbin winder stopper
02. Bobbin winder spindle
03. Extra spool pin mounting hole
04. Spool holder
05. Spool pin
06. Thread tension dial
07. Thread take-up lever
08. Pressure adjusting dial
09. Face plate
10. Thread cutter
11. Needle threader
12. Needle plate
13. Extension table
14. Hook cover plate
15. Hook cover plate release button
16. Up/down needle position
button
17. Reverse stitch button
18. Speed setting lever
19. Pattern selector dial
20. Stitch length dial
21. Pattern indicating window
22. Zigzag width control lever
23. Presser foot
24. Needle
25. Needle clamp screw
26. Foot holder
27. Thumb screw
28. Carrying handle
29. Handwheel
30. Feed balance dial
31. Power switch
32. Machine sockets
33. Drop feed lever
34. Free arm
35. Buttonhole lever
36. Presser foot lifter
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02
03
04
05
06
07
08
09
10
11
12
13
14
15
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Page: 5
3
01
02
03
04
05
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07
08
09
10
11
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17
18
19
20
21
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Name of parts (Model 219)
01. Bobbin winder stopper
02. Bobbin winder spindle
03. Extra spool pin mounting hole
04. Spool holder
05. Spool pin
06. Thread tension dial
07. Thread take-up lever
08. Pressure adjusting dial
09. Face plate
10. Thread cutter
11. Needle plate
12. Extension table
13. Hook cover plate
14. Hook cover plate release button
15. Reverse stitch button
16. Pattern selector dial
17. Stitch length dial
18. Pattern indicating window
19. Zigzag width control lever
20. Presser foot
21. Needle
22. Needle clamp screw
23. Foot holder
24. Thumb screw
25. Carrying handle
26. Handwheel
27. Feed balance dial
28. Power switch
29. Machine socket
30. Drop feed lever
31. Free arm
32. Buttonhole lever
33. Presser foot lifter
Page: 6
4
(2)
(1)
(2)
(1)
(3)
ExtensionTable
The extension table provides added
sewing surface and can be easily removed
for free arm sewing.
For free arm sewing
Remove the extension table by pulling it
away from the machine, as illustrated.
(1) Pin
(2) Hole
To Store Foot Control
1. Insert the foot control in the extension
table.
2. Plug the cord into the holes on the
table.
(1) Plug
(2) Holes
3. Fold the cord as illustrated and store
in the table.
(3) Cord
Page: 7
5
01 02
03 04
05
06
07
08
09
10
11
12 13
14 15
16
Standard Accessories
01. C: Overcast foot
02. E: Zipper foot
03. G: Blind hem foot
04. B: Transparent buttonsewing/
button hole foot
05. R: Automatic buttonhole foot
06. Set of needles
07. Bobbins
08. Screwdriver
09. Lint brush
10. Seam ripper
11. Quilter´s guide
12. Large spool holder
13. Small spool holder
14. Additional spool pin
15. Spool pin felt
16. Storage place
(Open the extension table and
store the standard accessories.)
Page: 8
6
Connecting the Machine to the
Power Supply (for Model 224)
After switching off the power 1 ,
connect the plugs in the order of
2, 4 and 6.
1. Power switch
2. Foot control plug
3. Foot control socket
4. Machine power plug
5. Machine power socket
6. Power supply plug
7. Wall outlet
Connecting the Machine to
the Power Supply (for Model
219)
Before connecting the power, make sure
the voltage and frequency of the machine
conform to your electrical power supply.
Switch off the power, fit the nonreversible
plug into the machine socket and connect
the power supply plug.
Switch on the power.
1. Power switch
2. Machine power plug
3. Machine power socket
4. Power supply plug
5. Wall outlet
GETTING READYTO SEW
1
2
3
4
5
6
7
1
2
3
4
5
Page: 9
7
Controlling Sewing Speed
Speed Setting Lever (for Model 224)
The maximum sewing speed can be
controlled by the speed setting lever.
Foot Controller (Model 224)
Sewing speed can be varied by the foot
control.
Foot controller type C-21365 for use
with sewing machine Model 224
Foot Controller (Model 219)
Sewing speed can be varied by the foot
control.
Foot controller type YC-482J (for USA
and Canada only) or YC-190 for use
with sewing machine Model 219
Note: Some fabrics have a lot of excess dye which can cause
discoloration on other fabric but also on your sewing machine.
This discoloring may be very difficult or impossible to remove.
Fleece and denim fabric in especially red and blue often
contain a lot of excess dye.
If you suspect that your fabric/ready-to-wear garment
contains a lot of excess dye, always pre-wash it before sewing/
embroidering to avoid the discoloring.
Page: 10
8
Needle Up/Down Position Button
(for Model 224)
When you press this button, the needle
will go up or down.
If the needle is up and you press this
button, the needle will go down to its
lowest position.
If the needle is down and you press this
button, the needle will go up to its highest
position.
Reverse Stitch Button
As long as you keep the reverse stitch
button depressed, the machine sews
backwards.
Presser foot Pressure
Adjusting Dial
The presser foot pressure adjusting dial
should be set at 3 for regular sewing.
Reduce the pressure to 2 for applique,
cutwork, drawnwork, basting and
embroidery for better maneuverability of
fabric.
Velours and knits with a lot of stretch may
require a 1 setting.
Page: 11
9
Sewing Light
The sewing light is located behind the face
plate. To change the bulb, take the face
plate off the sewing machine by removing
the set screw.
Caution: Unplug the power supply
before changing the bulb and wait
until the bulb has cooled down before
touching it.
(1) Model 224 (12V, 5W)
To remove …….. Draw out slowly
To replace …….. Push in
(2) Model 219 (15W)
To remove ……… Push and twist to the
left.
To replace ……… Push and twist to the
right.
Dropping the FeedTeeth
* For button sewing and free motion
sewing, drop the feed teeth.
* When finished sewing, raise the feed
teeth.
Drop feed lever is located to the back and
underneath the free arm bed.
1. To raise the feed teeth.
2. To drop the feed teeth.
1
2
(1) (2)
Note: The feed teeth must always be up
for normal sewing.
Page: 12
10
(3)
(2)
(1)
(3)
(2)
(1)
(1)
(2)
(3)
1 2
1
2
Presser Foot Lifter
The presser foot lifter raises and lowers
your presser foot.
You can raise it about 0.6 cm (1/4˝) higher
than the normal raised position for easy
removal of the presser foot or to help you
place heavy fabric under it.
(1) Presser foot lifter
(2) Normal raised position
(3) Extra lift position
Unplug the power supply before
changing the presser foot.
1. Press the red button on the back of
the presser foot ankle.
The presser foot will drop off.
2. Place the selected presser foot so
the pin on the foot lies just under
the groove of the foot ankle.
Lower the ankle to lock the
foot in place.
(1) Red button
(2) Groove
(3) Pin
To Remove and Attach
the Presser Foot Ankle
1. To Remove
Remove the thumb screw by turn
ing the screw counterclockwise with
the screwdriver.
(1) Thumb screw
2. To Attach
Match the hole in foot ankle with
the threaded hole in the presser bar. Fit
the thumb screw into the hole Tighten
the screw by turning it clockwise.
To Remove and Attach
the Presser Foot
Page: 13
11
Needle andThread Chart
(2)
(1)
(1)
(3)
1 2
Changing the Needle
1. Raise the needle by pressing the up/down
needle position button and lower the presser
foot.
Turn off the power switch.
Loosen the needle clamp screw by turning it
counterclockwise. Remove the needle from
the clamp.
2. Insert the new needle into the needle
clamp with the flat side to the rear. When
inserting the needle into the clamp push it
up as far as it will go and tighten the clamp
screw firmly.
(1) Needle clamp screw
(2) Pin
(3) Flat side of the needle
Needle size
No. 60 (#7)
No. 70 (#10)
No. 75 (#11)
No. 80 (#12)
No. 80 (#12)
No. 90 (#14)
No. 100 (#16)
Stretch needle
No. 70 (#10)
Fabric
Fine silk
Crepe de chine
Poplin
Pure Silk
Broad cloth
Cotton
Wool
Denim
Tricot
Cotton thread size
70 — 80
50 — 60
40 — 50
30 — 40
30
70 — 80
Silk thread size
100 — 140
80 — 100
60 — 70
50 — 60
45 — 50
100 — 140
Page: 14
12
Winding the Bobbin
Settting the Spool
Lift up the spool pin and place the spool
of thread on it with the thread coming off
the spool as shown.
Press the large spool holder firmly against
the spool of thread with the flat side of
the spool holder against the spool of the
thread.
(1) Large spool holder
(2) Small spool holder
Removing the Bobbin
Gently slide the bobbin cover plate
release button to the right and remove the
cover plate.
Lift out the bobbin.
(1) Bobbin cover plate release button
(2) Bobbin cover plate
(1)
(2)
(1)
(2)
Page: 15
13
Winding the Bobbin
1. Guide the thread around the thread
guide.
2. Thread through the hole in the bobbin
from the inside to the outside. Put the
bobbin on the bobbin winder spindle.
3. Slide it to the right.
Caution: Never move the bobbin winder
spindle when the machine is running.
4. With the free end of the thread held
in your hand, depress the foot control.
Stop the machine when it has made a
few turns, and cut the thread close to
the hole in the bobbin.
5. Depress the foot control again. When
the bobbin is fully wound, it will
stop automatically. Return the bobbin
winder to its original position by
moving the spindle to the left, and cut
the thread as shown.
To use the additional spool pin, set the felt
and the spool as shown above.
(1) Additional spool pin
(2) Felt
(3) Additional spool pin hole
A
B
1
2
3
4
5
(2)
(1)
(3)
Page: 16
14
Inserting the Bobbin
1. Place the bobbin in the bobbin holder
with the thread running counter-
clockwise.
2. Guide the thread into the notch A
on the front side of the bobbin holder.
Draw the thread to the left, sliding it
between the tension spring blades.
3. Continue to draw the thread lightly until
the thread slips into notch B.
Note: Check the threading by referring to
the chart shown on the bobbin cover
plate.
