Korg ps60 инструкция на русском - Самые разные инструкции по применению

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Page 1
Easy Start Guide…
Page 2: Precautions

Interference with other electrical devices media. Please be aware that Korg will accept no responsi- Radios and televisions placed nearby may experience bility for any damages which may result from loss of data.
Page 3: Main Features Of The Ps60

• The PS60’s lightweight and compact design allows you to easily transport it between stage, practice studio or home. Editor and plug-in editor • By using the included “PS60 Editor” or “PS60 Plug-In Editor” software, you can edit the finer details of the sounds in the same way as professional synthesizers.
Page 4: Table Of Contents

Connecting the AC adaptor Data handling …………….. 2 Conventions in this manual ……….2 Make sure that the PS60’s power switch is in the STANDBY position. Main features of the PS60……3 Connect the included AC adapter’s DC plug to the PS60’s rear panel DC 9V jack.
Page 5: Connecting Speakers Or Headphones

Connecting speakers or headphones The PS60 does not contain speakers. In order to hear the sounds, you’ll need to connect audio equipment such as powered monitor speakers, a stereo set or use headphones. Connecting powered monitor speakers or a mixer The PS60’s audio output is designed to produce a higher sig-…
Page 6: About The Ps60’S Panel

You can save a total of 20 performances (4 banks x 5 performances in each bank). SPLIT SETTING Here you can make “split” settings that divide the PS60’s keyboard into lower and upper Volume adjustment regions. This knob adjusts the volume that’s output from the L/MONO and R OUTPUT jacks, and from the headphone jack.
Page 7
The PS60’s controls are organized into three sections; sounds, performance, and other settings. Timbre selector MODULATION Here you can adjust the modulation effect which adds Here you can select the timbre(s) that you want to rich spaciousness or movement to the sound. Choose play.
Page 8: Selecting A Timbre (Sound)

Selecting a timbre (sound) Using one timbre (Single) Press the ON button of the timbre (A.PIANO–SYNTH) that you want to play. (The button will light.) Use the variation  buttons to select a program. Effect and equalizer settings will also be changed as appropriate for the sound you select. Other ways to select When the program (name) is shown in the lower line of the display, you can also use the VALUE knob to make a selection.
Page 9: Layering Multiple Sounds (Layer)

The insert effect specified by each program will be loaded each time you switch variations. Use the convenient Audition function when selecting sounds Each of the PS60’s programs has an associated riff (phrase) that’s appropriate for the sound. You can make When you switch programs by pressing a timbre’s…
Page 10: Splitting The Keyboard And Assigning Sounds (Split)

Splitting the keyboard and assigning sounds (Split) You can divide the PS60’s keyboard into two regions, and assign different sounds to each region. This is called “split” settings. The region at the left-hand side of the keyboard is called “Lower” and the region at the right-hand side is called “Upper.”…
Page 11
Changing the sound for Split settings Press the LOWER or UPPER button to select the region whose sound you want to change. When you press the LOWER or UPPER button, the ON buttons will light to indicate the on/off status of each timbre for the region you selected.
Page 12: Using Controllers

Using controllers In addition to its keyboard, the PS60 lets you control the sound using various controllers such as the joystick and button, or an optional damper pedal, foot switch or foot pedal. Keyboard and keyboard settings Example: How velocity affects the volume…
Page 13: Switching The Rotary Speaker Simulator Between Slow/Fast

Damper pedal and foot switch/pedal If you connect an optional damper pedal, foot switch, or foot pedal to the PS60, you can use your foot to con- trol the PS60’s sounds or functions ( OM p. 10, 51, 52).
Page 14: Using The Performance Controls To Adjust The Sound

Using the performance controls to adjust the sound In addition to the sections described earlier, where you select sounds and make split settings, the PS60 pro- vides various other “performance controls.” These consist of the “easy setup” section where you can adjust the volume, octave and effect send for each timbre, the modulation and reverb/delay “master effects”…
Page 15: Master Effect And Equalizer (Eq)

Master effect and equalizer (EQ) By applying effects to the sound you can add depth, movement, or reverberation. The equalizer applies an overall adjustment to the final sound by adjusting the tonal character of the low, mid and high frequency ranges.
Page 16: Storing A Performance

(Q), as well as editing the gain (OM p.29, 38). Tip: The PS60’s EQ provides an EQ offset function that lets you adjust the tonal character of the overall audio output as appropriate for the acoustical charac- ter of a live concert venue or for the response of your speaker system (…
Page 17: Recalling A Performance

Recalling a performance Here’s how to recall a performance so that you can play it. If you’ve stored your sounds in the order in which you’ll play them during your live set, you’ll be able to conveniently recall them at a touch. Press the BANK button to choose the desired performance bank.
Page 18: Detailed Sound Editing And Settings (Edit)

PROGRAM EDIT: This lets you edit the sound of the timbre’s program. You can select the insert effect, and edit settings such as oscillator, filter, EG and LFO. GLOBAL: This lets you edit the overall pitch of the PS60, the keyboard touch sensitivity (velocity curve) and the pedal assignments.
Page 19
Note: While the PS60 remains powered-on, it will Filt EG Int (Filter EQ Intensity): This adjusts the depth of remember the last-selected edit page. Depending on the envelope (EG) that applies time-varying change to the the previously-performed operation, use the  but- filter.
Page 20: Specifications (Condensed)

925 × 291 × 90 (mm) / 36.41″× 11.45″ × 3.54″ Weight: 4.6 kg / 10.14 lbs Power Consumption: 6 W Accessories: AC adapter, Easy start guide, Accessory disc (PS60 Editor/Plug- In Editor, KORG USB-MIDI driver, PS60 Owner’s Manual (PDF), PS60 Parameter Guide (PDF), PS60 USB-MIDI Setup Guide (PDF) etc.)
Page 21
Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer’s or distributor’s warranty. 4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan © 2010 KORG INC.

Источник

249 ₽

Инструкция (руководство пользователя) на Краткое руководство пользователя Korg PS60 (qsg)

Артикул: korg-ps60-(qsg)

Категория: Korg

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Инструкцию по эксплуатации Korg PS60 (qsg) на русском языке можно будет скачать в личном кабинете после оформления и оплаты заказа.