4. Pull out about 15 cm (6 inches) of thread
and attach the bobbin cover plate.
A
B
1
2
3
4
Page: 17
15
Raise the thread take-up lever to its
highest position by turning the handwheel
toward you.
Raise the presser foot with the presser foot
lifter and pass the thread in the order from
1 to 5 .
1. Bring the thread from the spool and
pass it through the thread guide.
Then draw it down along the right slot.
2. Guide the thread around the bottom of
the thread guide plate from right to left,
then draw it upward.
3. Firmly draw the thread from right to left
over the take-up lever and down into
the take-up lever eye. Then guide it
down along the left slot.
4. Slide the thread from the left behind the
needle bar thread guide.
5. Thread the needle from front to back.
Threading the Machine
1
3
2
4
5
1
2
3
4, 5
Page: 18
16
To Use NeedleThreader
(for Model 224)
1. Raise the needle to its highestposition.
Lower the needle threader as far as it
will go.
2. Push the knob in the direction of the
arrow in the illustration, and insert the
hook into the needle eye.
Bring the thread around the guide and
under the hook.
(1) Guide
(2) Hook
3. Push the knob in the direction of the
arrow in the illustration, and draw the
thread loop to the back of the needle.
4. Raise the needle threader knob slowly
to draw the thread loop up.
Pass the end of the thread through the
needle eye by pulling the thread loop
to the back.
1
2
3
4
(1)
(2)
Page: 19
17
Drawing Up BobbinThread
1. Raise the presser foot and hold the
needle thread lightly with your left
hand.
2. Press the up/down needle position
button twice to pick up the bobbin
thread.
Draw up the needle thread forming a
loop of bobbin thread.
(1) Needle thread
(2) Bobbin thread
1
2
3
(1)
(2)
3. Pull 15 cm (6 inches) of both threads
back and under the presser foot.
Page: 20
18
1
2
(Model 224)
(Model 219)
A B
C
Pattern Selector Dial
A. Recommended
stitch length
B. Set any stitch
length
C. Reset indication
for buttonhole
Turn the pattern selector dial to indicate a
selected pattern on the pattern indicating
window.
(1) Pattern selector dial
(2) Pattern indication window
Note: Always raise the needle above the
fabric and presser foot before you
turn the pattern selector dial.
Stitch Length Dial
The higher the number, the longer the
stitch length. You can select the suitable
stitch length for fabrics that you plan to
sew.
(1) Stitch length dial
(2) Setting mark
Note: Always raise the needle above the
fabric and presser foot before you
turn the stitch length dial.
(1)
(2)
(2)
(1)
Page: 21
19
Zigzag Width Control
The higher the number, the wider the
stitch width becomes.
Note: Always raise the needle above the
fabric and presser foot before you
turn the zigzag width control.
Infinite Needle Position
When pattern number 14 is selected and
the stitch width control is activated, you
can move the needle between center and
left needle positions.
Page: 22
20
(1)
(2)
(3)
(4)
Balancing NeedleThreadTension
The needle thread and the bobbin thread
should interlock in the center of two layers
of fabric in straight seams.
To obtain better zigzag stitches, the needle
thread tension should be slightly weaker
than in the case of straight sewing. The
needle thread should appear slightly on
the reverse side of the fabric.
(1) Needle thread
(2) Bobbin thread
(3) Right side
(4) Wrong side
To loosen needle thread tension
Loosen the needle thread tension by
moving the dial to a lower number.
To tighten needle thread tension
Tighten the needle thread tension by
moving the dial to a higher number.
Page: 23
21
0 1 2 3 4 5 6
14
(1) (2) (3)
(4)
(5)
Straight Stitching
(1) Stitch selector: 14
(2) Stitch width: 0 or 6
(3) Stitch length: 1.5 — 4
(4) Top thread tension: 2 — 6
(5) Presser foot: A: Zigzag foot
Starting to Sew
Raise the presser foot and position the
fabric next to a seam guide line on the
needle plate (see page 23).
Lower the needle to the point where you
want to start.
Lower the presser foot and pull the
threads toward the back. Depress the foot
control.
Gently guide the fabric along the seam
guide line letting the fabric feed naturally.
Changing Sewing Direction
Stop the machine and bring the needle
down into the fabric by pressing the
up/down needle position button (or by
turning the handwheel for Model 219).
Raise the presser foot.
Pivot the fabric around the needle to
change sewing direction as desired.
Lower the presser foot.
Page: 24
22
Finishing Sewing
1. To fasten the ends of seams, press the
reverse button and sew several reverse
stitches.
2. Raise the presser foot. Remove the
fabric, and draw the threads to the
back.
3. Cut the thread using the thread cutter.
The threads are cut the proper length
for starting the next seam.
1
2
3
Page: 25
23
Straight Stitching on Heavy
Fabrics
1. Lower the needle into the fabric at the
point where you wish to start sewing.
Press the small black button on the
zigzag foot with your left hand to
lock the presser foot to the fabric.
2. Lower the presser foot with your right
hand, keeping pressure on the black
button with your left hand.
3. Release the black button and start
sewing.
(1) Black button
Seam Allowance Lines
The seam guides on the needle plate and
bobbin cover plate help you measure the
seam width.
(1) Seam allowance lines
Number 15 20 1/2 5/8 3/4
Distance (cm) 1.5 2.0 1.3 1.6 1.9
Note: The numbers indicate the distance
between the middle needle position
and the seam allowance lines.
Turning a Square Corner
Stop stitching and lower the needle when
the fabric edge facing you lines up with
the cornering guides as shown.
Raise the presser foot and turn the fabric
to line up to the edge with the 1.6 cm (5/8
inch) seam guide.
Lower the presser foot and begin stitching
in the new direction.
(2) Cornering guides
(1)
(1)
(2)
Page: 26
24
13
13
UTILITY STITCHING
Zigzag Stitching
(1) Stitch selector: 13
(2) Stitch width: 0 — 6
(3) Stitch length: 0.5 — 3
(4) Top thread tension: 3 — 5
(5) Presser foot: A: Zigzag foot
Simple zigzag stitching is widely used
for overcasting, applique and sewing on
buttons.
Overcasting
(1) Stitch selector: 13
(2) Stitch width: 5 or 6
(3) Stitch length: 1 — 2
(4) Top thread tension: 4 — 7
(5) Presser foot: C: Overcast
foot
This type of stitch is used on the seam
allowance to prevent fabrics from fraying
at raw edges.
It can be used to finish a hem edge.
Place the edge of the fabric next to the
black guide of foot C .
(6) Black guide
(1) (2) (3)
(4)
(5)
(1) (2) (3)
(4)
(5)
(6)
Page: 27
25
19
12
(1) (2)
(3) (4)
(5)
(1) (2) (3)
(4)
(5)
Seam/Overcast Stitch
(1) Stitch selector: 19
(2) Stitch width: 5 or 6
(3) Top thread tension: 4 — 7
(4) Presser foot: C: Overcast
foot
* Stitch length: Set any length
Place the edge of the fabric next to the
black guide on the foot and brush guide.
The wires on this foot prevent light weight
fabric from rolling and creating a ridge.
As you sew the needle falls off the fabric
wrapping the threads around the raw edge
to prevent raveling.
(5) Black guide
Multiple ZigZag
(1) Stitch selector: 12
(2) Stitch width: 3 — 6
(3) Stitch length: 0.5 — 1.5
(4) Top thread tension: 4 — 6
(5) Presser foot: A: Zigzag foot
This stitch is used to finish the seam
allowance on synthetics and other fabrics
that tend to pucker.
Place your fabric to allow a 1.6 cm (5/8
inch) seam.
Trim the extra seam allowance edge after
sewing as illustrated.
Note: Be careful not to cut the stitches.
Page: 28
26
16
15
0 1 2 3 4 5 6
Reinforced Straight Stitch
(1) Stitch selector: 16
(2) Stitch width: 0 or 6
(3) Top thread tension: 3 — 6
(4) Presser foot: A: Zigzag foot
* Stitch length: Set any length
This strong, durable stitch is recommended
where both elasticity and strength are
needed to ensure comfort and durability.
Use it to reinforce areas such as crotch and
armhole seams.
Also use it when constructing items such
as backpacks for extra reinforcement.
The stitch is sewn with two stitches
forward and one stitch backward, forming
a seam that does not rip easily.
Garments should be basted for fitting
before seaming.
Lightening Stitch
(1) Stitch selector: 15
(2) Stitch width: 4 — 5
(3) Top thread tension: 3 — 6
(4) Presser foot: A: Zigzag foot
* Stitch length: Set any length
This stitch is used for seaming tricot and
light weight knit fabrics, it permits the
seam to be pressed completely flat and
prevent thread breaking with stretch fabric
seams.
For a 1.5 cm (5/8 inch) seam, use the 2 cm
(6/8 inch) marking on the needle plate.
When sewing light weight knit fabrics, set
the pressure dial at 1 or 2.
(1) (2)
(3) (4)
(1) (2)
(3) (4)
Page: 29
27
13
0 1 2 3 4 5 6
Sewing Buttons
(1) Stitch selector: 13
(2) Stitch width: 3 — 3.5
(3) Top thread tension: 4 — 7
(4) Presser foot: B: Transparent
buttonsewing
foot
(5) Feed teeth lowered
* Stitch length: Set any length
Tape the button over the placement mark.
A pin can be placed on top the foot to
form a shank. Before lowering the foot,
test the needle swing, making sure the
needle drops in each hole.
Adjust the stitch width if necessary and
lower the foot.
Align both holes of the button with the
needle swing, lower the foot and depress
the foot control.
Sew about 10 stitches, then pull out
approximately 20 cm (8 inches) of both
the needle and bobbin thread and cut.
Pull the needle thread down through the
hole in the button (so it is between the
hole and fabric).
Now, pull the needle thread firmly to draw
the bobbin thread up through the fabric.
Wind one thread clockwise around the
shank, the other counterclockwise.
Finally, tie the 2 threads together.
Note: When sewing on the button is
completed, raise the feed teeth.
(1) (2)
(3)
(4)
(5)
Page: 30
28
1
0
1
(1) (2)
(4)
(3)
(5)
1.
2.
(1)
(2)
(3)
(4)
Automatic Buttonhole
(1) Stitch selector: 1
(2) Stitch width: 4 — 6
(3) Stitch length: 0.5 — 1
(4) Top thread tension: 2 — 5
(5) Presser foot: R: Automatic
buttonhole
foot
* The size of buttonhole is automatically
set by placing the button in the automatic
buttonhole foot R.
* The button holder of the foot takes a but-
ton size up to 2.5 cm (1 inch) in diame-
ter.
* Make a test buttonhole on a fabric sam-
ple duplicating the interfacing and seams
of the actual garment.
* Place the button on the fabric sample
and mark the top and bottom to deter-
mine the position of the buttonhole.
* Use interfacing on stretch fabrics.
* Use stabilizer under all fabrics
1. Attach the automatic buttonhole foot
R. Make sure the groove on the holder
catches the pin on the foot when
lowering the presser foot.
(1) Groove
(2) Pin
2. Pull the button holder to the back, and
place the button in it. Push it together
tightly on the button.
(3) Button holder
If the button is extremely thick, make a test
buttonhole. If it is difficult to fit the button
through the test buttonhole, lengthen the
size by pulling back the button holder
which will increase the buttonhole length.
(4) Gap
Page: 31
29
3. Pull the buttonhole lever downward as
far as it will go.
(5) Buttonhole lever
4. Draw both threads to the left under the
foot. Insert the garment under the foot,
and lower the needle at the starting
point.
Then lower the automatic buttonhole
foot.
(6) Needle thread
(7) Bobbin thread
(8) Hole
(9) Starting point
Note: Make sure there is no gap between
the slider and the spring holder.
If there is a gap, the length of the rows
will be different, as shown.
(10) Slider
(11) Spring holder
(12) Difference
(13) There should be no gap.
3
4
(13)
(5)
(8)
(6)
(9)
(7)
(10)
(11)
(12)
Page: 32
30
1 2
5
6
5. Sew slowly and stop the machine at the
starting point when the buttonhole is
completed.
Step 1: First the front bartack and left row
is sewn.
Step 2: Next the back bartack, a locking
stitch and the right row is sewn.
6. Cut both needle and bobbin threads
leaving about 10 cm (4 inches) of
thread ends loose. Draw the needle
thread to the wrong side of the fabric
by pulling the bobbin thread.
Then, knot the threads.
Place a pin on the rear side of the
bartack position so that you do not
need to worry about cutting the end
of the buttonhole stitch. Then cut the
opening with a seam ripper.
(To sew a series of
same-size buttonholes)
To reset the buttonhole sewing function,
select a different stitch pattern with the
pattern selector dial 2, then return it to the
buttonhole.
Page: 33
31
0
1
7. When finished, push the button
hole lever up as far as it will go.
7
To adjust button-
hole stitch density.
Set the stitch length dial between 0.5 and
1.0 to adjust the buttonhole stitch density.
Page: 34
32
1
0
1
Corded Buttonhole
(1) Stitch selector: 1
(2) Stitch width: 4 — 6
(3) Stitch length: 0.5 — 1
(4) Top thread tension: 2 — 5
(5) Presser foot: R: Automatic
buttonhole
foot
1. Use the same procedure as described in
automatic buttonhole sewing steps.
Note: Set the stitch width to match the
thickness of the cord used.
(1) With the buttonhole foot raised,
hook the filler cord on the spur at the
back of the buttonhole foot.
Bring the ends toward you under the
buttonhole foot, clearing the front end.
Hook the filler cord into the forks on
the front of automatic buttonhole foot R
to hold them tight.
Lower the needle into the garment
where the buttonhole will start and
lower the foot.
2. Depress the foot control gently and
sew the buttonhole. Each side of the
buttonhole and the bartacks will be
sewn over the cord.
Remove the fabric from the machine
and cut the sewing threads only.
(2) Needle thread
(3) Bobbin thread
(4) Starting point
3. Pull the left end of the filler cord to
tighten it. Thread the end of the cord
through a darning needle, draw to the
wrong side of the fabric and cut.
Note: To cut the buttonhole opening, refer
to the instructions on page 30.
(1) (2) (3)
(4) (5)
(1)
(2)
(4)
(3)
1
2
3
Page: 35
33
1
0
1
1.
2,
(1) (2) (3)
(4) (5)
(1)
(2)
(3)
Manual Buttonhole
(1) Stitch selector: 1
(2) Stitch width: 4 — 6
(3) Stitch length: 0.5 — 1
(4) Top thread tension: 2 — 5
(5) Presser foot: B: Transparent
buttonhole
foot
Note: If the diameter of the button is more
than 2.5 cm (1 inch), a buttonhole
must be made manually as follows.
1. Attach the buttonhole foot B.
2. Pull the buttonhole lever downward as
far as it will go.
3. Lower the needle into the garment
where the buttonhole is to start, and
lower the foot.
(1) Needle thread
(2) Bobbin thread
(3) Starting point
3
Page: 36
34
4. Sew the front bartack and left row,
then stop the machine after sewing the
desired total length of buttonhole.
5. Pull the buttonhole lever toward you.
6. Sew the back bartack and right row,
then stop the machine at the starting
point.
7. When finished, push the buttonhole
lever up as far as it will go.
4
5
6
7
Page: 37
35
0 1 2 3 4 5 6
14
(3) (4)
(1) (2) (3)
(4) (5)
(1)
(2)
(1)
(2)
(5)
(6)
(4)
(3)
(8)
(9) (7)
1
Zipper Sewing
(1) Stitch selector: 14
(2) Stitch width: 0
(3) Stitch length: 1.5 — 4
(4) Top thread tension: 3 — 6
(5) Presser foot: E: Zipper foot
To Snap On the Zipper Foot
Fit the pin on the zipper foot into the
groove on the ankle.
To sew the left side of the zipper
Attach the zipper foot on the right-hand
side.
To sew the right side of the zipper
Attach the zipper foot on the left-hand
side.
(1) Groove
(2) Pin
(3) When the left side is sewn
(4) When the right side is sewn
Fabric Preparation
1. Add 1 cm (3/8 inch) to the zipper size.
This is the overall opening size.
(1) Right side of fabric
(2) 1 cm (3/8 inch)
(3) Opening size
(4) Zipper size
(5) Slider
(6) Zipper teeth
(7) Zipper tape
(8) Wrong side
(9) End of opening
Page: 38
36
2. Place right sides of fabric together and
sew to the end of the zipper opening.
Reverse stitch to lock the stitches.
Manually increase the stitch length to
4 and sew the zipper opening.
(10) 2 cm (3/4 inch)
(11) 11.3 cm (Stitch length)
(12) Reverse stitch
(13) End of opening
(14) Straight stitch
To Sew
1. Fold back the left seam allowance.
Turn under the right seam allowance
to form a 0.2 to 0.3 cm (1/8 inch) fold.
Place the zipper teeth next to this fold
and pin in place.
2. Attach the zipper foot with the pin on
the right hand side.
Lower the zipper foot on the top side
at the bottom of the zipper so that the
needle pierces the fabric next to the
fold and the zipper tape.
(1) Lower fabric
(2) End of opening
(3) Stitch line
(4) 0.3 cm (1/8 inch)
(5) Wrong side of fabric
(6) Opening size
(7) Fold
(8) Basting stitch line
(1)
(2) (3)
(4)
(6)
(5)
(7)
(8)
(3)
(5)
2
1
2
Page: 39
37
3
4
(9)
(10)
(9)
(11)
(12)
3. Sew through all layers next to the fold.
Stop just before the zipper foot reaches
the slider on the zipper tape. Lower the
needle slightly into the fabric. Raise the
zipper foot and open the zipper. Lower
the foot and stitch the remainder of the
seam.
(9) Slider
(10) 5 cm (2 inches)
4. Close the zipper and spread the fabric
flat with the right side facing up.
Baste the opened fabric and zipper
tape together.
(11) Basting stitch
(12) Zipper tape
Page: 40
38
5
6
(14)
(13)
5. Remove the zipper foot and reattach
it on its left side. Guide the edge of the
foot along the zipper teeth and stitch
through the garment and zipper tape.
Stop about 5 cm (2 inches) from the top
of the zipper.
(13) Remove the basting stitches
(14) Reverse stitches (0.7 — 1cm)
6. Lower the needle slightly into the
fabric, raise the foot, remove the
basting stitches and open the zipper.
Lower the foot and stitch the remainder
of the seam, making sure the
fold is even.
Page: 41
39
0 1 2 3 4 5 6
(1) (2) (3)
(4) (5)
(2)
(1)
(2)
(1)
(3)
(4)
(5)
(6)
(7)
(8)
1
2
3
4
Blind Stitch Hemming
(1) Stitch selector: 9
(2) Stitch width: 3 — 4
(3) Stitch length: 2
(4) Top thread tension: 2 — 5
(5) Presser foot: G: Blind hem
foot
1. How to fold the fabric
(1) Wrong side of fabric
(2) 0.4 — 0.7 cm (5/32 — 1/4 inch)
(3) Heavy weight fabric
(4) Light/Medium weight fabric
2. How to sew
When the needle comes to the left hand
side, position the fabric so that the
folded edge comes to the left side of
the guide. Lower the presser foot.
3. Adjust the position of the needle swing
with the stitch width button so that the
needle just pierces the folded edge of
the fabric when the needle comes to the
left side. Sew, guiding the folded edge
along the guide.
(5) Guide dial
(6) Guide
(7) Folded edge
4. Open the fabric after sewing, and press
flat.
(8) Right side of fabric
Note: For a professional looking hem, try
not to let the needle pierce more
than 0.2 cm (1/8 inch) into the fold.
If the folded edge is pierced too far
to the left side, you can not expect
a good seam on the right side of the
fabric.