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Источник

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1 E PS60 P arameter Guide[…]
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ii About the Par ameter Guide This  document  (“PS60  Pa r a me t e r  Guide”)  explain s  the  parameters  that  can  be  quickly  edited  from  the  PS60  itself  or  from  the  PS60  Editor ,  in  addition  to  the  full  parameters  that  can  be  e[…]
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iii T able of C ontents Performance Edit … ………….. ………. 1 Panel ………… ……………………………………….. …………. 1 Keyboard, Wheels ……………. ……………… …………. 2 OverView ……………. ……………………………. …………. 3 Main Timbres ……………………………..[…]
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iv Effect Guide ……… ………….. ………. 79 Overview ………… ……………… ………….. ……………… 79 Dynamic modulation (Dmod) and Tempo Synchroniza- tion …………………………………………………………………………………. 80 Effect I/O …………………………….. ………………[…]
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1 P er f ormance E dit Pa n e l The  upper  part  of  the  PS60  Editor  panel  simulates  the  main  buttons  an d  knobs  of  the  PS60 ʹ s  own  front  panel. Mode Select, Utility Mode button [PERF , PROG EDIT , GL OB] To  select  a  mode ,  click  the  button  for ?[…]
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Pe r f o r m an c e Ed i t 2 EQ BASS knob [-18.0…+18.0] MID knob [-18.0…+18.0] TREBLE knob [-18.0…+18.0] These  parameters  adjust  th e  gain  of  the  bass,  mid,  and  tre ble  (high)  bands  (page  120). K eyboard, W heels This  area  shows  an  88 ‐ note  keyboard,  a  pitc[…]
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OverView Main Timbres 3 Ov erV ie w In  this  area,  you  can  turn  on/off  each  timbre  of  the  selected  performance,  select  programs,  and  edit  the  sett ings  for  Easy  Setup,  master  effect,  and  EQ. Main T imbres Here  you  can  adjust  the  se[…]
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Pe r f o r m an c e Ed i t 4 global  MIDI  channel.  This  message  is  transmitte d  on  the  MIDI  Channel  (page  7)  specified  for  each  timbre. IFX [Name] This  indicates  the  program ʹ s  insert  effect.  (The  program  of  the  STRINGS  timbre  does  n[…]
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Timbre Param (Timbre Paramete rs) Scale 5 T imbre P aram ( T imbre P aramet ers) Scale This  specifies  the  scale  used  by  the  performance. Separately  from  this  sett ing,  you  can  choose  the ʺ Scale ʺ set ‐ ting  of  ea ch  timbre ʹ s  program  take  priority  if ?[…]
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Pe r f o r m an c e Ed i t 6 Use  Equal  Te m p e r a m e n t  for  programs  whose  multi ‐ sample  ( ʺ Multisample  select, ʺ page  25)  is  set  to  mono:  0002,  00003,  0006,  00 07,  0009,  Stereo:  0001,  or  0003  (i.e.,  the  preload  programs  13:SoloS[…]
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Timbre Param (Timbre Parameters) MIDI/OSC 7 MIDI/OSC Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here  you  can  adjust  settings  for  ea ch  timbre ʹ s  MIDI  trans ‐ mission  status,  channel,  and  oscillator  mode. MIDI Status [INT , EX T , EX 2] This  parameter  sets ?[…]
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Pe r f o r m an c e Ed i t 8 Wit h  the  MN  or  LGT  settings,  the  Program’ s  setting  will  determine  th e  priority  of  the  note  that  sounds  when  you  play  two  or  more  note s. OSC Select [BTH, OSC1, OSC2] This  parameter  specifies  whether  the ?[…]
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Timbre Param (Timbre Parameter s) Tone 9 To n e Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here  you  can  adjust  the  sound  of  ea ch  timbre ʹ s  program.  These  settings  are  saved  in  each  performance,  and  do  no t  affect  the  original  progr[…]
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Pe r f o r m an c e Ed i t 10 MIDI F ilter Main Timbres (A. Piano–S ynth): Sub Timbres ( A. Piano –Synth): These  settings  allow  you  to  apply  filters  to  the  MIDI  data  that  will  be  transmitted  and  receiv ed  by  each  timbres.  For  example  even  if  tw o […]
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MFX/EQ (Master Effect/EQ) MFX&EQ Routing 11 MFX/EQ (Master E f fe c t/EQ ) On  this  page  yo u  can  adjust  the  settings  for  the  master  effects.  These  settings  consist  main ly  of  the  following. •S p e c i f y  the  routing  for  the  master  effects. • Sel[…]
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Pe r f o r m an c e Ed i t 12 MFX1 Here  you  can  set  th e  effect  parameters  for  the  master  effect  1  you  selected  in  the  MFX  page  MFX  &  EQ  Routing.  ( ) “MFX1  (Mod.)  (Master  Effect1–Modulation)  List”  on  page 117) MFX2 Here  you […]
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UTILITY Command EQ 13 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box,  refer ?[…]
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Pe r f o r m an c e Ed i t 14[…]
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15 Pro g ram E d it Selecting the program that y ou want to edit Here ʹ s  how  to  select  the  program  that  you  wa n t  to  edit. •I f  you ʹ re  using  Single  settings,  you ʹ ll  enter  the  progr am  edit  page  with  that  progra m  automati cally  selected. ?[…]
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Progra m Edit 16 Quick Par ameters Yo u  can  edit  the  quick  parameters  either  from  Program  Edit  mode  on  the  PS60  it self,  or  from  the  editor ʹ s  Quick  page,  described  below . The  quick  parameters  are  organized  into  the  tone  parame[…]
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Quick OSC Comm on 17 Oscillat or These  parameters  adjust  the  transpose,  hold,  and  reverse  settings  for  osci llators  1  and  2  at  the  same  time. PtchStr tch (Pitch Stretch) [–12…0…+12 (Rel)] This  special  control  increases  the  Oscillator  “T une”  pa[…]
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Progra m Edit 18 OSC EG/LFO OSC EG Fil te r/A m p E G Here  you  can  adjust  the  settings  for  th e  filter  EG  and  amp  EG  of  oscillat ors  1  and  2. In  the  Filter/Amp  EG  group,  all  filter  EG s  and  amp  EGs  are  adjusted  simultaneously . ?[…]
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Quick OSC1 19 OSC LFO Here  is  where  you  can  adjust  LFO  settings  for  oscillators  1  and  2. Each  oscillator  has  two  LFOs  (LF O1  and  LFO2).  There ʹ s  also  a  common  LFO  that  can  be  sh ared  by  the  tw o  oscillators.  LFO1 […]
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Progra m Edit 20 When  this  is  set  to  0,  playing  different  notes  on  the  key ‐ board  won’ t  change  the  pitch  at  all;  it  will  be  as  if  you ’ r e  always  playing  C4.  Thi s  can  be  useful  for  specia l  effects  sounds[…]
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Quick OSC2 21 Filter LFO 2 Intensity to A (FltLFO2toA) [–9 9 . .. + 9 9] This  control s  the  depth  and  direction  of  Filter  A  cutoff  mod ‐ ulation  from  LFO2. ) “Filter  LFO1  Intensity  to  A  (FltLFO1t oA)”  on  page 20 Fi lter LFO2 Intens ity to B (FltL FO2toB) [–99…+9[…]
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Progra m Edit 22 F ull Par ameters The  parameters  listed  in  the  pages  that  follow  are  the  full  parameters.  They  can  be  edited  only  from  the  editor . Basic This  page  contains  all  of  the  basic  settings  for  the  Program.  Among  oth[…]
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Basic About Relative (R el) and Absolute parameters 23 Enable Half-Damper [ On, O ff ] On:  Half ‐ Damper  pedals,  normal  sustain  ped als,  and  MIDI  CC#  64  will  all  modulate  the  Amp  EG,  as  described  belo w .  Off:  the  pedals  and  MIDI  CC#64  will  sti[…]
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Progra m Edit 24 Pr ogram Basic •S e t  the  Program  to  play  polyphonically  or  monophonically V oice Assign Mode V oice Assign Mode (Mode) [Poly , Mono] ( ) “V oice  Assign  Mode  (V oice  Mode)”  on  page 16) Poly Pol y Le g at o [O ff, O n ] Po l y  Le gato  is  available  when  the[…]
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OSC/Pitch Program Basic 25 OSC/Pitch These  pages  control  the  first  and  most  basic  elements  of  sounds:  the  Multisamples  that  the  oscillators  play ,  and  th e  pitch  used  to  them.  For  instance,  you  can: • Select  Multisamples  for  Single […]
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Progra m Edit 26 Mid-High, Mid-Lo w , Low These  are  th e  settings  for  the  second,  third,  and  fourth  velo ci ty  zones.  The  parameters  fo r  Mid ‐ High  and  Mid ‐ Low  are  exactly  the  same  as  those  for  High,  as  described  above. The  par[…]
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OSC/Pitch OSC1 Multisample 27 Range (Crossfade Range) [Off , 1…127] This  sets  the  range  of  vel oc iti es  over  which  High  will  fade  into  Mid ‐ High ,  going  up  from  the  “Bottom  Ve l . ” For  instance,  if  the  “Bottom  Ve l . ”  is  set  to ?[…]
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Progra m Edit 28 OSC1 Pitch This  page  contains  all  of  the  settings  for  Oscillator  1’ s  pitch  modulation .  For  example,  you  can: •S p e c i f y  pitch  bend  controlled  by  the  joystick  X  (or  an  incoming  pitch  bend  message)  set  to […]
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OSC/Pitch OSC1 Pitch 29 AMS (Pitch EG) [List of AMS Sources] This  selects  any  AMS  modulatio n  source  to  scale  the  amount  of  the  Pitch  EG.  For  a  list  of  AMS  sources,  plea se  see  “A M S  (Alternate  Mod ‐ ulation  Source)  List”  on  pag[…]
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Progra m Edit 30 OSC2 Multisample This  page  controls  the  basic  settings  for  Oscillator  2.  It  is  available  only  when  the  Oscillato r  Mode  is  set  to  Double;  if  not,  the  page  will  be  gray ed  out. The  parameters  are  identical  […]
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OSC/Pitch Pitch EG 31 When  you  select  Key  +  Da mper ,  note s  will  only  sound  if  the  damper  pedal  is  bein g  held  down.  When  the  damper  pedal  is  released,  all  notes  w ill  be  stopped–ev en  if  they  are  still  being  he[…]
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Progra m Edit 32 Tim e Higher  valu e s  me an  longe r  times,  as  shown  below: Attack [00…99] This  sets  how  long  the  EG  takes  to  move  from  the  Start  level  to  the  Attack  level.  For  the  fastest  possible  attack  time,  you  can  s[…]
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OSC/Pitch Pitch EG 33 Slope [0L (Linear), 1…9, 10E (Ex p/Log)] This  sets  the  curvature  of  the  Slope  segment ‐ the  transition  from  the  Break  level  to  the  Sustain  level  (which  for  the  Pitch  EG  is  always  0). Release [0L (Linear), 1…9, 10E (Exp/L[…]
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Progra m Edit 34 Threshold [–99…+99] This  sets  the  AMS  lev el  which  will  trigger  th e  EG  reset.  When  the  “Threshold”  is  positive,  the  EG  triggers  when  passing  through  the  thresho ld  moving  upw ards.  When  the  “Threshold”  is[…]
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Filter Pitch EG 35 Fi l t e r Filtering  can  make  subtle  or  dramatic  changes  to  the  oscilla ‐ tor ’ s  ti mbre.  Each  oscillator  has  two  multimod e  resonant  fil ‐ ters,  A  and  B,  as  wel l  as  a  dedicated  filter  env e lope  and  keyboar[…]
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Progra m Edit 36 Serial and Parallel Routing 12db/oct / 24db/oct Fil te r A Filt er T ype [LPF : Low Pass (12dB/oct), HPF: High Pa ss (12dB/oct), BPF: Ban d Pass (6dB/oct), BRF : Ba nd Re ject (6dB/ oct)] The  filter  will  produce  very  diffe rent  results  depending  on  the  selected  filte r  type.  The ?[…]
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Filter Filter1 37 Fi l t e r 1 Set  the  cutoff,  resonanc e,  and  input  and  output  levels  of  each  filter ,  in cludin g  modulation  of  resonance  and  output  level. F ilterA Fil te r Bypass [Off , On] This  lets  you  bypass  Filter  A  completely . If  Bypass […]
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Progra m Edit 38 F ilter1 Modulation Here  you  can  edit  the  filter  keyboard  tracking  and  filter  modulation  for  oscillator  1.  These  settings  include  the  fol ‐ lowing. •S e t  up  complex  keyboard  tracki ng  shapes,  and  control  how  the  trac[…]
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Filter Filter1 Modulation 39 the  keyboard,  and  positive  ramps  make  th e  output  go  higher . Center ‐ High  and  High ‐ To p :  negative  ramps  make  the  key ‐ board  tracking ’ s  output  go  down  as  yo u  play  higher  on  the  keyboard,  and ?[…]
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Progra m Edit 40 When  “Intensity  to  A”  is  set  to  a  positive  (+)  valu e,  the  EG’ s  effect  will  m atch  its  shape.  When  the  EG  rises  abov e  0,  the  cutoff  frequency  will  increase. Wit h  negative  (–)  val u e s,  the  […]
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Filter Filter1 LFO Mod. 41 Fi l t e r 1 L F O M o d . LFO1,  LFO2,  and  the  Common  LFO  can  all  modulate  Filter  A  and  B’ s  cutoff  frequenc ies.  Yo u  ca n  control  the  st rength  of  each  LFO’ s  modulation  independently  for  ea ch  filter ,  in[…]
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Progra m Edit 42 Fi l t e r 1 E G The  Filter  EG,  or  Envelope  Generator ,  lets  you  create  com ‐ plex,  time ‐ var y in g  chan ges  to  the  cutoff  fre quencies  of  Fil ‐ ters  A  and  B.  The  parameters  on  this  page  control  the  shape  of ?[…]
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Filter Filter1 EG 43 Cur ve The  explanation  of  the  filter  EG  curve  is  same  as  for  pitch  EG  curve. Please  see  “Curve”  on  pa ge 32. Attack [0L (Linear), 1…9, 10E (Exp/ Log)] This  sets  the  curv ature  of  the  Attack  segment ‐ the  transition […]
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Progra m Edit 44 Fi l t e r 2 This  page  controls  Oscillator  2’ s  basic  filter  2  settings.  It  is  available  only  when  the  Oscillato r  Mode  is  set  to  Double;  if  not,  the  page  will  be  gray ed  out. The  parameters  are  identical ?[…]
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Amp Filter2 EG 45 Amp Oscillators  1  and  2  have  separate  controls  for  vo lum e  (also  called  “amplitude,”  or  “amp”  fo r  short);  pan;  and  as  wel l  as  dedicated  amp  envelopes  and  keyboard  tracking  genera ‐ tors.  These  pages  […]
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Progra m Edit 46 Amp1 EG This  displays  the  Amp1  EG  env elope  specified  in  the  Amp1  EG  page. The  graphic  shows  the  shape  of  the  Amp1  EG.  Yo u  can  also  change  the  shape  by  using  the  mouse  to  drag  ea ch  of  the  squ[…]
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Amp Amp1 Mod ulation 47 Differenc es from other Keyboard T racks There  are  seve ral  differences  between  the  Amp  keyboard  tracking  and  th e  Filter  and  Common  keyboard  tracking. For  ex ample,  the  results  of  the  Ramp  va l ue s  are  different.  As  show[…]
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Progra m Edit 48 Amp1 EG These  parameters  le t  you  create  time ‐ vary in g  changes  in  th e  volu me  of  oscillator  1. En velope These  parameters  specify  how  the  amp  1  EG  will  change  over  ti me. Amp E G Level Start [0 0…99] This  sets  the  initial[…]
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Amp Amp2 Mod ulation 49 Release [0L (Linear), 1…9, 10E (Exp/Log)] This  sets  the  curvature  of  the  Release  segment ‐ th e  transi ‐ tion  from  the  Sustain  level  to  the  Release  level. Lev el Modulation These  settings  let  yo u  use  any  AMS  source  to[…]
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Progra m Edit 50 LFO Each  of  the  Osci llators  1,  2  has  two  LFOs,  which  you  can  use  to  modulate  th e  filter ,  amp,  pitch,  and  many  other  parame ‐ ters. The  two  Oscillators  also  shar e  a  single  Common  LFO,  simi ‐ lar  to […]
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LFO Amp2 EG 51 Random4–6  (Continuous)  are  smoothed  ve rsi on s  of  Ran ‐ dom  1–3,  with  ramps  inste ad  of  steps.  Yo u  can  use  them  to  create  more  gentle  random  variations. Fr equenc y [00…99] This  control s  the  speed  of  the  LFO, […]
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Progra m Edit 52 OSC1 LFO1 This  page  has  all  of  the  controls  for  the  first  LFO  of  Oscilla ‐ tor  1.  For  instance,  you  can: • Control  the  LFO’ s  frequ ency ,  and  assign  AMS  co ntrollers  to  modulate  th e  frequency . •U s e  the ?[…]
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LFO OSC1 LFO2 53 When  AMS  is  at  its  maximum  val ue  (for  example  by  mov ‐ ing  the  joystick  fully  aw ay  from  you rse lf ),  the  AMS  affects  the  frequency  as  shown  below: IntMod Sr c (Int ensity Mod AMS) [List of AMS Sources] This  sel e cts  a  s[…]
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Progra m Edit 54 C ommon LFO Differenc es from LFO1/2 The  Common  LFO  starts  running  as  soon  as  you  select  the  Program,  and  only  resets  when  you  tell  it  to  do  so  explicitly  via  the  Reset  Source  control,  below .  This  is  differen[…]
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AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) Common LFO 55 AMS Mix/C.K ey T rk (AMS Mix er/C ommon Keyboar d T rack) Each  Oscillator  has  two  AMS  Mixer s,  which  are  simple  but  powerful  tools  for  combining  and  modifyin g  AMS  signals. The  two  Oscillators  also  sha[…]
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Progra m Edit 56 AMS Mixer2 Mix er T ype [ A+B, Am t AxB, O ffse t, Smoo thing , Shape, Quantize , G ate C ontrol] This  is  the  secon d  AMS  Mixer  fo r  Oscillator  1.  The  parame ‐ ters  are  exactly  the  same  as  those  for  AMS  Mixer  1. ) “A M S  Mixer1”  on  pag[…]
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AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 57 Amt AxB AMS Mixer , T yp e =Amt A x B This  Mixer  Ty p e  uses  AMS  B  to  scale  th e  amount  of  AMS  A.  For  instance,  you  can  control  the  amount  of  LFO1  with  the  Filter  EG,  or  contr[…]
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Progra m Edit 58 Offset [–19 9…+199] This  controls  the  amount  of  offset  for  AMS  A. Setting  Offset  to  +199  shi fts  an  AMS  input  of  –99  all  the  way  to  +99.  In  conjunction  with  high  AMS  A  Amount  va lu es ,  this  can  […]
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AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 59 AMS Mixer Shape ex am ples Quant ize This  Mi xer  Ty p e  changes  the  input  fr om  a  continuo us  signal  into  a  series  of  discrete  st eps.  Instead  of  moving  smoothly  between  val u es ,  it  will ?[…]