Page: 42
40
0
1
2 3 4 5 6
15 16 17 18 19 20 21 22 23 24
(1) (2)
(4) (5)
(3)
(1)
(2)
(3)
(4)
Decorative Satin Stitch Patterns
(1) Stitch selector: 2 — 6
(2) Stitch width: 3 — 6
(3) Stitch length: 0.5
(4) Top thread tension: 2 — 5
(5) Presser foot: A: Zigzag
foot
Satin stitches are used for decorative
stitches on blankets, linens, tableclothes
and napkins. It is also especially attractive
in applique.
Note: Use tear-away stabilizer under
fabric.
Sew a row of stitches and adjust the thread
tension so the upper thread appears on
the reverse side of the fabric. Test the
stitch on a sample of the actual fabric first.
Stretch Stitch Patterns
(1) Stitch selector: 15 — 24 (Model 224)
15 — 19 (Model 219)
(2) Stitch width: 3 — 6
(3) Top thread tension: 2 — 4
(4) Presser foot: A: Zigzag
foot
*Stitch length: Set any length
The stretch stitch does not actually stretch
as it is being sewn, but is stitched in a
forward and backward motion (sometimes
called a reverse action stitch), so that
it will expand when the fabric stretches
instead of breaking. This stitch can also be
used for topstitching on all fabrics
Note: We recommend a stretch needle for
stretch, knit or organdy fabric to
prevent skipped
stitches.
Page: 43
41
(A) (B)
Adjusting Stretch Stitch Balance
If stretch stitch patterns are uneven when
sewn on a particular fabric, adjust them
with the feed balance dial.
(1) Feed balance dial
(2) Standard mark
(3) Setting mark
(4) Example: Pattern 18
To Adjust distorted patterns
(A) If patterns are compressed, correct by
turning the dial in the direction of
( + ).
(B) If patterns are drawn out, correct by
turning the dial in the direction of ( — )
(4)
(1)
(2)
(3)
Page: 44
42
18 24
(1) (2)
(3) (4)
(1)
(1)
Smocking
(1) Stitch selector: 18 or 24
(Model 224)
(2) Stitch width: 3 — 6
(3) Top thread tension: 3 — 5
(4) Presser foot: A: Zigzag foot
*Stitch length: Set any length
With the manual stitch length at 11.3 cm
(4.5 inch), sew straight lines 1 cm (3/8
inch) apart, across the area to be smocked.
A looser needle thread tension will make
gathering easier. Knot the threads along
one edge.
Pull the bobbin threads and distribute the
gathers evenly.
Secure the threads at the other end.
Reduce the tension and pressure if
necessary and sew pattern stitches
between the straight seams.
Pull out the gathering stitches.
(1) 1 cm (3/8 inch)
Page: 45
43
0 1 2 3 4 5 6
14
(1) (2) (3)
(4)
(5)
(6)
(1)
(2)
(3)
(4)
t
Quilting
(1) Stitch selector: 14
(2) Stitch width: 0 or 6
(3) Stitch length: 1.5 — 4
(4) Top thread tension: 3 — 6
(5) Presser foot: A: Zigzag
foot
(6) Quilter
The quilting guide will help to keep the
stitching lines straight.
Loosen the quilt guide holding screw.
Slide the quilt guide in the opening to the
desired width and tighten the screw.
Sew, guiding the quilt guideover the
previous row of stitching.
(1) Quilt Guide holding screw
(2) Hole
(3) Quilt Guide
(4) Distance
Page: 46
44
0 1 2 3 4 5 6
14
11
(1) (2) (3)
(4)
(5)
(1)
(2)
(1) (2) (3)
(4)
(5)
PinTucking
(1) Stitch selector: 11
(2) Stitch width: 5 — 6
(3) Stitch length: 2 — 3
(4) Top thread tension: 6 — 8
(5) Presser foot: G:Blind stitch
hem foot
Fold the fabric with wrong sides together
on the foldline. Position the fabric so that
the needle pierces 0.1 to 0.2 cm (1/16
inch) inside from the folded edge and
lower the presser foot. Turn the guide
screw and move the sliding guide next to
the folded edge. Sew guiding the folded
edge along the sliding guide. Press the pin
tucks to one side.
(1) Guide screw
(2) Sliding guide
ShellTuck
(1) Stitch selector: 11
(2) Stitch width: 5 — 6
(3) Stitch length: 2
(4) Top thread tension: 6 — 8
(5)Presser foot: B:Transparent
buttonhole
foot
Note: Use a lightweight fabric such as
tricot. Fold and stitch on the bias.
Set the stitch width and length as you
desire.
You may need to tighten the top thread
slightly.
Allow the needle to just clear the folded
edge of the fabric when it zigzags.
If you sew rows of shell stitches, space the
rows 1.5 cm (5/8 inch) apart.
You can sew shell stitches on knits or soft
silky wovens in any direction.
Page: 47
45
10 20
12
(1) (2) (3)
(4) (5)
(1) (2) (3)
(4)
(5)
(1) (1)
Fagoting
(1) Stitch selector: 8, 10
20 (Model 224)
(2) Stitch width: 3 — 6
(3) Stitch length: 1
*Set any length for pattern 20
(4) Top thread tension: 2 — 5
(5) Presser foot: A: Zigzag foot
Fold under each fabric edge 1.5 cm (1/2
inch) and press.
Pin the two edges a tear-away stabilizer
backing 0.3 cm (1/8 inch) apart.
Sew slowly, guiding the fabric so the needle
catches the folded edge on each side.
Remove the backing when finished.
Patch Work
(1) Stitch selector: 8, 12
(2) Stitch width: 5 — 6
(3) Stitch length: 1
(4) Top thread tension: 2 — 5
(5) Presser foot: A: Zigzag foot
Sew seam and press seam allowance open.
Sew pattern stitch on right side of garment
centering over the seam line.
(1) Right side of fabric
Page: 48
46
13
0 1 2 3 4 5 6
(1) (2) (3)
(4)
(5)
(6)
(1)
Applique
(1) Stitch selector: 13
(2) Stitch width: 3 — 5
(3) Stitch length: 0.5 — 1
(4) Top thread tension: 3 — 5
(5) Presser foot: B:Transparent
buttonhole
foot
(6) Presser Dial: 2
Baste (or fuse with iron-on fusible web)
applique pieces on the fabric.
Stitch around the applique making sure
the needle falls along the outer edge of
the applique.
When sewing corners, lower the needle
down into the fabric. Raise the presser
foot and pivot the fabric to the right or
left.
Note: When applique sewing is finished,
return the pressure dial to 3.
Page: 49
47
Cleaning the Hook Assembly
Area and FeedTeeth
1. Remove the presser foot and needle.
Remove the screw on the left side of
the needle plate with the screwdriver
supplied with the machine.
2. Remove the needle plate and take out
the bobbin.
Lift up the bobbin holder and remove
it.
3. Brush out dust and lint.
4. Clean the feed teeth and hook assembly
area with the lint brush.
5. Wipe out gently with a soft, dry cloth.
Note: You may also use a vacuum
cleaner.
Caution
Before performing any of the
following,make sure that the sewing
machine is unplugged from the power
source. Do not dismantle the machine
other than explained on this page.
CARE OFYOUR MACHINE
(1)
1
2
3
4
5
Page: 50
48
Replacing the Bobbin Holder
1-2. Insert the bobbin holder so that the
knob fits next to the stopper in the
hook assembly area.
(1) Knob
(2) Stopper
3. Insert the bobbin.
Replace the needle plate, inserting the
two needle plate guide pins into the
holes in the needle plate.
Replace the screw.
(3) Guide hole
(4) Screw
After cleaning, be sure to replace the
needle and presser foot.
1
2
3
(1)
(2)
(3)
(3)
(4)
User’s Guide
219/224
Type A
This houshold sewing machine is designed to comply with
IEC/EN 60335-2-28 and UL1594
IMPORTANT SAFETY INSTRUCTIONS
When using an electrical appliance, basic safety precautions should always be followed, including the following:
Read all instructions before using this household sewing machine.
DANGER —
To reduce the risk of electric shock:
• A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning.
• Always unplug before relamping. Replace bulb with same type rated 15 Watt.
WARNING —
To reduce the risk of burns, fi re, electric shock, or injury to persons:
• This sewing machine is not intended for use by persons (including children) with reduced physical, sensory or mental capabilities, or lack of experience and knowledge, unless they have been given supervision or instruction concerning use of the sewing machine by a person responsible for their safety.
• Children should be supervised to ensure that they do not play with the sewing machine.
• Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual.
• Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water.
Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment.
• Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the sewing machine and foot controller free from the accumulation of lint, dust, and loose cloth.
fi ngers away from all moving parts. Special care is required around the sewing machine needle.
• Always use the proper needle plate. The wrong plate can cause the needle to break.
• Do not use bent needles.
• Do not pull or push fabric while stitching. It may defl ect the needle causing it to break.
• Switch the sewing machine off (“0”) when making any adjustment in the needle area, such as threading needle, changing needle, threading bobbin, or changing presser foot, etc.
• Always unplug sewing machine from the electrical outlet when removing covers, lubricating, or when making any other user servicing adjustments mentioned in the instruction manual.
• Never drop or insert any object into any opening.
• Do not use outdoors.
• Do not operate where aerosol (spray) products are being used or where oxygen is being administrated.
• To disconnect, turn all controls to the off (“0”) position, then remove plug from outlet.
• Do not unplug by pulling on cord. To unplug, grasp the plug, not the cord.
SAVE THESE INSTRUCTIONS
For the USA and Canada
This sewing machine has a polarized plug (one blade wider than the other). To reduce the risk of electric shock, this plug is intended to fi t in a polarized outlet only one way.
If the plug does not fi t fully in the outlet, reverse the plug. If it still does not fi t, contact a qualifi ed electrician to install the proper outlet. Do not modify the plug in any way.