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Progra m Edit 60 Gate O utput If  the  va lu e  of  the  Control  Source  is  less  than  the  “Thresh ‐ old,”  the  Gate  outputs  the  preset  val u e  or  AMS  source  selected  under  “Below  Threshold.” If  the  va lu e  of  the  Control  “Sou[…]
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AMS Mix/C.KeyTrk (AMS Mixer/Co mmon Keyboard Track) Common KeyTrack (Common Key- 61 C o mmon Key T rack ( Common Key b o a rd T r a ck ) The  two  Oscillators  share  tw o  Common  keyboard  tracking  generators,  in  addition  to  each  Oscillator ’ s  dedicat ed  key ‐ board  tracking  for ?[…]
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Progra m Edit 62 +Inf and –Inf ramps +Inf  and  –Inf  are  special  settings  which  cre ate  abrupt  changes  for  split ‐ like  effects.  When  a  ramp  is  set  to  +Inf  or  – Inf,  the  keyboard  tracking  will  go  to  its  extre me  highest  […]
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IFX (Insert Effect) Common KeyTrack (Com mon Keyboard Track) 63 IFX (Inser t Effec t) Here,  you  can  adjust  settings  for  the  insert  effects.  For  more  information,  please  see  “Effect  Guide”  on  page 79. The  [IFX]  and  [MFX/EQ]  tab  pages  al low  yo u  t[…]
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Progra m Edit 64 IFX Insert Effect (IFX) Here  you  can  edit  the  parameters  of  the  insert  effect  that  you  selected  in  the  IFX  Rou ting  page. Effect  dynamic  modulation  (Dmod)  is  co ntrolled  on  th e  MIDI  channels  set  for  the  correspon[…]
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MFX/EQ (Master Effect/EQ) IFX 65 MFX/EQ (Master E f fe c t/EQ ) Here,  you  can  adjust  the  settings  for  the  master  effects  and  EQ.  For  insta nce,  yo u  can: •R o u t e  a  so und  to  the  master  effects • Make  detailed  settings  for  th e  master  e[…]
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Progra m Edit 66 MFX1 MFX1 Par ameters Here,  you  can  edit  the  parameters  of  the  master  effect  selected  in  the  MFX/EQ  page. For  more  information,  please  see  “Effect  Guide”  on  page 79. Effect  dynamic  modulation  (Dmod)  is  co ntrolled  on […]
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UTILITY Command EQ 67 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  the  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box, […]
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Progra m Edit 68 FX [All , Mod. Rev/Dly , EQ] Specify  whether  you  wan t  to  copy  effect  settings  and/or  EQ  settings. Load… Loads  the  PS60  Editor/Plug ‐ In  Editor  da ta  that  wa s  previ ‐ ously  saved  on  the  computer . Save … Saves  data  from  the […]
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69 Global Pa n e l The  upper  part  of  the  PS60  Editor  panel  simulates  the  main  buttons  and  knobs  of  the  PS60 ʹ s  own  front  panel. These  cannot  be  edit ed  in  Global  mode. Softwa re Setu p Global  mode  Softwa re  Setup  lets  you  sp[…]
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Global 70 Basic/MIDI C ontrollers Settings  in  the  Basic/MIDI  Controllers  –  Category  pages  are  remembered  while  the  PS60  Editor  /  Plug ‐ In  Editor  is  running,  but  will  return  to  the  settings  prior  to  start ‐ up  when  you  close[…]
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Basic/MIDI Controllers 71 Octave [-3…+0…+3] This  shifts  the  pitch  of  the  performance  or  progr am  in  one ‐ octave  steps  across  a  range  of  six  octaves. V elocity Curve ( V el Curve) [1…9] This  specifies  the  wa y  that  the  vol um e  and/or  tone ?[…]
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Global 72 overall  sound,  or  to  back  off  the  high  range  to  soften  the  sound. Memor y Protect Progra m [O ff , On ] This  setting  prote cts  the  internal  program  memory . On:  Internal  program  memory  will  be  protected,  and  the  following  write […]
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Basic/MIDI Controllers 73 PostMIDI:  Ve l o c i t y  Curve,  aftertouch  Curve,  and  T ranspos e  will  be  applied  to  da ta  before  it  enters  the  tone  genera tor . This  means  that  th e  V elocity  Curv e,  aftertouch  Curve,  and  T ranspose  settings  w[…]
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Global 74 Cont rollers JS Lock [X, Y , +Y , — Y , XY ] Yo u  ca n  switch  the  joystick  betw een  Lock  an d  Unlock  states  (the  LED  wil l  light  when  the  joystick  is  locked). If  you  turn  the  Lock  function  on  while  usi ng  th e  jo ystick,  the[…]
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User Scale 75 U ser Sc ale Here,  you  can  select  the  settings  for  four  differen t  User  Octave  Scales  and  one  User  All  Notes  Scale. The  user  scales  you  create  here  can  be  sele cted  from  the  fo l ‐ lowing  pages. •P e r f :  Timbre[…]
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Global 76 Catego r y Programs  are  organized  into  sub ‐ categories. Yo u  can  assign  a  Program  to  a  category  and  sub ‐ catego ry  during  the  utility  command  Wr i t e  process.  To  save  changes  to  sub ‐ category  names,  you ’ll  need  to ?[…]
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UTILITY Command 77 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  the  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box,  re[…]
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Global 78[…]
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79 Effec t Gu ide Ov ervi ew The  PS60 ʹ s  effects  co nsist  of  one  insert  effect  fo r  the  program  of  each  timbre  (except  for  the  Strings  ti mbre),  two  master  effects  use d  by  the  entire  perfor mance,  and  EQ  settings. Yo u  ca n […]
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Effec t Gui de 80 Effect swi tch •I n  th e  Global  page,  yo u  can  switch  effect s  on/off  as  a  whole  for  the  performance  or  program.  This  is  useful  when  you  wan t  to  use  an  ou tboard  effect  processor  to  apply  an  effect […]
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Inser t Effec ts (IFX) 81 Synchronizing LFOs Most  effe cts  with  LFOs,  such  as  S11:  St.W ah,  can  be  synchro ‐ nized  to  tempo.  This  applies  to  th e  individual  effects  LFOs.  To  set  up  LFOs  to  synchronize  to  tempo:  1. Set  “MIDI  Sy[…]
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Effec t Gui de 82 Yo u  ca n  also  use  “Effect  SW”  to  turn  IFX  on  and  off.  This  MIDI  control  is  performed  on  the  global  MIDI  channel  (page  72) .  (See  “Effect  SW ”  on  page  49  of  the  Owner ’ s  manual) Mix er For […]
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IFX (Insert effec ts) List 000: No Effect 83 IFX (Inser t effects) List 000: No Effect Select  this  opti on  when  you  do  not  use  any  effects.  The  Insert  Effect  sec tion  outputs  unprocessed  signals  an d  the  Master  Effect  section  mutes  the  output. 001: St.C […]
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Effect Guide 84 003:St. Limitr (Stereo Limiter) The  Limiter  regulates  the  input  signal  level.  It  is  similar  to  the  Compressor ,  except  that  the  Limiter  compresses  only  signals  that  ex ceed  the  specified  lev el  to  lower  unnecessary  peak ?[…]
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IFX (Inser t effects) List 004: MulLimitr (Multiband Limiter) 85 T rigger Monitor Tu r n i n g  this  pa rameter  On  will  cause  the  trigger  signal  to  be  output,  ins tead  of  th e  effect  sound.  Us e  this  parameter  to  check  the  trigger  signal  with  EQ ?[…]
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Effect Guide 86 Thre sh old Attack Release “Threshold”  spec ifies  the  level  where  gating  occurs  when  “Envelope  Selec t”  is  set  to  L/R  Mix,  L  Only ,  or  R  Only . “A t t a c k ”  and  “Relea se”  specify  th e  attack  time  and  release[…]
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IFX (Insert ef fects) List 008: St.G7EQ (Stereo Graphic 7-Band EQ) 87 Q These  parameters  set  the  bandwidth  of  ea ch  equalize r .  The  higher  the  val u e ,  the  narrower  the  band  becomes. Band2 Dynamic Gain Source Amount [dB] Yo u  ca n  control  the  gain  of  Ba nd […]
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Effect Guide 88 Exciter Blend This  parameter  sets  the  de pth  (inten sity)  of  the  Exciter  effect.  Po s it i v e  va l ue s  give  a  frequency  pattern  (t o  be  emphas ized)  different  from  negative  va lu e s . Emphasis Fr eq This  parameter  sets  the  freq[…]
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IFX (Insert effects) List 012: St.VtgW ah (Stereo Vintage/C ustom Wah) 89 Frequency Bottom Frequency T op The  sweep  width  an d  direction  of  the  wa h  filter  are  determined  by  the  “Frequency  To p ”  and  “Frequency  Bottom”  se ttings. Sw eep Mode This  parameter  chang[…]
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Effect Guide 90 Shape This  parameter  specifies  the  sw eep  curve  of  the  wah .  It  applies  to  all  control  via  auto ‐ wah ,  modulation  source,  and  LFO,  and  lets  you  adjust  subtle  nuances  of  the  wa h  effect. Mode Frequency Bottom Frequen[…]
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IFX (Inser t effects) List 014: St.R ndFlt (Stereo Random Filter) 91 Phase [deg] Offsetting  the  left  and  right  phases  alters  how  modulation  is  applied  to  the  left  and  right  chan nels,  creating  a  swelling  affect. LFO W aveform LFO Freq [Hz] Step F req [Hz] When  “LF[…]
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Effect Guide 92 016: St.SubOsc (Stereo Sub Oscillator) This  effe ct  adds  ve ry  low  freque ncies  to  the  input  signal.  It  is  very  useful  when  simulating  emphasizing  powerful  low  range.  This  effect  is  different  from  the  equalizer  in  that […]
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IFX (In ser t effects ) List 018: St.Deci mt (Stereo Deci mator) 93 Vo i c e Top V oice Center V oice Bottom These  parameters  assign  vowels  to  the  top,  center ,  and  bottom  position  of  the  con troller . E.g.:  When  “V oice  T op”=A,  “V oi ce  Center ”=I,  and  “V oi[…]
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Effect Guide 94 019: St. Record (Stereo Analo g Recor d) This  effect  simulat es  the  noise  caused  by  scratches  and  dust  on  analog  records.  It  also  reproduces  some  of  the  modulation  caused  by  a  wa r pe d  turntable. Flutter This  parameter  enables ?[…]
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IFX (Insert ef fects) List 021: St.Gt Cab (Stereo Guitar Cabinet) 95 Wa h The  Wa h  parame ter  switches  the  wah  effect  on/off. Swit ch M od e This  parameter  sets  how  the  wa h  effect  is  switched  on  and  off  via  the  modulation  source. When  “Switch  Mode” […]
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Effect Guide 96 022: St.Bs C ab (Stereo Bass Cabin et) This  simulates  the  acoustica l  character  of  a  bass  amp’ s  speaker  cabinet. 023: Bass Amp This  simulates  a  bass  amp. F ull parameter Quick parameter V alue Explanation T r im 0…100 Sets t he input level Cabine t Type Cab Selects the cab[…]
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IFX (Inser t effects) List 025: T rebleBST ( T reble Booster) 97 024: B.Amp C ab (Bass Amp Model+Cabinet) This  simulates  a  bass  amp  and  speaker  cabinet. Amp T ype Cabinet T ype Recommended Co mbinations of Bass Amp Models and Cabinet s: 025: T rebleBST ( T reble Booster) This  effect  models  a  famous  bo[…]
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Effect Guide 98 026: T ube Pre ( T ube PreAmp Modeling) This  effect  simulat es  a  two ‐ stage  vac u u m  tube  preamp.  Yo u  can  make  individual  setti n gs  for  two  vac u u m  tubes  connected  in  series.  This  lets  you  create  the  wa r m  sound  typic[…]
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IFX (Inser t effects) List 029: Stereo Phaser 99 Mic Position This  expresses  the  effec t  that  the  mic  position  has  on  the  sound.  The  Close  set ting  is  the  closest  mic  position,  and  the  Far  setting  is  the  farthest. 029: Stereo Phaser This  effe[…]
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Effect Guide 100 031: OrangePhs ( Orange Phaser) This  models  a  standard  model  of  analog  phaser  that  achieved  great  popularity .  It  gives  a  sense  of  mov ement  to  electric  piano  sounds,  adding  a  rich ‐ sounding  phase  shift  effect. 032: BlackP[…]
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IFX (Insert effec ts) List 035: St.EnvPhs (Stereo En velope Phaser) 101 035: St.En vPhs (Stereo En velope Phaser) This  stereo  phaser  uses  an  envelope  generator  for  modulation.  Yo u  will  obtain  the  same  pattern  of  phasing  each  tim e  you  play .  Yo u  can  also ?[…]
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Effect Guide 102 Con t rol M od e V oice 1 Resonance V oice 2 Resonance This  parameter  determines  the  resonance  intensit y . When  “Con trol  Mode ”  =  Manual,  the  “Resonance”  parameter  sets  the  inte nsity  of  resonance.  If  the  “Re sonance”  parameter  has[…]
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IFX (Insert effects) List 038: TEX T reml (TEXTREM) 103 LFO W aveform This  parameter  sets  the  basic  shape  of  the  LFO.  The  V i ntage  wav ef o r m  models  classic  guitar ‐ amp  tremolo.  LFO Phase [deg] This  parameter  determines  the  difference  between  the  left […]
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Effect Guide 104 0 40 : St .Au t Pan (S te r eo Au to Pa n) This  is  a  stereo ‐ in,  stereo ‐ out  auto ‐ panner .  The  Phase  and  Shape  parameters  lets  you  create  var i o us  panning  effects,  such  as  making  the  left  and  right  inputs  seem  to  […]
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IFX (Insert ef fects) List 042: St.Ring M (Stereo Ring Modulator) 105 Ty p e LFO Phase [deg] Select  the  type  of  phaser  LFO  and  tremolo  LFO  for  the  “T ype”  parameter .  How  the  effect  sound  moves  or  rotates  depends  on  th e  type  of  LFO.  Selectin[…]
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Effect Guide 106 Fixe d Fr eq [H z ] This  parameter  sets  the  oscillator  freque ncy  when  “OSC  Mode”  is  set  to  Fixed. Note Offset Note Fine These  parameters  for  the  oscillator  are  used  when  “OSC  Mode”  is  set  to  Note  (Key  Follow).  Th[…]
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IFX (Insert effects) List 045: P4EQ -Phaser (Par ametric 4- Band EQ — Phaser) 107 045: P4EQ-Phaser (Par ametric 4- Band EQ — Phaser) This  effect  combines  a  mono  four ‐ band  parametric  equalizer  and  a  phaser . Output Mode Routing When  We t  Invert  is  selected,  the  right  channel […]
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Effect Guide 108 047: Co mp-Amp (C ompressor — Amp Simulation) This  effect  co mbines  a  mono  compressor  and  an  amp  simulation.  Yo u  can  change  the  order  of  the  effec ts. 048: C omp- OD ( Compressor — Overdriv e/Hi.G ain) This  effect  combines  a  mono  compressor […]
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IFX (Insert effects) List 049: Comp-P4EQ (Compr essor — Parametric 4-Band EQ ) 109 049: C omp -P4EQ ( Compressor — Pa ra m e t ri c 4 — B a n d EQ) This  effect  combines  a  mono  compressor  and  a  four ‐ band  parametric  equalizer .  Yo u  can  change  the  order  of  the  effects. 050: C[…]
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Effect Guide 110 051: Lmtr-P4EQ (Limiter — Pa ra m e t r ic 4 — B a n d EQ) This  effect  co mbines  a  mono  limiter  and  a  four ‐ band  parametric  equalizer .  Yo u  can  change  the  order  of  the  effects. Rati o Threshold [dB] Gain Adjust [dB] This  parameter  sets  the  s[…]
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IFX (Inser t effects) List 053: Xctr- Comp (Ex citer — Compressor) 111 053: X ctr- Comp (Ex citer — C ompressor) This  effect  combines  a  mono  exciter  and  a  compressor .  Yo u  can  change  the  order  of  the  effects. 054: Xctr- Lmtr (Ex citer — Limiter) This  effect  combines  a  […]
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Effect Guide 112 055: Xctr- Phsr (Ex citer — Phaser) This  effect  co mbines  a  mono  limiter  and  a  phaser . 056: OD-Amp ( Overdr ive/Hi.Gain — Amp Simulation) This  effect  combines  a  mono  overdriv e/h igh ‐ gain  distortion  and  an  amp  simulation.  Yo u  can  change  th[…]
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IFX (Insert effects) List 058: Wah-Amp (W ah — Amp Simulation) 113 057: OD-Phsr (Overdriv e/Hi.G ain — Phaser) This  effect  combines  a  mono  ov erdrive/high ‐ gain  distortio n  and  a  phaser .  Yo u  can  change  th e  order  of  the  effects. 058: W ah-Amp (W ah — Amp Simulation) This  e[…]
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Effect Guide 114 059: Deci-Amp (Decimator — Amp Simulation) This  effect  co mbines  a  mono  decimator  and  an  amp  simulation.  Yo u  can  change  the  order  of  the  effec ts. 060: Deci-Comp (Decima tor — Com p re s so r ) This  effect  combines  a  mono  decimato r  and […]
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IFX (Insert effec ts) List 061: Amp- Trml ( Amp Simulation- T remolo) 115 061: Amp — T rml (Amp Simula tion- Tr e m o l o ) This  effect  combines  a  mono  amp  simulation  and  a  tremolo. 062: Organ V ib/Chorus (Organ Vi b r a t o / C h or u s) This  effect  simulates  the  chorus  and  vibrato  ci[…]
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Effect Guide 116 Con t rol M od e Preset T ype Cus to m M ix Cus to m De p th Custom Speed If  Control  Mode=Preset,  you  can  use  Preset  Ty p e  to  select  the  effect.  In  this  case ,  the  Custom  Mix/Depth/Speed  settings  are  ignored.  If  Control  Mode=Custom,  the[…]
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MFX1 (Mod.) (Master Effect1–Modulation) List No Effect 117 MFX1 (Mod.) (Mast e r Effect1–Modulation) List No Effec t Select  this  if  you  don ʹ t  wa nt  to  use  an  effec t.  If  selected  for  a  master  effe ct,  the  output  will  be  muted. St.C horus (Stereo C horus) This […]
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Effect Guide 118 St.Phaser (Ster eo Phaser) This  effect  cre ates  modulation  by  shiftin g  the  phase  of  the  sound.  It  is  effective  when  applied  to  sounds  such  as  electric  piano.  This  is  a  stereo  effe ct,  in  which  opposite ‐ phase  […]
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MFX2 (Rvb/Dly) (Master Effect2–Revreb/Delay) List No Effect 119 MFX2 (Rvb/Dly) (Master Ef fec t2–Revreb/Delay) List No Effec t Choose  th is  if  yo u  don ʹ t  wa nt  to  use  an  effect.  Wh en  selected  for  the  master  effect,  this  mutes  the  out put. Hall This  is  a  […]
Страница 124

Effect Guide 120 EQ (Equalizer) EQ Choose  this  if  yo u  don ʹ t  wa nt  to  use  an  effe ct.  When  selected  for  the  master  effect,  this  mutes  the  output. F ull parameter Quick parameter V alue Explanation Tr i m ← 0…100 Input le vel Bass Gain [dB] BassGain –18.0…+18.0 Lo[…]
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121 App endices Alterna te Modula tion Sourc e ( AMS) Alternate Modula tion Overview Alter nate Mo dulat ion S ource s Alternate  Modulation  lets  you  use  controller s,  envelopes,  LFOs,  etc.  to  modulat e  Program  parameters.  Yo u  can  use  one  controller  to  modulate  multiple[…]
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Appe ndices 122 JS X This  is  the  horizontal  movement  of  the  main  joystick.  It  also  receives  MIDI  Pitch bend. JS+Y : CC#01 This  is  the  ver t ic al  movement  of  the  main  joystick,  upwards  from  the  center .  It  also  receiv es  MIDI  CC#0[…]
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Alternate Modulatio n So urce (AMS) Alternate Modulation settings 123 AMS operations and their result Notes for the table *1 EXT(+–):  JS  X,  Ribbon:CC#16,  Knob  Mod1  (CC#17),  Knob  Mod2  (CC#19),  Knob  Mod3  (CC#20),  Knob  Mod4  (CC#21) *2 When  Te m p o  is  selected  as  an  […]
Страница 128