TABLE OF CONTENTS
Name of Parts
Extension Table
To Store Foot Control
Standard Accessories
GETTING READY TO SEW
Connecting the Machine to the
Power Supply
Controlling Sewing Speed
Up/Down Needle Position Button 8
Reverse Stitch Button 8
6
7
Pressure Adjusting Dial
Dropping the Feed Teeth
Sewing Light
Presser Foot Lifter
8
9
9
10
To Remove and Attach the Presser Foot
To Remove and Attach
Presser Foot Ankle
10
Changing the Needle
Needle and Thread chart
Winding the Bobbin
Setting the Spool
10
11
11
Removing the Bobbin
Winding the Bobbin
Inserting the Bobbin
Threading the Machine
12
12
13
To Use Needle Threader
Drawing Up Bobbin Thread
Pattern Selector Dial
Stitch Length Dial
Zigzag Width Control
Infi nite Needle Position
Balancing Needle Thread Tension 20
Straight Stitching 21
18
18
19
19
14
15
16
17
Starting to Sew 21
Changing Sewing Direction 21
2-3
4
4
5
Finishing Sewing 22
Straight Stitching on Heavy Fabrics 23
Seam Allowance Lines 23
UTILITY STITCHING
Zigzag Stitching
Overcasting
Seam/Overcast stitch
Multiple ZigZag
Reinforced Straight Stitch
Lightening Stitch
Sewing Buttons
Automatic Buttonhole
Corded Buttonhole
Manual Buttonhole
Zipper Sewing
Blind Stitch Hemming
Decorative Satin Stitch Patterns 40
Stretch Stitch Patterns 40
Adjusting Stretch Stitch Balance 41
Smocking 42
32
33-34
35-38
39
24
24
25
25
26
26
27
28-31
Quilting
Pin Tucking
Shell Tuck
Fagoting
Patch Work
Applique
43
44
44
45
45
46
CARE OF YOUR MACHINE
Cleaning the Hook Assembly Area and Feed Teeth
Replacing the Bobbin Holder
Troubleshooting
47
48
49-50
1
08
09
10
11
07
12
29
30
31
26
27
06
28
05 04 03 02
01
22
21
20
19
13
14
15
16 17
25
32
24
23
33
18
36
35
34
Name of parts (Model 224)
01. Bobbin winder stopper
02. Bobbin winder spindle
03. Extra spool pin mounting hole
04. Spool holder
05. Spool pin
06. Thread tension dial
07. Thread take-up lever
08. Pressure adjusting dial
09. Face plate
10. Thread cutter
11. Needle threader
12. Needle plate
13. Extension table
14. Hook cover plate
15. Hook cover plate release button
16. Up/down needle position
button
17. Reverse stitch button
18. Speed setting lever
19. Pattern selector dial
20. Stitch length dial
21. Pattern indicating window
22. Zigzag width control lever
23. Presser foot
24. Needle
25. Needle clamp screw
26. Foot holder
27. Thumb screw
28. Carrying handle
29. Handwheel
30. Feed balance dial
31. Power switch
32. Machine sockets
33. Drop feed lever
34. Free arm
35. Buttonhole lever
36. Presser foot lifter
2
08
09
10
07
11
26
27
28
23
24
06 05
04 03
02
01
19
18
17
16
25
12
13
14
22
21
20
15
30
33
32
31
Name of parts (Model 219)
01. Bobbin winder stopper
02. Bobbin winder spindle
03. Extra spool pin mounting hole
04. Spool holder
05. Spool pin
06. Thread tension dial
07. Thread take-up lever
08. Pressure adjusting dial
09. Face plate
10. Thread cutter
11. Needle plate
12. Extension table
13. Hook cover plate
14. Hook cover plate release button
15. Reverse stitch button
16. Pattern selector dial
17. Stitch length dial
18. Pattern indicating window
19. Zigzag width control lever
20. Presser foot
21. Needle
22. Needle clamp screw
23. Foot holder
24. Thumb screw
25. Carrying handle
26. Handwheel
27. Feed balance dial
28. Power switch
29. Machine socket
30. Drop feed lever
31. Free arm
32. Buttonhole lever
33. Presser foot lifter
29
3
(1)
(2)
(2)
(1)
Extension Table
The extension table provides added sewing surface and can be easily removed for free arm sewing.
For free arm sewing
Remove the extension table by pulling it away from the machine, as illustrated.
(1) Pin
(2) Hole
(3)
To Store Foot Control
1. Insert the foot control in the extension
table.
2. Plug the cord into the holes on the
table.
(1) Plug
(2) Holes
3. Fold the cord as illustrated and store in the table.
(3) Cord
4
12
14
08
10
09
01
03
06
05
07
02
04
13
11
15
Standard Accessories
01. C: Overcast foot
02. E: Zipper foot
04. B: Transparent buttonsewing/
05. R: Automatic buttonhole foot
06. Set of needles
07. Bobbins
08. Screwdriver
09. Lint brush
10. Seam ripper
11. Quilter´s guide
12. Large spool holder
13. Small spool holder
14. Additional spool pin
15. Spool pin felt
16
16. Storage place
(Open the extension table and
store the standard accessories.)
5
3
5
4
2
1
7
6
GETTING READY TO SEW
Connecting the Machine to the
Power Supply (for Model 224)
After switching off the power 1 , connect the plugs in the order of
2, 4 and 6.
1. Power switch
2. Foot control plug
3. Foot control socket
4. Machine power plug
5. Machine power socket
6. Power supply plug
7. Wall outlet
1
4
3
2
5
Connecting the Machine to the Power Supply (for Model
219)
Before connecting the power, make sure the voltage and frequency of the machine conform to your electrical power supply.
Switch off the power, fi t the nonreversible plug into the machine socket and connect the power supply plug.
Switch on the power.
1. Power switch
2. Machine power plug
3. Machine power socket
4. Power supply plug
5. Wall outlet
6
Controlling Sewing Speed
Speed Setting Lever (for Model 224)
The maximum sewing speed can be controlled by the speed setting lever.
Foot Controller (Model 224)
Sewing speed can be varied by the foot control.
Foot controller type C-21365 for use with sewing machine Model 224
Foot Controller (Model 219)
Sewing speed can be varied by the foot control.
Foot controller type YC-482J (for USA and Canada only) or YC-190 for use with sewing machine Model 219
Note:
Some fabrics have a lot of excess dye which can cause discoloration on other fabric but also on your sewing machine.
This discoloring may be very diffi cult or impossible to remove.
Fleece and denim fabric in especially red and blue often contain a lot of excess dye.
If you suspect that your fabric/ready-to-wear garment contains a lot of excess dye, always pre-wash it before sewing/ embroidering to avoid the discoloring.
7
Needle Up/Down Position But ton
(for Model 224)
When you press this button, the needle will go up or down.
If the needle is up and you press this button, the needle will go down to its lowest position.
If the needle is down and you press this button, the needle will go up to its highest position.
Reverse Stitch Button
As long as you keep the reverse stitch button depressed, the machine sews backwards.
8
Presser foot Pressure
Adjusting Dial
The presser foot pressure adjusting dial should be set at 3 for regular sewing.
Reduce the pressure to 2 for applique, cutwork, drawnwork, basting and em broi dery for better maneuverability of fabric.
Velours and knits with a lot of stretch may require a 1 setting.
(1)
1
2
Dropping the Feed Teeth
* For button sewing and free motion sewing, drop the feed teeth.
* When fi nished sewing, raise the feed
teeth.
Drop feed lever is located to the back and underneath the free arm bed.
1. To raise the feed teeth.
2. To drop the feed teeth.
Note:
The feed teeth must always be up for normal sewing.
(2)
9
Sewing Light
The sewing light is located behind the face plate. To change the bulb, take the face plate off the sewing machine by removing the set screw.
Caution:
Unplug the power supply before changing the bulb and wait until the bulb has cooled down before touch ing it.
(1) Model 224 (12V, 5W)
To remove …….. Draw out slowly
To replace …….. Push in
(2) Model 219 (15W)
To remove ……… Push and twist to the
left.
To replace ……… Push and twist to the
right.
1
2
(3)
(2)
(1)
1
(1)
(2)
2
(1)
(3)
(2)
Presser Foot Lifter
The presser foot lifter raises and lowers your presser foot.
You can raise it about 0.6 cm (1/4˝) higher than the normal raised position for easy removal of the presser foot or to help you place heavy fabric under it.
(1) Presser foot lifter
(2) Normal raised position
(3) Extra lift position
(3)
To Remove and Attach the Press er Foot
Unplug the power supply before changing the presser foot.
1. Press the red button on the back of the presser foot ankle.
The presser foot will drop off.
2. Place the selected presser foot so the pin on the foot lies just under the groove of the foot ankle.
Lower the ankle to lock the foot in place.
(1) Red button
10
To Remove and Attach the Press er Foot Ankle
1. To Remove
Remove the thumb screw by turn ing the screw counterclockwise with the screwdriver.
(1) Thumb screw
2. To Attach
Match the hole in foot ankle with
the threaded hole in the presser bar. Fit the thumb screw into the hole Tighten the screw by turning it clock wise.
1
(2)
(1)
2
(1)
(3)
Changing the Needle
1. Raise the needle by pressing the up/down needle position button and lower the presser foot.
Turn off the power switch.
Loosen the needle clamp screw by turning it coun ter clock wise. Remove the needle from the clamp.
2. Insert the new needle into the needle clamp with the fl at side to the rear. When inserting the needle into the clamp push it up as far as it will go and tighten the clamp screw fi rmly.
(1) Needle clamp screw
(3) Flat side of the needle
Needle and Thread Chart
Needle size
No. 60 (#7)
No. 70 (#10)
No. 75 (#11)
No. 80 (#12)
No. 80 (#12)
No. 90 (#14)
No. 100 (#16)
Stretch needle
No. 70 (#10)
Fabric
Fine silk
Crepe de chine
Poplin
Pure Silk
Broad cloth
Cotton
Wool
Denim
Tricot
Cotton thread size
70 — 80
50 — 60
Silk thread size
100 — 140
80 — 100
40 — 50
30 — 40
30
70 — 80
60 — 70
50 — 60
45 — 50
100 — 140
11
(1)
(2)
Winding the Bobbin
Settting the Spool
Lift up the spool pin and place the spool of thread on it with the thread coming off the spool as shown.