Appe ndices 124 The eff ect s of AMS on various param- eters, and example applications We ’ l l  describe  some  examples  of  using  alternate  modula ‐ tion. Note:  The  parameter  names  and  va lu e s  used  in  these  expla ‐ nations  can  be  viewed  and  edited  in  m[…]
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Alternate Modulatio n So urce (AMS) Alternate Modulation settings 125 Filter LFO1/2 Intensity (p age 41) The  LFO  1/2  filter  modulation  intensity  can  be  controlled  by  the  EG,  Common  LFO,  keyboa rd  tracking,  controller ,  or  tempo  etc.  Yo u  can  use  Intensity ?[…]
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Appe ndices 126 LFO Frequency (page 51) The  frequency  of  LFO  1,  2  or  Common  LFO  can  be  con ‐ trolled  by  the  EG,  keyboard  tracking,  controllers,  or  tempo  etc.  Yo u  can  also  use  the  LFO2  frequency  to  modulate  LFO1,  or  use […]
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Dynamic Modulation Sour ce (Dmod) Alternate Modulation settings 127 Dynamic Modulation Sourc e (Dmod) Yo u  ca n  control  certain  effect  parameters  using  the  joystick,  realtime  control  knobs,  etc.  “on  the  fly .”  For  progra ms  of  the  Organ  category ,  yo u  c[…]
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Appe ndices 128 Gate2, Gate2+D mpr (Gate2 , Gate2+ Dampe r) This  is  essentiall y  the  same  as  for  Gate  1  or  Gate  1  +  Dmpr .  Howe ver  when  Gate  2  or  Gate  2  +  Damper  are  us ed  as  a  dynamic  modula tion  source  for  the  EG  of[…]
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Foot Pedal Assign Alternate Modulation settings 129 F oot Pedal Assign Here  you  can  specify  the  function  that  will  be  controlled  by  an  assignable  pedal  (separately  sold  XVP ‐ 10,  EXP ‐ 2)  con ‐ nected  to  the  DAMPER/P EDAL/SW1  or  PEDAL/ SW2  jack. ?[…]
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Appe ndices 130 MIDI transmission when the PS60’ s controllers ar e used The  following  tables  show  the  relation  be twee n  the  MIDI  messages  that  are  transmitted  when  the  PS60’ s  controllers  are  used,  and  the  AMS  (alternate  modulation  source)  or ?[…]
Страница 135

PS60 and MIDI CCs Response s to standard MIDI controllers 131 PS60 and MIDI C Cs Responses to standar d MIDI controll ers The  followin g  table  shows  how  the  PS60  responds  to  MIDI  control  change  messages,  and  the  relation  betwee n  settings  and  controller  mo veme nts  […]
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Appe ndices 132 *1 Bank  select  messages  are  normally  specified  as  program  change  ev ents.  Howev er  in  some  cases  this  will  be  insuffi ‐ cient  when  you  wish  to  change  banks  on  an  external  device.  In  such  cases,  you  can ?[…]
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PS60 and MIDI CCs Parameters controlled by MIDI CCs #70-79 133 P arameters c ontrolled b y MIDI C Cs #70-79 CC#70–79  correspond  to  the  P S60’ s  program  parameters  listed  below . When  a  performance  receiv es  CC#70–79  messages  for  a  tim ‐ bre  whose  MIDI  channel  ma[…]
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Appe ndices 134 MIDI applications About MIDI MIDI  stands  for  Mu sical  Instrument  Digital  Interface,  and  is  a  wor ld ‐ wide  standard  for  exchanging  var i o u s  types  of  musical  data  betw een  electronic  musical  instruments  and  computers.  When  MID[…]
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MIDI applications Messages tr ansmitted and received by the PS60 135 •I n  Performance,  transmission/reception  can  be  switched  on/off  for  each  timbre.  Switching per formanc es Yo u  ca n  use  program  change  messages  to  switch  perfor ‐ mances. • Performances  000–019 […]
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Appe ndices 136 C ontrolling por tamento Portamento tim e (C C#05) [Bn, 05, vv] If  you  assign  the  above  CC#  to  an  assi gnable  pedal  on  the  PS60  and  use  it,  portamento  time  messages  will  be  transmit ‐ ted,  changing  the  ti me  over  wh ich  the […]
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MIDI applications Messages tr ansmitted and received by the PS60 137 Using v a rious contr ollers Here  we  will  explain  typical  ways  to  use  th e  var io u s  co n ‐ trollers.  Y Foot pedal (C C#04) [B n, 04, vv ] If  the  CC#  above  is  assigned  as  the  Assignable  Peda l  f[…]
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Appe ndices 138 Resetting all contr o lle rs on a specific channel Reset all contr ollers (C C#121) [Bn, 79, 00] (value 00) When  this  is  receiv ed,  the  va l ue  of  all  controllers  on  that  channel  w ill  be  reset.  How ever ,  notes  that  are  playing  at  the  time  t[…]
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MIDI applications Messages tr ansmitted and received by the PS60 139 Inquir y message re quest [F0, 7E, nn, 06, 01, F7] Inquiry message [F0, 7E, nn, 06, 02, (nine byt es), F7] When  an  inquiry  message  request  is  received,  the  PS60  will  respond  by  transmitting  an  inquiry  message  that […]
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Appe ndices 140 Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1 1 . TR ANS MI TTE D DA TA 1-1 CHA NNE L ME SSA GES [H] :Hex, [D] :Decimal |Status| Second Third | Description ( Transmitted by ….) |ENA | |[Hex] | [H][D] [H][D] | | | | 8n kk (kk) 40 (64) | Note Off ( Key Off ) *1| A | | 9n kk (kk) vv (vv[…]
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MIDI Implemen tation 141 1 1 -2 SYSTEM REALTIME MESSAGES Status[Hex] Description ( Transmitted when … ) F8 Timing Clock ( Always in Performance/Prog Edit) *3 FE Active Sensing ( Always ) *4 *3 Transmits these messages when MIDI Clock in Global mode is Internal. *4 Transmits these messages when MIDI Clock in Global mode is External. 1 1 -3 SYSTEM […]
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Appe ndices 142 2 2 .RECOGNIZED RECEIVE DATA 2-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal |[Hex] | [H][D] [H][D] | | | Status Second | Third | Description ( Use ….. ) |ENA | [Hex] [H] [D] | [H] [D] | 8n kk (kk)| xx (xx) | Note Off A | 9n kk (kk)| 00 (00) | Note Off A | 9n kk (kk)| vv (vv) | Note On (vv) = 1-127 A | An kk (kk)| vv (vv) | Poly Key P[…]
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MIDI Implemen tation 143 AMS : Alternate Modulation Source FX Dmod Src : Effect Dynamic Modulation Source n : MIDI Channel No. (0 — 15) •••••• Usually Global Channel. When in Performance, each timbre’s channel.(Status is INT) g : Always Global Channel No. (0 — 15) x : Random ENA T : Enabled when Enable After Touch in Global mode is[…]
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Appe ndices 144 4015-2 Y anokuchi, Inagi-city, T ok yo 206-0812 Japan © 2010 K ORG INC. IMPORT ANT NO TICE TO C ONSUMERS This  product  has  been  manufactured  ac cording  to  strict  specifications  and  voltage  requirements  that  are  applicab le  in  the  country  in  which  it  […]

Источник

Краткое содержание страницы № 1

About the software
The most recent versions of the applications contained on
the accessory disc can be downloaded from the Korg
website (http://www.korg.com).
Please note before use
Copyright to all software included in this product is the
property of Korg Inc.
The license agreement for this software is provided
separately. You must read this license agreement before
you install this software. Your installation of this software
will be taken to indicate your acceptance of this
USB-MIDI Se

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*PS60 Plug‐In Editor must also satisfy the operating Select and install all desired compoments, such as, the requirements of the host application. Editor (Standalone), Plug‐In Editor (VST), and/or Plug‐ In Editor (RTAS). You cannot run multiple instances of the PS60 Editor For example if you want to install the stand‐alone ver‐ and PS60 Plug‐In Editor on the operating system. sion, click [Install Standalone Application]. This means that you can’t use this editor to edit two Follow the on‐sc

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Installing the software About the PS60 and USB-MIDI driver ports KEYBOARD port Applications on your computer use this port to receive MIDI messages from the PS60 (data from the keyboard and controllers). SOUND port Applications on your computer use this port to send MIDI messages to the PS60’s internal sound generator, making it produce sound. Installing and setting up the PS60 Editor/Plug- In Editor For details on installation, setup and using the PS60 Editor/Plug‐In Editor, please see the

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If you want to apply a plug‐in effect to the PS60’s audio signals, or to control the PS60’s audio signals in your host Connecting a computer application together with the audio data from the KORG Legacy Collection or other audio tracks, make the connections as illustrated below. Connect the devices as USB connection and setup appropriate for the host application that you’re using. Note: The USB connector of the PS60 is only able to transmit and receive MIDI data. Powered monitors Before yo

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Verifying the functionality of the PS60 Editor (stand-alone version) Verifying the functionality of Global mode settings on the the PS60 Editor (stand-alone PS60 version) If the PS60 does not function correctly with your computer, check the following settings on the PS60 itself. Start up the PS60 Editor (stand‐alone version) and verify that it works correctly. “Local Ctrl” settings For details on how to set up and start the PS60 Plug‐In The MIDI software on your computer might have an Echo

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* Apple, Mac, Macintosh and Audio Units are trademarks of Apple Inc., registered in the US. and other countries. *Windows XP, Windows Vista, and Windows 7 are trademarks or registered trademarks of Microsoft Corporation in the U.S. and other counties. *Intel, Intel Core, and Pentium are trademarks of Intel Corporation in the U.S. and other countries. *VST is trademark of Steinberg Media Technologies GmbH. *RTAS is registered trademarks of Avid Technology, Inc., or its subsidiaries or divisi

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Page 1: Korg PS60

1 E PS60 P arameter Guide[…]
Page 2: Korg PS60

ii About the Par ameter Guide This  document  (“PS60  Pa r a me t e r  Guide”)  explain s  the  parameters  that  can  be  quickly  edited  from  the  PS60  itself  or  from  the  PS60  Editor ,  in  addition  to  the  full  parameters  that  can  be  e[…]
Page 3: Korg PS60

iii T able of C ontents Performance Edit … ………….. ………. 1 Panel ………… ……………………………………….. …………. 1 Keyboard, Wheels ……………. ……………… …………. 2 OverView ……………. ……………………………. …………. 3 Main Timbres ……………………………..[…]
Page 4: Korg PS60

iv Effect Guide ……… ………….. ………. 79 Overview ………… ……………… ………….. ……………… 79 Dynamic modulation (Dmod) and Tempo Synchroniza- tion …………………………………………………………………………………. 80 Effect I/O …………………………….. ………………[…]
Page 5: Korg PS60

1 P er f ormance E dit Pa n e l The  upper  part  of  the  PS60  Editor  panel  simulates  the  main  buttons  an d  knobs  of  the  PS60 ʹ s  own  front  panel. Mode Select, Utility Mode button [PERF , PROG EDIT , GL OB] To  select  a  mode ,  click  the  button  for ?[…]
Page 6: Korg PS60

Pe r f o r m an c e Ed i t 2 EQ BASS knob [-18.0…+18.0] MID knob [-18.0…+18.0] TREBLE knob [-18.0…+18.0] These  parameters  adjust  th e  gain  of  the  bass,  mid,  and  tre ble  (high)  bands  (page  120). K eyboard, W heels This  area  shows  an  88 ‐ note  keyboard,  a  pitc[…]
Page 7: Korg PS60

OverView Main Timbres 3 Ov erV ie w In  this  area,  you  can  turn  on/off  each  timbre  of  the  selected  performance,  select  programs,  and  edit  the  sett ings  for  Easy  Setup,  master  effect,  and  EQ. Main T imbres Here  you  can  adjust  the  se[…]
Page 8: Korg PS60

Pe r f o r m an c e Ed i t 4 global  MIDI  channel.  This  message  is  transmitte d  on  the  MIDI  Channel  (page  7)  specified  for  each  timbre. IFX [Name] This  indicates  the  program ʹ s  insert  effect.  (The  program  of  the  STRINGS  timbre  does  n[…]
Page 9: Korg PS60

Timbre Param (Timbre Paramete rs) Scale 5 T imbre P aram ( T imbre P aramet ers) Scale This  specifies  the  scale  used  by  the  performance. Separately  from  this  sett ing,  you  can  choose  the ʺ Scale ʺ set ‐ ting  of  ea ch  timbre ʹ s  program  take  priority  if ?[…]
Page 10: Korg PS60

Pe r f o r m an c e Ed i t 6 Use  Equal  Te m p e r a m e n t  for  programs  whose  multi ‐ sample  ( ʺ Multisample  select, ʺ page  25)  is  set  to  mono:  0002,  00003,  0006,  00 07,  0009,  Stereo:  0001,  or  0003  (i.e.,  the  preload  programs  13:SoloS[…]
Page 11: Korg PS60