Press the large spool holder fi rmly against the spool of thread with the fl at side of the spool holder against the spool of the thread.
(1) Large spool holder
(2) Small spool holder
(1)
Removing the Bobbin
Gently slide the bobbin cover plate release button to the right and remove the cover plate.
Lift out the bobbin.
(1) Bobbin cover plate release button
(2) Bobbin cover plate
(2)
12
3
4
5
1
2
A
13
B
(2)
(1)
(3)
Winding the Bobbin
1. Guide the thread around the thread
guide.
2. Thread through the hole in the bob bin from the inside to the outside. Put the bobbin on the bobbin winder spindle.
3. Slide it to the right.
Caution:
Never move the bobbin winder spindle when the machine is running.
4. With the free end of the thread held in your hand, depress the foot control.
Stop the machine when it has made a few turns, and cut the thread close to the hole in the bobbin.
5. Depress the foot control again. When the bobbin is fully wound, it will stop automatically. Return the bobbin winder to its original position by moving the spindle to the left, and cut the thread as shown.
To use the additional spool pin, set the felt and the spool as shown above.
(1) Additional spool pin
(2) Felt
(3) Additional spool pin hole
1
2
3
4
B
A
Inserting the Bobbin
1. Place the bobbin in the bobbin holder with the thread running counterclockwise.
2. Guide the thread into the notch A on the front side of the bobbin holder.
Draw the thread to the left, sliding it between the tension spring blades.
3. Continue to draw the thread lightly until the thread slips into notch B.
Note:
Check the threading by referring to the chart shown on the bobbin cover plate.
4. Pull out about 15 cm (6 inches) of thread and attach the bobbin cover plate.
14
Threading the Machine
3
1
3
4, 5
1
4
5
2
2
Raise the thread take-up lever to its highest position by turning the handwheel toward you.
Raise the presser foot with the presser foot lifter and pass the thread in the order from
1 to 5 .
1. Bring the thread from the spool and pass it through the thread guide.
Then draw it down along the right slot.
2. Guide the thread around the bottom of the thread guide plate from right to left, then draw it upward.
3. Firmly draw the thread from right to left over the take-up lever and down into the take-up lever eye. Then guide it down along the left slot.
4. Slide the thread from the left behind the needle bar thread guide.
5. Thread the needle from front to back.
15
1
2
3
4
To Use Needle Threader
(for Model 224)
1. Raise the needle to its highestposition.
Lower the needle threader as far as it will go.
2. Push the knob in the direction of the arrow in the illustration, and insert the hook into the needle eye.
Bring the thread around the guide and under the hook.
(1)
(2)
3. Push the knob in the direction of the arrow in the illustration, and draw the thread loop to the back of the needle.
4. Raise the needle threader knob slowly to draw the thread loop up.
Pass the end of the thread through the needle eye by pulling the thread loop to the back.
16
1
Drawing Up Bobbin Thread
1. Raise the presser foot and hold the needle thread lightly with your left hand.
2
3
(2)
(1)
2. Press the up/down needle position button twice to pick up the bobbin
thread.
Draw up the needle thread forming a loop of bobbin thread.
(1) Needle thread
(2) Bobbin thread
3. Pull 15 cm (6 inches) of both threads back and under the presser foot.
17
(2)
1
2
(2)
C
A
(1)
Pattern Selector Dial
B
(Model 224)
(Model 219)
A. Recommended
stitch length
B. Set any stitch
length
C. Reset in di ca tion
for buttonhole
Turn the pattern selector dial to indicate a selected pattern on the pattern indicating window.
(1) Pattern selector dial
(2) Pattern indication window
Note:
Always raise the needle above the fabric and presser foot before you turn the pattern selector dial.
(1)
Stitch Length Dial
The higher the number, the longer the stitch length. You can select the suitable stitch length for fabrics that you plan to sew.
(1) Stitch length dial
(2) Setting mark
Note:
Always raise the needle above the fabric and presser foot before you turn the stitch length dial.
18
19
Zigzag Width Control
The higher the number, the wider the stitch width becomes.
Note:
Always raise the needle above the fabric and presser foot before you turn the zigzag width control.
Infi nite Needle Position
When pattern number 14 is selected and the stitch width control is activated, you can move the needle between center and left needle positions.
(1)
(3)
(2)
(4)
Balancing Needle Thread Ten sion
The needle thread and the bobbin thread should interlock in the center of two layers of fabric in straight seams.
To obtain better zigzag stitches, the needle thread tension should be slightly weaker than in the case of straight sewing. The needle thread should appear slightly on the reverse side of the fabric.
(1) Needle thread
(2) Bobbin thread
(3) Right side
(4) Wrong side
To loosen needle thread tension
Loosen the needle thread tension by moving the dial to a lower number.
To tighten needle thread tension
Tighten the needle thread tension by moving the dial to a higher number.
20
(1)
14
(4)
(2)
0 1 2 3 4 5 6
(5)
(3)
Straight Stitching
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
14
0 or 6
1.5 — 4
(4) Top thread tension: 2 — 6
(5) Presser foot: A: Zigzag foot
Starting to Sew
Raise the presser foot and position the fabric next to a seam guide line on the needle plate (see page 23).
Lower the needle to the point where you want to start.
Lower the presser foot and pull the threads toward the back. Depress the foot control.
Gently guide the fabric along the seam guide line letting the fabric feed naturally.
Changing Sewing Direction
Stop the machine and bring the needle down into the fabric by pressing the up/down needle position button (or by turning the handwheel for Model 219).
Raise the presser foot.
Pivot the fabric around the needle to change sewing direction as desired.
Lower the presser foot.
21
1
2
3
Finishing Sewing
1. To fasten the ends of seams, press the reverse button and sew several reverse stitches.
2. Raise the presser foot. Remove the fabric, and draw the threads to the back.
3. Cut the thread using the thread cutter.
The threads are cut the proper length for starting the next seam.
22
(2)
(1)
Straight Stitching on Heavy
Fabrics
1. Lower the needle into the fabric at the point where you wish to start sewing.
Press the small black button on the zigzag foot with your left hand to
lock the presser foot to the fabric.
2. Lower the presser foot with your right hand, keeping pressure on the black button with your left hand.
3. Release the black button and start
sewing.
(1) Black button
(1)
23
Seam Allowance Lines
The seam guides on the needle plate and bobbin cover plate help you measure the seam width.
(1) Seam allowance lines
Number 15 20 1/2 5/8 3/4
Distance (cm) 1.5 2.0 1.3 1.6 1.9
Note:
The numbers indicate the distance between the middle needle position and the seam allowance lines.
Turning a Square Corner
Stop stitching and lower the needle when the fabric edge facing you lines up with the cornering guides as shown.
Raise the presser foot and turn the fabric to line up to the edge with the 1.6 cm (5/8 inch) seam guide.
Lower the presser foot and begin stitching in the new direction.
(2) Cornering guides
(1)
13
(4)
(2)
(5)
(3)
UTILITY STITCHING
Zigzag Stitching
(1) Stitch selector:
(2) Stitch width:
13
0 — 6
(3) Stitch length: 0.5 — 3
(4) Top thread tension: 3 — 5
(5) Presser foot: A: Zigzag foot
Simple zigzag stitching is widely used for overcasting, applique and sewing on buttons.
(1)
13
(4)
(2)
(6)
(5)
(3)
Overcasting
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
13
5 or 6
1 — 2
(4) Top thread tension: 4 — 7
(5) Presser foot: C: Overcast
foot
24
This type of stitch is used on the seam allowance to prevent fabrics from fraying at raw edges.
It can be used to fi nish a hem edge.
Place the edge of the fabric next to the black guide of foot C .
(6) Black guide
(1) (2)
19
Seam/Overcast Stitch
(1) Stitch selector: 19
(2) Stitch width: 5 or 6
(3) Top thread tension: 4 — 7
* Stitch length:
C: Overcast foot
Set any length
Place the edge of the fabric next to the black guide on the foot and brush guide.
The wires on this foot prevent light weight fabric from rolling and creating a ridge.
As you sew the needle falls off the fabric wrapping the threads around the raw edge to prevent raveling.
(5) Black guide
(5)
(1) (2) (3)
12
(4)
Multiple ZigZag
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
12
3 — 6
0.5 — 1.5
(4) Top thread tension: 4 — 6
(5) Presser foot: A: Zigzag foot
(5)
25
This stitch is used to fi nish the seam allowance on synthetics and other fabrics that tend to pucker.
Place your fabric to allow a 1.6 cm (5/8 inch) seam.
Trim the extra seam allowance edge after sewing as illustrated.
Note:
Be careful not to cut the stitch es.
(1) (2)
16
0 1 2 3 4 5 6
Reinforced Straight Stitch
(1) Stitch selector: 16
(2) Stitch width: 0 or 6
(3) Top thread tension: 3 — 6
* Stitch length:
A: Zigzag foot
Set any length
(1)
15
(3)
(2)
(4)
This strong, durable stitch is recommended where both elasticity and strength are needed to ensure comfort and durability.
Use it to reinforce areas such as crotch and armhole seams.
Also use it when constructing items such as backpacks for extra reinforcement.
The stitch is sewn with two stitches forward and one stitch backward, forming a seam that does not rip easily.
Garments should be basted for fi tting before seaming.
Lightening Stitch
(1) Stitch selector: 15
(2) Stitch width: 4 — 5
(3) Top thread tension: 3 — 6
(4) Presser foot:
* Stitch length:
A: Zigzag foot
Set any length
26
This stitch is used for seaming tricot and light weight knit fabrics, it permits the seam to be pressed completely fl at and prevent thread breaking with stretch fabric seams.
For a 1.5 cm (5/8 inch) seam, use the 2 cm
(6/8 inch) marking on the needle plate.
When sewing light weight knit fabrics, set the pressure dial at 1 or 2.
(1)
13
(3)
(2)
0 1 2 3 4 5 6
(5)
(4)
Sewing Buttons
(1) Stitch selector: 13
(2) Stitch width: 3 — 3.5
(3) Top thread tension: 4 — 7
(4) Presser foot: B: Trans par ent
buttonsewing
foot
(5) Feed teeth lowered
* Stitch length: Set any length
Tape the button over the placement mark.
A pin can be placed on top the foot to form a shank. Before lowering the foot, test the needle swing, making sure the needle drops in each hole.
Adjust the stitch width if necessary and lower the foot.
Align both holes of the button with the needle swing, lower the foot and depress the foot control.
Sew about 10 stitches, then pull out approximately 20 cm (8 inches) of both the needle and bobbin thread and cut.
Pull the needle thread down through the hole in the button (so it is between the hole and fabric).
Now, pull the needle thread fi rmly to draw the bobbin thread up through the fabric.
Wind one thread clockwise around the shank, the other counterclockwise.
Finally, tie the 2 threads together.
Note:
When sewing on the button is completed, raise the feed teeth.
27
(1)
1
1.
2.
(4)
(1)
(2)
(5)
(3)
0
1
(2)
Automatic Buttonhole
(1) Stitch selector: 1
(2) Stitch width: 4 — 6
(3) Stitch length: 0.5 — 1
(4) Top thread tension: 2 — 5
(5) Presser foot: R: Automatic
buttonhole
foot
* The size of buttonhole is au to mat i cal ly set by placing the button in the automatic buttonhole foot R.
* The button holder of the foot takes a button size up to 2.5 cm (1 inch) in diameter.
* Make a test buttonhole on a fabric sample duplicating the interfacing and seams of the actual garment.
* Place the button on the fabric sam ple and mark the top and bottom to determine the position of the but ton hole.
* Use interfacing on stretch fabrics.
* Use stabilizer under all fabrics
1. Attach the automatic buttonhole foot
R. Make sure the groove on the holder catches the pin on the foot when lowering the presser foot.
(3)
(4)
28
2. Pull the button holder to the back, and place the button in it. Push it together tightly on the button.
(3) Button holder
If the button is extremely thick, make a test buttonhole. If it is diffi cult to fi t the button through the test buttonhole, lengthen the size by pulling back the button holder which will increase the buttonhole length.
(4) Gap
3
(5)
3. Pull the buttonhole lever downward as far as it will go.
4
(6)
(7)
(9)
(10)
(13)
(11)
(12)
(8)
4. Draw both threads to the left under the foot. Insert the garment under the foot, and lower the needle at the starting point.
Then lower the automatic buttonhole foot.
(6) Needle thread
(7) Bobbin thread
(9) Starting point
Note:
Make sure there is no gap between the slider and the spring holder.
If there is a gap, the length of the rows will be different, as shown.
(11) Spring holder
(13) There should be no gap.
29
5
6
1 2
5. Sew slowly and stop the machine at the starting point when the but ton hole is completed.
Step 1: First the front bartack and left row
is sewn.
Step 2: Next the back bartack, a locking
stitch and the right row is sewn.
6. Cut both needle and bobbin threads leaving about 10 cm (4 inches) of thread ends loose. Draw the needle thread to the wrong side of the fabric by pulling the bobbin thread.
Then, knot the threads.
Place a pin on the rear side of the bartack position so that you do not need to worry about cutting the end of the buttonhole stitch. Then cut the opening with a seam ripper.
(To sew a series of same-size buttonholes)
To reset the buttonhole sewing function, select a different stitch pattern with the pattern selector dial 2, then return it to the buttonhole.
30
7
7. When fi nished, push the button hole lever up as far as it will go.
0
1
To adjust buttonhole stitch density.
Set the stitch length dial between 0.5 and
1.0 to adjust the buttonhole stitch density.
31
1
2
3
(1)
1
(1)
(2)
(4)
(2)
(3)
(4)
(5)
(3)
0
1
32
Corded Buttonhole
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
1
4 — 6
0.5 — 1
(4) Top thread tension: 2 — 5
(5) Presser foot: R: Automatic
buttonhole
foot
1. Use the same procedure as described in automatic buttonhole sewing steps.
Note:
Set the stitch width to match the thickness of the cord used.
(1) With the buttonhole foot raised, hook the fi ller cord on the spur at the back of the buttonhole foot.
Bring the ends toward you under the buttonhole foot, clearing the front end.
Hook the fi ller cord into the forks on the front of automatic buttonhole foot R to hold them tight.
Lower the needle into the garment where the buttonhole will start and lower the foot.
2. Depress the foot control gently and sew the buttonhole. Each side of the buttonhole and the bartacks will be sewn over the cord.
Remove the fabric from the machine and cut the sewing threads only.
(2) Needle thread
(3) Bobbin thread
(4) Starting point
3. Pull the left end of the fi ller cord to tighten it. Thread the end of the cord through a darning needle, draw to the wrong side of the fabric and cut.
Note:
To cut the buttonhole opening, refer to the instructions on page 30.
(1)
1
1.
(4)
(2)
(5)
(3)
0
1
Manual Buttonhole
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
1
4 — 6
0.5 — 1
(4) Top thread tension: 2 — 5
(5) Presser foot: B: Trans par ent
buttonhole foot
Note:
If the diameter of the button is more than 2.5 cm (1 inch), a buttonhole must be made manually as follows.
1. Attach the buttonhole foot B.
2, 3
(1)
(2)
(3)
2. Pull the buttonhole lever downward as far as it will go.
3. Lower the needle into the garment where the buttonhole is to start, and lower the foot.
(1) Needle thread
(2) Bobbin thread
(3) Starting point
33
4
5
6
7
34
4. Sew the front bartack and left row, then stop the machine after sewing the desired total length of but ton hole.
5. Pull the buttonhole lever toward you.
6. Sew the back bartack and right row, then stop the machine at the starting point.
7. When fi nished, push the buttonhole lever up as far as it will go.
(1)
14
(4)
(2)
0 1 2 3 4 5 6
(5)
(3)
Zipper Sewing
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
14
0
1.5 — 4
(4) Top thread tension: 3 — 6
(5) Presser foot: E: Zipper foot
(3)
(1)
(2)
(4)
To Snap On the Zipper Foot
Fit the pin on the zipper foot into the groove on the ankle.
To sew the left side of the zipper
Attach the zipper foot on the right-hand side.
To sew the right side of the zipper
Attach the zipper foot on the left-hand side.
1
(1)
(8)
(9)
(3) (4)
(3) When the left side is sewn
(4) When the right side is sewn
(2)
(5)
(7)
(6)
Fabric Preparation
1. Add 1 cm (3/8 inch) to the zipper size.
This is the overall opening size.
(1) Right side of fabric
(2) 1 cm (3/8 inch)
(4) Zipper size
(6) Zipper teeth
(7) Zipper tape
(8) Wrong side
(9) End of opening
35
2
2. Place right sides of fabric together and sew to the end of the zipper opening.
Reverse stitch to lock the stitches.
Manually increase the stitch length to
4 and sew the zipper opening.
(10) 2 cm (3/4 inch)
(11) 11.3 cm (Stitch length)
(12) Reverse stitch
(13) End of opening
(14) Straight stitch
1
2
(5)
(2)
(1)
(3)
(4)
(6)
To Sew
1. Fold back the left seam allowance.
Turn under the right seam allowance to form a 0.2 to 0.3 cm (1/8 inch) fold.
Place the zipper teeth next to this fold and pin in place.
2. Attach the zipper foot with the pin on the right hand side.
Lower the zipper foot on the top side at the bottom of the zipper so that the needle pierces the fabric next to the fold and the zipper tape.
(8)
(7)
(4) 0.3 cm (1/8 inch)
(5) Wrong side of fabric
(7) Fold
(8) Basting stitch line
(3)
(5)
36
3
(9)
(10)
4
3. Sew through all layers next to the fold.
Stop just before the zipper foot reaches the slider on the zipper tape. Lower the needle slightly into the fabric. Raise the zipper foot and open the zipper. Lower the foot and stitch the remainder of the seam.
(11)
(9)
(12)
4. Close the zipper and spread the fabric fl at with the right side facing up.
Baste the opened fabric and zipper
37
5
(14)
6
(13)
5. Remove the zipper foot and reattach it on its left side. Guide the edge of the foot along the zipper teeth and stitch through the garment and zipper tape.
Stop about 5 cm (2 inches) from the top of the zipper.
(13) Remove the basting stitches
(14) Reverse stitches (0.7 — 1cm)
6. Lower the needle slightly into the fabric, raise the foot, remove the basting stitches and open the zipper.
Lower the foot and stitch the remainder of the seam, making sure fold is even.
the
38
1
2
3
4
(1)
(1)
(3)
(4)
(2)
0 1 2 3 4 5 6
(5)
(3)
Blind Stitch Hemming
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
9
3 — 4
2
(4) Top thread tension: 2 — 5
(5) Presser foot: G: Blind hem foot
(2)
(8)
(1)
(5)
(4)
(6)
(7)
(2)
1. How to fold the fabric
(1) Wrong side of fabric
(2) 0.4 — 0.7 cm (5/32 — 1/4 inch)
(3) Heavy weight fabric
(4) Light/Medium weight fabric
2. How to sew
When the needle comes to the left hand side, position the fabric so that the folded edge comes to the left side of the guide. Lower the presser foot.
3. Adjust the position of the needle swing with the stitch width button so that the needle just pierces the folded edge of the fabric when the needle comes to the left side. Sew, guiding the folded edge along the guide.
(5) Guide dial
(7) Folded edge
4. Open the fabric after sewing, and press fl at.
(8) Right side of fabric
Note:
For a professional looking hem, try not to let the needle pierce more than 0.2 cm (1/8 inch) into the fold.
If the folded edge is pierced too far to the left side, you can not expect a good seam on the right side of the fabric.
39
(1)
2 3 4 5 6
0
1
(3)
(3)
(4)
(4)
(2)
(5)
(1)
15 16 17 18 19 20 21 22 23 24
(2)
Decorative Satin Stitch Patterns
(1) Stitch selector:
(2) Stitch width:
2 — 6
3 — 6
(3) Stitch length: 0.5
(4) Top thread tension: 2 — 5
(5) Presser foot: A: Zigzag
foot
Satin stitches are used for decorative stitches on blankets, linens, tableclothes and napkins. It is also especially attractive in applique.