Timbre Param (Timbre Parameters) MIDI/OSC 7 MIDI/OSC Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here  you  can  adjust  settings  for  ea ch  timbre ʹ s  MIDI  trans ‐ mission  status,  channel,  and  oscillator  mode. MIDI Status [INT , EX T , EX 2] This  parameter  sets ?[…]
Page 12: Korg PS60

Pe r f o r m an c e Ed i t 8 Wit h  the  MN  or  LGT  settings,  the  Program’ s  setting  will  determine  th e  priority  of  the  note  that  sounds  when  you  play  two  or  more  note s. OSC Select [BTH, OSC1, OSC2] This  parameter  specifies  whether  the ?[…]
Page 13: Korg PS60

Timbre Param (Timbre Parameter s) Tone 9 To n e Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here  you  can  adjust  the  sound  of  ea ch  timbre ʹ s  program.  These  settings  are  saved  in  each  performance,  and  do  no t  affect  the  original  progr[…]
Page 14: Korg PS60

Pe r f o r m an c e Ed i t 10 MIDI F ilter Main Timbres (A. Piano–S ynth): Sub Timbres ( A. Piano –Synth): These  settings  allow  you  to  apply  filters  to  the  MIDI  data  that  will  be  transmitted  and  receiv ed  by  each  timbres.  For  example  even  if  tw o […]
Page 15: Korg PS60

MFX/EQ (Master Effect/EQ) MFX&EQ Routing 11 MFX/EQ (Master E f fe c t/EQ ) On  this  page  yo u  can  adjust  the  settings  for  the  master  effects.  These  settings  consist  main ly  of  the  following. •S p e c i f y  the  routing  for  the  master  effects. • Sel[…]
Page 16: Korg PS60

Pe r f o r m an c e Ed i t 12 MFX1 Here  you  can  set  th e  effect  parameters  for  the  master  effect  1  you  selected  in  the  MFX  page  MFX  &  EQ  Routing.  ( ) “MFX1  (Mod.)  (Master  Effect1–Modulation)  List”  on  page 117) MFX2 Here  you […]
Page 17: Korg PS60

UTILITY Command EQ 13 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box,  refer ?[…]
Page 18: Korg PS60

Pe r f o r m an c e Ed i t 14[…]
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15 Pro g ram E d it Selecting the program that y ou want to edit Here ʹ s  how  to  select  the  program  that  you  wa n t  to  edit. •I f  you ʹ re  using  Single  settings,  you ʹ ll  enter  the  progr am  edit  page  with  that  progra m  automati cally  selected. ?[…]
Page 20: Korg PS60

Progra m Edit 16 Quick Par ameters Yo u  can  edit  the  quick  parameters  either  from  Program  Edit  mode  on  the  PS60  it self,  or  from  the  editor ʹ s  Quick  page,  described  below . The  quick  parameters  are  organized  into  the  tone  parame[…]
Page 21: Korg PS60

Quick OSC Comm on 17 Oscillat or These  parameters  adjust  the  transpose,  hold,  and  reverse  settings  for  osci llators  1  and  2  at  the  same  time. PtchStr tch (Pitch Stretch) [–12…0…+12 (Rel)] This  special  control  increases  the  Oscillator  “T une”  pa[…]
Page 22: Korg PS60

Progra m Edit 18 OSC EG/LFO OSC EG Fil te r/A m p E G Here  you  can  adjust  the  settings  for  th e  filter  EG  and  amp  EG  of  oscillat ors  1  and  2. In  the  Filter/Amp  EG  group,  all  filter  EG s  and  amp  EGs  are  adjusted  simultaneously . ?[…]
Page 23: Korg PS60

Quick OSC1 19 OSC LFO Here  is  where  you  can  adjust  LFO  settings  for  oscillators  1  and  2. Each  oscillator  has  two  LFOs  (LF O1  and  LFO2).  There ʹ s  also  a  common  LFO  that  can  be  sh ared  by  the  tw o  oscillators.  LFO1 […]
Page 24: Korg PS60

Progra m Edit 20 When  this  is  set  to  0,  playing  different  notes  on  the  key ‐ board  won’ t  change  the  pitch  at  all;  it  will  be  as  if  you ’ r e  always  playing  C4.  Thi s  can  be  useful  for  specia l  effects  sounds[…]
Page 25: Korg PS60

Quick OSC2 21 Filter LFO 2 Intensity to A (FltLFO2toA) [–9 9 . .. + 9 9] This  control s  the  depth  and  direction  of  Filter  A  cutoff  mod ‐ ulation  from  LFO2. ) “Filter  LFO1  Intensity  to  A  (FltLFO1t oA)”  on  page 20 Fi lter LFO2 Intens ity to B (FltL FO2toB) [–99…+9[…]
Page 26: Korg PS60

Progra m Edit 22 F ull Par ameters The  parameters  listed  in  the  pages  that  follow  are  the  full  parameters.  They  can  be  edited  only  from  the  editor . Basic This  page  contains  all  of  the  basic  settings  for  the  Program.  Among  oth[…]
Page 27: Korg PS60

Basic About Relative (R el) and Absolute parameters 23 Enable Half-Damper [ On, O ff ] On:  Half ‐ Damper  pedals,  normal  sustain  ped als,  and  MIDI  CC#  64  will  all  modulate  the  Amp  EG,  as  described  belo w .  Off:  the  pedals  and  MIDI  CC#64  will  sti[…]
Page 28: Korg PS60

Progra m Edit 24 Pr ogram Basic •S e t  the  Program  to  play  polyphonically  or  monophonically V oice Assign Mode V oice Assign Mode (Mode) [Poly , Mono] ( ) “V oice  Assign  Mode  (V oice  Mode)”  on  page 16) Poly Pol y Le g at o [O ff, O n ] Po l y  Le gato  is  available  when  the[…]
Page 29: Korg PS60

OSC/Pitch Program Basic 25 OSC/Pitch These  pages  control  the  first  and  most  basic  elements  of  sounds:  the  Multisamples  that  the  oscillators  play ,  and  th e  pitch  used  to  them.  For  instance,  you  can: • Select  Multisamples  for  Single […]
Page 30: Korg PS60

Progra m Edit 26 Mid-High, Mid-Lo w , Low These  are  th e  settings  for  the  second,  third,  and  fourth  velo ci ty  zones.  The  parameters  fo r  Mid ‐ High  and  Mid ‐ Low  are  exactly  the  same  as  those  for  High,  as  described  above. The  par[…]
Page 31: Korg PS60

OSC/Pitch OSC1 Multisample 27 Range (Crossfade Range) [Off , 1…127] This  sets  the  range  of  vel oc iti es  over  which  High  will  fade  into  Mid ‐ High ,  going  up  from  the  “Bottom  Ve l . ” For  instance,  if  the  “Bottom  Ve l . ”  is  set  to ?[…]
Page 32: Korg PS60

Progra m Edit 28 OSC1 Pitch This  page  contains  all  of  the  settings  for  Oscillator  1’ s  pitch  modulation .  For  example,  you  can: •S p e c i f y  pitch  bend  controlled  by  the  joystick  X  (or  an  incoming  pitch  bend  message)  set  to […]
Page 33: Korg PS60

OSC/Pitch OSC1 Pitch 29 AMS (Pitch EG) [List of AMS Sources] This  selects  any  AMS  modulatio n  source  to  scale  the  amount  of  the  Pitch  EG.  For  a  list  of  AMS  sources,  plea se  see  “A M S  (Alternate  Mod ‐ ulation  Source)  List”  on  pag[…]
Page 34: Korg PS60

Progra m Edit 30 OSC2 Multisample This  page  controls  the  basic  settings  for  Oscillator  2.  It  is  available  only  when  the  Oscillato r  Mode  is  set  to  Double;  if  not,  the  page  will  be  gray ed  out. The  parameters  are  identical  […]
Page 35: Korg PS60

OSC/Pitch Pitch EG 31 When  you  select  Key  +  Da mper ,  note s  will  only  sound  if  the  damper  pedal  is  bein g  held  down.  When  the  damper  pedal  is  released,  all  notes  w ill  be  stopped–ev en  if  they  are  still  being  he[…]
Page 36: Korg PS60

Progra m Edit 32 Tim e Higher  valu e s  me an  longe r  times,  as  shown  below: Attack [00…99] This  sets  how  long  the  EG  takes  to  move  from  the  Start  level  to  the  Attack  level.  For  the  fastest  possible  attack  time,  you  can  s[…]
Page 37: Korg PS60

OSC/Pitch Pitch EG 33 Slope [0L (Linear), 1…9, 10E (Ex p/Log)] This  sets  the  curvature  of  the  Slope  segment ‐ the  transition  from  the  Break  level  to  the  Sustain  level  (which  for  the  Pitch  EG  is  always  0). Release [0L (Linear), 1…9, 10E (Exp/L[…]
Page 38: Korg PS60

Progra m Edit 34 Threshold [–99…+99] This  sets  the  AMS  lev el  which  will  trigger  th e  EG  reset.  When  the  “Threshold”  is  positive,  the  EG  triggers  when  passing  through  the  thresho ld  moving  upw ards.  When  the  “Threshold”  is[…]
Page 39: Korg PS60

Filter Pitch EG 35 Fi l t e r Filtering  can  make  subtle  or  dramatic  changes  to  the  oscilla ‐ tor ’ s  ti mbre.  Each  oscillator  has  two  multimod e  resonant  fil ‐ ters,  A  and  B,  as  wel l  as  a  dedicated  filter  env e lope  and  keyboar[…]
Page 40: Korg PS60

Progra m Edit 36 Serial and Parallel Routing 12db/oct / 24db/oct Fil te r A Filt er T ype [LPF : Low Pass (12dB/oct), HPF: High Pa ss (12dB/oct), BPF: Ban d Pass (6dB/oct), BRF : Ba nd Re ject (6dB/ oct)] The  filter  will  produce  very  diffe rent  results  depending  on  the  selected  filte r  type.  The ?[…]
Page 41: Korg PS60

Filter Filter1 37 Fi l t e r 1 Set  the  cutoff,  resonanc e,  and  input  and  output  levels  of  each  filter ,  in cludin g  modulation  of  resonance  and  output  level. F ilterA Fil te r Bypass [Off , On] This  lets  you  bypass  Filter  A  completely . If  Bypass […]
Page 42: Korg PS60

Progra m Edit 38 F ilter1 Modulation Here  you  can  edit  the  filter  keyboard  tracking  and  filter  modulation  for  oscillator  1.  These  settings  include  the  fol ‐ lowing. •S e t  up  complex  keyboard  tracki ng  shapes,  and  control  how  the  trac[…]
Page 43: Korg PS60

Filter Filter1 Modulation 39 the  keyboard,  and  positive  ramps  make  th e  output  go  higher . Center ‐ High  and  High ‐ To p :  negative  ramps  make  the  key ‐ board  tracking ’ s  output  go  down  as  yo u  play  higher  on  the  keyboard,  and ?[…]
Page 44: Korg PS60

Progra m Edit 40 When  “Intensity  to  A”  is  set  to  a  positive  (+)  valu e,  the  EG’ s  effect  will  m atch  its  shape.  When  the  EG  rises  abov e  0,  the  cutoff  frequency  will  increase. Wit h  negative  (–)  val u e s,  the  […]
Page 45: Korg PS60

Filter Filter1 LFO Mod. 41 Fi l t e r 1 L F O M o d . LFO1,  LFO2,  and  the  Common  LFO  can  all  modulate  Filter  A  and  B’ s  cutoff  frequenc ies.  Yo u  ca n  control  the  st rength  of  each  LFO’ s  modulation  independently  for  ea ch  filter ,  in[…]
Page 46: Korg PS60