Note:
Use tear-away stabilizer under fabric.
Sew a row of stitches and adjust the thread tension so the upper thread appears on the reverse side of the fabric. Test the stitch on a sample of the actual fabric fi rst.
Stretch Stitch Patterns
(1) Stitch selector: 15 — 24 (Model 224)
15 — 19 (Model 219)
(2) Stitch width: 3 — 6
(3) Top thread tension: 2 — 4
(4) Presser foot:
*Stitch length:
A: Zigzag
foot
Set any length
The stretch stitch does not actually stretch as it is being sewn, but is stitched in a forward and backward motion (sometimes called a reverse action stitch), so that it will expand when the fabric stretches instead of breaking. This stitch can also be used for topstitching on all fabrics
Note:
We recommend a stretch needle for stretch, knit or organdy fabric to prevent skipped
stitches.
40
(3)
Adjusting Stretch Stitch Balance
If stretch stitch patterns are uneven when sewn on a particular fabric, adjust them with the feed balance dial.
(1) Feed balance dial
(2) Standard mark
(3) Setting mark
(4) Example: Pattern 18
(A)
(1)
(4)
(2)
(B)
To Adjust distorted patterns
(A) If patterns are compressed, correct by turning the dial in the direction of
(B) If patterns are drawn out, correct by turning the dial in the direction of ( — )
41
(1)
18 24
(3)
(1)
(2)
(4)
(1)
Smocking
(1) Stitch selector:
(2) Stitch width:
18 or 24
3 — 6
(3) Top thread tension: 3 — 5
(4) Presser foot: A: Zigzag foot
*Stitch length: Set any length
With the manual stitch length at 11.3 cm
(4.5 inch), sew straight lines 1 cm (3/8 inch) apart, across the area to be smocked.
A looser needle thread tension will make gathering easier. Knot the threads along one edge.
Pull the bobbin threads and distribute the gathers evenly.
Secure the threads at the other end.
Reduce the tension and pressure if necessary and sew pattern stitches be tween the straight seams.
Pull out the gathering stitches.
(1) 1 cm (3/8 inch)
42
(1)
14
(4)
(2)
0 1 2 3 4 5 6
(3)
(5)
(6)
(1)
(2)
(3)
(4)
The quilting guide will help to keep the stitching lines straight.
Loosen the quilt guide holding screw.
Slide the quilt guide in the opening to the desired width and tighten the screw.
Sew, guiding the quilt guideover the previous row of stitching.
(1) Quilt Guide holding screw
(3) Quilt Guide
t
Quilting
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
14
0 or 6
1.5 — 4
(4) Top thread tension: 3 — 6
(5) Presser foot: A: Zigzag foot
(6) Quilter
43
(1)
14
(4)
(2)
0 1 2 3 4 5 6
(5)
(3)
(1)
11
(4)
(2)
(1)
(2)
(5)
(3)
44
Pin Tucking
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
11
5 — 6
2 — 3
(4) Top thread tension: 6 — 8
(5) Presser foot: G:Blind stitch
hem foot
Fold the fabric with wrong sides together on the foldline. Position the fabric so that the needle pierces 0.1 to 0.2 cm (1/16 inch) inside from the folded edge and lower the presser foot. Turn the guide screw and move the sliding guide next to the folded edge. Sew guiding the folded edge along the sliding guide. Press the pin tucks to one side.
(1) Guide screw
(2) Sliding guide
Shell Tuck
(1) Stitch selector:
(2) Stitch width:
11
5 — 6
(3) Stitch length: 2
(4) Top thread tension: 6 — 8
(5)Presser foot: B:Transparent
buttonhole foot
Note:
Use a lightweight fabric such as tricot. Fold and stitch on the bias.
Set the stitch width and length as you desire.
You may need to tighten the top thread slightly.
Allow the needle to just clear the folded edge of the fabric when it zigzags.
If you sew rows of shell stitches, space the rows 1.5 cm (5/8 inch) apart.
You can sew shell stitches on knits or soft silky wovens in any direction.
(1)
10
20
(4)
(2) (3)
(5)
Fagoting
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
8, 10
20 (Model 224)
3 — 6
1
*Set any length for pattern 20
(4) Top thread tension: 2 — 5
(5) Presser foot: A: Zigzag foot
Fold under each fabric edge 1.5 cm (1/2 inch) and press.
Pin the two edges a tear-away stabilizer backing 0.3 cm (1/8 inch) apart.
Sew slowly, guiding the fabric so the needle catches the folded edge on each side.
Remove the backing when fi nished.
(1)
12
(4)
(2) (3)
(5)
(1) (1)
Patch Work
(1) Stitch selector:
(2) Stitch width:
8, 12
5 — 6
(3) Stitch length: 1
(4) Top thread tension: 2 — 5
(5) Presser foot: A: Zigzag foot
Sew seam and press seam allowance open.
Sew pattern stitch on right side of garment centering over the seam line.
(1) Right side of fabric
45
(1)
13
(4)
(2)
0 1 2 3 4 5 6
(3)
(5)
(6)
Applique
(1) Stitch selector:
(2) Stitch width:
(3) Stitch length:
13
3 — 5
0.5 — 1
(4) Top thread tension: 3 — 5
(5) Presser foot: B:Transparent buttonhole foot
(6) Presser Dial: 2
(1)
Baste (or fuse with iron-on fusible web) ap pli que pieces on the fabric.
Stitch around the applique making sure the needle falls along the outer edge of the applique.
When sewing corners, lower the needle down into the fabric. Raise the presser foot and pivot the fabric to the right or left.
Note:
When applique sewing is fi nished, return the pressure dial to 3.
46
3
4
5
1
2
(1)
CARE OF YOUR MACHINE
Caution
Before performing any of the following,make sure that the sewing machine is unplugged from the power source. Do not dismantle the machine other than explained on this page.
Cleaning the Hook Assembly
Area and Feed Teeth
1. Remove the presser foot and needle.
Remove the screw on the left side of the needle plate with the screwdriver supplied with the machine.
2. Remove the needle plate and take out the bobbin.
Lift up the bobbin holder and remove it.
3. Brush out dust and lint.
4. Clean the feed teeth and hook as sem bly area with the lint brush.
47
5. Wipe out gently with a soft, dry cloth.
Note:
You may also use a vacuum cleaner.
1
Replacing the Bobbin Holder
1-2. Insert the bobbin holder so that the
knob fi ts next to the stopper in the
hook assembly area.
2
3
(4)
(3)
(1)
(2)
(3)
3. Insert the bobbin.
Replace the needle plate, inserting the two needle plate guide pins into the holes in the needle plate.
Replace the screw.
(3) Guide hole
After cleaning, be sure to replace the needle and presser foot.
48
Troubleshooting
Condition
The needle thread breaks.
Cause
1. The needle thread is not threaded
properly.
2.
3.
The needle thread tension is too tight.
The needle is bent or blunt.
4.
5.
The needle is incorrectly inserted.
The needle thread and the bobbin thread are not set properly under (drawn to the rear of ) the presser foot when sewing is
starting.
6. The fabric is not drawn to the rear when
7. sewing is fi nished.
The thread is too heavy or too fi ne for
Refer to page 15
Refer to page 20
Refer to page 11
Refer to page 11
Refer to page 21
Refer to page 22
Refer to page 11
8. The thread is old and brittle.
Reference
The bobbin thread breaks.
The needle breaks.
1.
2.
3.
The bobbin thread is not threaded properly in the bobbin holder.
Lint has collected in the bobbin holder.
The bobbin is damaged and doesn´t turn
smoothly.
Refer to page 14
Refer to page 47
Change the bobbin.
1.
2.
3.
4.
The needle is incorrectly inserted.
The needle is bent or blunt.
The needle clamp screw is loose.
The fabric is not drawn to the rear when
5. sewing is fi nished.
The needle is too fi ne for the fabric being
sewn.
Refer to page 11
Refer to page 11
Refer to page 11
Refer to page 22
Refer to page 11
Skipped stitches 1.
2.
3.
The needle is incorrectly inserted.
The needle is bent or blunt.
The needle and/or threads are not suitable for the work being sewn.
4. A blue tipped needle is not being used for sewing stretch, very fi ne fabrics or
synthetics.
5. The needle thread is not threaded
properly.
6. The wrong needle is used.
Refer to page 11
Refer to page 11
Refer to page 11
Refer to page 11
Refer to page 15
Change the needle.
Seam puckering 1.
2.
The needle thread tension is not tight.
The needle thread is not threaded
properly.
3. The needle is too heavy for the fabric
4.
5.
The stitch length is too long for the fabric.
The presser foot pressure is not correctly
adjusted.
Refer to page 20
Refer to pages 14, 15
Refer to page 11
Make stitch denser.
Refer to page 8
49
Troubleshooting, continued
Condition
The fabric is not feeding smoothly.
Cause
1.
2.
The feed teeth are packed with lint.
The stitches are too fi ne.
3. The feed teeth were not raised after being
lowered.
Reference
Refer to page 47
Make stitch coarser
Refer to page 9
Gathering
The machine does not work.
Patterns are distorted.
The automatic buttonhole stitches are not working.
1.
2.
The needle thread tension is too loose.
The needle is too heavy or light for the fabrics being sewn.
Refer to page 20
Refer to page 11
1.
2.
3.
The machine is not plugged in.
A thread is caught in the hook
The bobbin winder spindle is still in the winding position.
1.
2.
The stitch is not balanced.
The stitch lenght is too long or too short
1. The stitch density is not suitable for the fabric being sewn.
2. Interfacing is not being used with stretch
fabrics.
Refer to page 6
Refer to page 47
Refer to page 13
Refer to page 42
Refer to pages 28, 31
Refer to page 28
Noisy operation 1.
2.
There is thread caught in the hook
Lint has built up in the bobbin holder or hook assembly are.
Refer to page 47
Refer to page 47
50