Progra m Edit 42 Fi l t e r 1 E G The  Filter  EG,  or  Envelope  Generator ,  lets  you  create  com ‐ plex,  time ‐ var y in g  chan ges  to  the  cutoff  fre quencies  of  Fil ‐ ters  A  and  B.  The  parameters  on  this  page  control  the  shape  of ?[…]
Page 47: Korg PS60

Filter Filter1 EG 43 Cur ve The  explanation  of  the  filter  EG  curve  is  same  as  for  pitch  EG  curve. Please  see  “Curve”  on  pa ge 32. Attack [0L (Linear), 1…9, 10E (Exp/ Log)] This  sets  the  curv ature  of  the  Attack  segment ‐ the  transition […]
Page 48: Korg PS60

Progra m Edit 44 Fi l t e r 2 This  page  controls  Oscillator  2’ s  basic  filter  2  settings.  It  is  available  only  when  the  Oscillato r  Mode  is  set  to  Double;  if  not,  the  page  will  be  gray ed  out. The  parameters  are  identical ?[…]
Page 49: Korg PS60

Amp Filter2 EG 45 Amp Oscillators  1  and  2  have  separate  controls  for  vo lum e  (also  called  “amplitude,”  or  “amp”  fo r  short);  pan;  and  as  wel l  as  dedicated  amp  envelopes  and  keyboard  tracking  genera ‐ tors.  These  pages  […]
Page 50: Korg PS60

Progra m Edit 46 Amp1 EG This  displays  the  Amp1  EG  env elope  specified  in  the  Amp1  EG  page. The  graphic  shows  the  shape  of  the  Amp1  EG.  Yo u  can  also  change  the  shape  by  using  the  mouse  to  drag  ea ch  of  the  squ[…]
Page 51: Korg PS60

Amp Amp1 Mod ulation 47 Differenc es from other Keyboard T racks There  are  seve ral  differences  between  the  Amp  keyboard  tracking  and  th e  Filter  and  Common  keyboard  tracking. For  ex ample,  the  results  of  the  Ramp  va l ue s  are  different.  As  show[…]
Page 52: Korg PS60

Progra m Edit 48 Amp1 EG These  parameters  le t  you  create  time ‐ vary in g  changes  in  th e  volu me  of  oscillator  1. En velope These  parameters  specify  how  the  amp  1  EG  will  change  over  ti me. Amp E G Level Start [0 0…99] This  sets  the  initial[…]
Page 53: Korg PS60

Amp Amp2 Mod ulation 49 Release [0L (Linear), 1…9, 10E (Exp/Log)] This  sets  the  curvature  of  the  Release  segment ‐ th e  transi ‐ tion  from  the  Sustain  level  to  the  Release  level. Lev el Modulation These  settings  let  yo u  use  any  AMS  source  to[…]
Page 54: Korg PS60

Progra m Edit 50 LFO Each  of  the  Osci llators  1,  2  has  two  LFOs,  which  you  can  use  to  modulate  th e  filter ,  amp,  pitch,  and  many  other  parame ‐ ters. The  two  Oscillators  also  shar e  a  single  Common  LFO,  simi ‐ lar  to […]
Page 55: Korg PS60

LFO Amp2 EG 51 Random4–6  (Continuous)  are  smoothed  ve rsi on s  of  Ran ‐ dom  1–3,  with  ramps  inste ad  of  steps.  Yo u  can  use  them  to  create  more  gentle  random  variations. Fr equenc y [00…99] This  control s  the  speed  of  the  LFO, […]
Page 56: Korg PS60

Progra m Edit 52 OSC1 LFO1 This  page  has  all  of  the  controls  for  the  first  LFO  of  Oscilla ‐ tor  1.  For  instance,  you  can: • Control  the  LFO’ s  frequ ency ,  and  assign  AMS  co ntrollers  to  modulate  th e  frequency . •U s e  the ?[…]
Page 57: Korg PS60

LFO OSC1 LFO2 53 When  AMS  is  at  its  maximum  val ue  (for  example  by  mov ‐ ing  the  joystick  fully  aw ay  from  you rse lf ),  the  AMS  affects  the  frequency  as  shown  below: IntMod Sr c (Int ensity Mod AMS) [List of AMS Sources] This  sel e cts  a  s[…]
Page 58: Korg PS60

Progra m Edit 54 C ommon LFO Differenc es from LFO1/2 The  Common  LFO  starts  running  as  soon  as  you  select  the  Program,  and  only  resets  when  you  tell  it  to  do  so  explicitly  via  the  Reset  Source  control,  below .  This  is  differen[…]
Page 59: Korg PS60

AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) Common LFO 55 AMS Mix/C.K ey T rk (AMS Mix er/C ommon Keyboar d T rack) Each  Oscillator  has  two  AMS  Mixer s,  which  are  simple  but  powerful  tools  for  combining  and  modifyin g  AMS  signals. The  two  Oscillators  also  sha[…]
Page 60: Korg PS60

Progra m Edit 56 AMS Mixer2 Mix er T ype [ A+B, Am t AxB, O ffse t, Smoo thing , Shape, Quantize , G ate C ontrol] This  is  the  secon d  AMS  Mixer  fo r  Oscillator  1.  The  parame ‐ ters  are  exactly  the  same  as  those  for  AMS  Mixer  1. ) “A M S  Mixer1”  on  pag[…]
Page 61: Korg PS60

AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 57 Amt AxB AMS Mixer , T yp e =Amt A x B This  Mixer  Ty p e  uses  AMS  B  to  scale  th e  amount  of  AMS  A.  For  instance,  you  can  control  the  amount  of  LFO1  with  the  Filter  EG,  or  contr[…]
Page 62: Korg PS60

Progra m Edit 58 Offset [–19 9…+199] This  controls  the  amount  of  offset  for  AMS  A. Setting  Offset  to  +199  shi fts  an  AMS  input  of  –99  all  the  way  to  +99.  In  conjunction  with  high  AMS  A  Amount  va lu es ,  this  can  […]
Page 63: Korg PS60

AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 59 AMS Mixer Shape ex am ples Quant ize This  Mi xer  Ty p e  changes  the  input  fr om  a  continuo us  signal  into  a  series  of  discrete  st eps.  Instead  of  moving  smoothly  between  val u es ,  it  will ?[…]
Page 64: Korg PS60

Progra m Edit 60 Gate O utput If  the  va lu e  of  the  Control  Source  is  less  than  the  “Thresh ‐ old,”  the  Gate  outputs  the  preset  val u e  or  AMS  source  selected  under  “Below  Threshold.” If  the  va lu e  of  the  Control  “Sou[…]
Page 65: Korg PS60

AMS Mix/C.KeyTrk (AMS Mixer/Co mmon Keyboard Track) Common KeyTrack (Common Key- 61 C o mmon Key T rack ( Common Key b o a rd T r a ck ) The  two  Oscillators  share  tw o  Common  keyboard  tracking  generators,  in  addition  to  each  Oscillator ’ s  dedicat ed  key ‐ board  tracking  for ?[…]
Page 66: Korg PS60

Progra m Edit 62 +Inf and –Inf ramps +Inf  and  –Inf  are  special  settings  which  cre ate  abrupt  changes  for  split ‐ like  effects.  When  a  ramp  is  set  to  +Inf  or  – Inf,  the  keyboard  tracking  will  go  to  its  extre me  highest  […]
Page 67: Korg PS60

IFX (Insert Effect) Common KeyTrack (Com mon Keyboard Track) 63 IFX (Inser t Effec t) Here,  you  can  adjust  settings  for  the  insert  effects.  For  more  information,  please  see  “Effect  Guide”  on  page 79. The  [IFX]  and  [MFX/EQ]  tab  pages  al low  yo u  t[…]
Page 68: Korg PS60

Progra m Edit 64 IFX Insert Effect (IFX) Here  you  can  edit  the  parameters  of  the  insert  effect  that  you  selected  in  the  IFX  Rou ting  page. Effect  dynamic  modulation  (Dmod)  is  co ntrolled  on  th e  MIDI  channels  set  for  the  correspon[…]
Page 69: Korg PS60

MFX/EQ (Master Effect/EQ) IFX 65 MFX/EQ (Master E f fe c t/EQ ) Here,  you  can  adjust  the  settings  for  the  master  effects  and  EQ.  For  insta nce,  yo u  can: •R o u t e  a  so und  to  the  master  effects • Make  detailed  settings  for  th e  master  e[…]
Page 70: Korg PS60

Progra m Edit 66 MFX1 MFX1 Par ameters Here,  you  can  edit  the  parameters  of  the  master  effect  selected  in  the  MFX/EQ  page. For  more  information,  please  see  “Effect  Guide”  on  page 79. Effect  dynamic  modulation  (Dmod)  is  co ntrolled  on […]
Page 71: Korg PS60

UTILITY Command EQ 67 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  the  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box, […]
Page 72: Korg PS60

Progra m Edit 68 FX [All , Mod. Rev/Dly , EQ] Specify  whether  you  wan t  to  copy  effect  settings  and/or  EQ  settings. Load… Loads  the  PS60  Editor/Plug ‐ In  Editor  da ta  that  wa s  previ ‐ ously  saved  on  the  computer . Save … Saves  data  from  the […]
Page 73: Korg PS60

69 Global Pa n e l The  upper  part  of  the  PS60  Editor  panel  simulates  the  main  buttons  and  knobs  of  the  PS60 ʹ s  own  front  panel. These  cannot  be  edit ed  in  Global  mode. Softwa re Setu p Global  mode  Softwa re  Setup  lets  you  sp[…]
Page 74: Korg PS60

Global 70 Basic/MIDI C ontrollers Settings  in  the  Basic/MIDI  Controllers  –  Category  pages  are  remembered  while  the  PS60  Editor  /  Plug ‐ In  Editor  is  running,  but  will  return  to  the  settings  prior  to  start ‐ up  when  you  close[…]
Page 75: Korg PS60

Basic/MIDI Controllers 71 Octave [-3…+0…+3] This  shifts  the  pitch  of  the  performance  or  progr am  in  one ‐ octave  steps  across  a  range  of  six  octaves. V elocity Curve ( V el Curve) [1…9] This  specifies  the  wa y  that  the  vol um e  and/or  tone ?[…]
Page 76: Korg PS60

Global 72 overall  sound,  or  to  back  off  the  high  range  to  soften  the  sound. Memor y Protect Progra m [O ff , On ] This  setting  prote cts  the  internal  program  memory . On:  Internal  program  memory  will  be  protected,  and  the  following  write […]
Page 77: Korg PS60

Basic/MIDI Controllers 73 PostMIDI:  Ve l o c i t y  Curve,  aftertouch  Curve,  and  T ranspos e  will  be  applied  to  da ta  before  it  enters  the  tone  genera tor . This  means  that  th e  V elocity  Curv e,  aftertouch  Curve,  and  T ranspose  settings  w[…]
Page 78: Korg PS60

Global 74 Cont rollers JS Lock [X, Y , +Y , — Y , XY ] Yo u  ca n  switch  the  joystick  betw een  Lock  an d  Unlock  states  (the  LED  wil l  light  when  the  joystick  is  locked). If  you  turn  the  Lock  function  on  while  usi ng  th e  jo ystick,  the[…]
Page 79: Korg PS60

User Scale 75 U ser Sc ale Here,  you  can  select  the  settings  for  four  differen t  User  Octave  Scales  and  one  User  All  Notes  Scale. The  user  scales  you  create  here  can  be  sele cted  from  the  fo l ‐ lowing  pages. •P e r f :  Timbre[…]
Page 80: Korg PS60

Global 76 Catego r y Programs  are  organized  into  sub ‐ categories. Yo u  can  assign  a  Program  to  a  category  and  sub ‐ catego ry  during  the  utility  command  Wr i t e  process.  To  save  changes  to  sub ‐ category  names,  you ’ll  need  to ?[…]
Page 81: Korg PS60

UTILITY Command 77 UTILITY C ommand Proc edure for utility c ommands 1. Click  the  UTILITY  button ,  and  choose  a  co mmand  from  the  menu  that  appears. 2. Adjust  the  settings  in  the  dialog  box. For  details  on  the  conten ts  of  each  dialog  box,  re[…]
Page 82: Korg PS60

Global 78[…]
Page 83: Korg PS60

79 Effec t Gu ide Ov ervi ew The  PS60 ʹ s  effects  co nsist  of  one  insert  effect  fo r  the  program  of  each  timbre  (except  for  the  Strings  ti mbre),  two  master  effects  use d  by  the  entire  perfor mance,  and  EQ  settings. Yo u  ca n […]
Page 84: Korg PS60

Effec t Gui de 80 Effect swi tch •I n  th e  Global  page,  yo u  can  switch  effect s  on/off  as  a  whole  for  the  performance  or  program.  This  is  useful  when  you  wan t  to  use  an  ou tboard  effect  processor  to  apply  an  effect […]
Page 85: Korg PS60

Inser t Effec ts (IFX) 81 Synchronizing LFOs Most  effe cts  with  LFOs,  such  as  S11:  St.W ah,  can  be  synchro ‐ nized  to  tempo.  This  applies  to  th e  individual  effects  LFOs.  To  set  up  LFOs  to  synchronize  to  tempo:  1. Set  “MIDI  Sy[…]
Page 86: Korg PS60

Effec t Gui de 82 Yo u  ca n  also  use  “Effect  SW”  to  turn  IFX  on  and  off.  This  MIDI  control  is  performed  on  the  global  MIDI  channel  (page  72) .  (See  “Effect  SW ”  on  page  49  of  the  Owner ’ s  manual) Mix er For […]
Page 87: Korg PS60

IFX (Insert effec ts) List 000: No Effect 83 IFX (Inser t effects) List 000: No Effect Select  this  opti on  when  you  do  not  use  any  effects.  The  Insert  Effect  sec tion  outputs  unprocessed  signals  an d  the  Master  Effect  section  mutes  the  output. 001: St.C […]
Page 88: Korg PS60

Effect Guide 84 003:St. Limitr (Stereo Limiter) The  Limiter  regulates  the  input  signal  level.  It  is  similar  to  the  Compressor ,  except  that  the  Limiter  compresses  only  signals  that  ex ceed  the  specified  lev el  to  lower  unnecessary  peak ?[…]
Page 89: Korg PS60

IFX (Inser t effects) List 004: MulLimitr (Multiband Limiter) 85 T rigger Monitor Tu r n i n g  this  pa rameter  On  will  cause  the  trigger  signal  to  be  output,  ins tead  of  th e  effect  sound.  Us e  this  parameter  to  check  the  trigger  signal  with  EQ ?[…]
Page 90: Korg PS60

Effect Guide 86 Thre sh old Attack Release “Threshold”  spec ifies  the  level  where  gating  occurs  when  “Envelope  Selec t”  is  set  to  L/R  Mix,  L  Only ,  or  R  Only . “A t t a c k ”  and  “Relea se”  specify  th e  attack  time  and  release[…]
Page 91: Korg PS60

IFX (Insert ef fects) List 008: St.G7EQ (Stereo Graphic 7-Band EQ) 87 Q These  parameters  set  the  bandwidth  of  ea ch  equalize r .  The  higher  the  val u e ,  the  narrower  the  band  becomes. Band2 Dynamic Gain Source Amount [dB] Yo u  ca n  control  the  gain  of  Ba nd […]
Page 92: Korg PS60

Effect Guide 88 Exciter Blend This  parameter  sets  the  de pth  (inten sity)  of  the  Exciter  effect.  Po s it i v e  va l ue s  give  a  frequency  pattern  (t o  be  emphas ized)  different  from  negative  va lu e s . Emphasis Fr eq This  parameter  sets  the  freq[…]
Page 93: Korg PS60

IFX (Insert effects) List 012: St.VtgW ah (Stereo Vintage/C ustom Wah) 89 Frequency Bottom Frequency T op The  sweep  width  an d  direction  of  the  wa h  filter  are  determined  by  the  “Frequency  To p ”  and  “Frequency  Bottom”  se ttings. Sw eep Mode This  parameter  chang[…]
Page 94: Korg PS60

Effect Guide 90 Shape This  parameter  specifies  the  sw eep  curve  of  the  wah .  It  applies  to  all  control  via  auto ‐ wah ,  modulation  source,  and  LFO,  and  lets  you  adjust  subtle  nuances  of  the  wa h  effect. Mode Frequency Bottom Frequen[…]
Page 95: Korg PS60

IFX (Inser t effects) List 014: St.R ndFlt (Stereo Random Filter) 91 Phase [deg] Offsetting  the  left  and  right  phases  alters  how  modulation  is  applied  to  the  left  and  right  chan nels,  creating  a  swelling  affect. LFO W aveform LFO Freq [Hz] Step F req [Hz] When  “LF[…]
Page 96: Korg PS60

Effect Guide 92 016: St.SubOsc (Stereo Sub Oscillator) This  effe ct  adds  ve ry  low  freque ncies  to  the  input  signal.  It  is  very  useful  when  simulating  emphasizing  powerful  low  range.  This  effect  is  different  from  the  equalizer  in  that […]
Page 97: Korg PS60

IFX (In ser t effects ) List 018: St.Deci mt (Stereo Deci mator) 93 Vo i c e Top V oice Center V oice Bottom These  parameters  assign  vowels  to  the  top,  center ,  and  bottom  position  of  the  con troller . E.g.:  When  “V oice  T op”=A,  “V oi ce  Center ”=I,  and  “V oi[…]
Page 98: Korg PS60

Effect Guide 94 019: St. Record (Stereo Analo g Recor d) This  effect  simulat es  the  noise  caused  by  scratches  and  dust  on  analog  records.  It  also  reproduces  some  of  the  modulation  caused  by  a  wa r pe d  turntable. Flutter This  parameter  enables ?[…]
Page 99: Korg PS60

IFX (Insert ef fects) List 021: St.Gt Cab (Stereo Guitar Cabinet) 95 Wa h The  Wa h  parame ter  switches  the  wah  effect  on/off. Swit ch M od e This  parameter  sets  how  the  wa h  effect  is  switched  on  and  off  via  the  modulation  source. When  “Switch  Mode” […]
Page 100: Korg PS60

Effect Guide 96 022: St.Bs C ab (Stereo Bass Cabin et) This  simulates  the  acoustica l  character  of  a  bass  amp’ s  speaker  cabinet. 023: Bass Amp This  simulates  a  bass  amp. F ull parameter Quick parameter V alue Explanation T r im 0…100 Sets t he input level Cabine t Type Cab Selects the cab[…]
Page 101: Korg PS60

IFX (Inser t effects) List 025: T rebleBST ( T reble Booster) 97 024: B.Amp C ab (Bass Amp Model+Cabinet) This  simulates  a  bass  amp  and  speaker  cabinet. Amp T ype Cabinet T ype Recommended Co mbinations of Bass Amp Models and Cabinet s: 025: T rebleBST ( T reble Booster) This  effect  models  a  famous  bo[…]
Page 102: Korg PS60

Effect Guide 98 026: T ube Pre ( T ube PreAmp Modeling) This  effect  simulat es  a  two ‐ stage  vac u u m  tube  preamp.  Yo u  can  make  individual  setti n gs  for  two  vac u u m  tubes  connected  in  series.  This  lets  you  create  the  wa r m  sound  typic[…]
Page 103: Korg PS60

IFX (Inser t effects) List 029: Stereo Phaser 99 Mic Position This  expresses  the  effec t  that  the  mic  position  has  on  the  sound.  The  Close  set ting  is  the  closest  mic  position,  and  the  Far  setting  is  the  farthest. 029: Stereo Phaser This  effe[…]
Page 104: Korg PS60

Effect Guide 100 031: OrangePhs ( Orange Phaser) This  models  a  standard  model  of  analog  phaser  that  achieved  great  popularity .  It  gives  a  sense  of  mov ement  to  electric  piano  sounds,  adding  a  rich ‐ sounding  phase  shift  effect. 032: BlackP[…]
Page 105: Korg PS60

IFX (Insert effec ts) List 035: St.EnvPhs (Stereo En velope Phaser) 101 035: St.En vPhs (Stereo En velope Phaser) This  stereo  phaser  uses  an  envelope  generator  for  modulation.  Yo u  will  obtain  the  same  pattern  of  phasing  each  tim e  you  play .  Yo u  can  also ?[…]
Page 106: Korg PS60

Effect Guide 102 Con t rol M od e V oice 1 Resonance V oice 2 Resonance This  parameter  determines  the  resonance  intensit y . When  “Con trol  Mode ”  =  Manual,  the  “Resonance”  parameter  sets  the  inte nsity  of  resonance.  If  the  “Re sonance”  parameter  has[…]
Page 107: Korg PS60

IFX (Insert effects) List 038: TEX T reml (TEXTREM) 103 LFO W aveform This  parameter  sets  the  basic  shape  of  the  LFO.  The  V i ntage  wav ef o r m  models  classic  guitar ‐ amp  tremolo.  LFO Phase [deg] This  parameter  determines  the  difference  between  the  left […]
Page 108: Korg PS60

Effect Guide 104 0 40 : St .Au t Pan (S te r eo Au to Pa n) This  is  a  stereo ‐ in,  stereo ‐ out  auto ‐ panner .  The  Phase  and  Shape  parameters  lets  you  create  var i o us  panning  effects,  such  as  making  the  left  and  right  inputs  seem  to  […]
Page 109: Korg PS60

IFX (Insert ef fects) List 042: St.Ring M (Stereo Ring Modulator) 105 Ty p e LFO Phase [deg] Select  the  type  of  phaser  LFO  and  tremolo  LFO  for  the  “T ype”  parameter .  How  the  effect  sound  moves  or  rotates  depends  on  th e  type  of  LFO.  Selectin[…]
Page 110: Korg PS60

Effect Guide 106 Fixe d Fr eq [H z ] This  parameter  sets  the  oscillator  freque ncy  when  “OSC  Mode”  is  set  to  Fixed. Note Offset Note Fine These  parameters  for  the  oscillator  are  used  when  “OSC  Mode”  is  set  to  Note  (Key  Follow).  Th[…]
Page 111: Korg PS60

IFX (Insert effects) List 045: P4EQ -Phaser (Par ametric 4- Band EQ — Phaser) 107 045: P4EQ-Phaser (Par ametric 4- Band EQ — Phaser) This  effect  combines  a  mono  four ‐ band  parametric  equalizer  and  a  phaser . Output Mode Routing When  We t  Invert  is  selected,  the  right  channel […]
Page 112: Korg PS60

Effect Guide 108 047: Co mp-Amp (C ompressor — Amp Simulation) This  effect  co mbines  a  mono  compressor  and  an  amp  simulation.  Yo u  can  change  the  order  of  the  effec ts. 048: C omp- OD ( Compressor — Overdriv e/Hi.G ain) This  effect  combines  a  mono  compressor […]
Page 113: Korg PS60

IFX (Insert effects) List 049: Comp-P4EQ (Compr essor — Parametric 4-Band EQ ) 109 049: C omp -P4EQ ( Compressor — Pa ra m e t ri c 4 — B a n d EQ) This  effect  combines  a  mono  compressor  and  a  four ‐ band  parametric  equalizer .  Yo u  can  change  the  order  of  the  effects. 050: C[…]
Page 114: Korg PS60

Effect Guide 110 051: Lmtr-P4EQ (Limiter — Pa ra m e t r ic 4 — B a n d EQ) This  effect  co mbines  a  mono  limiter  and  a  four ‐ band  parametric  equalizer .  Yo u  can  change  the  order  of  the  effects. Rati o Threshold [dB] Gain Adjust [dB] This  parameter  sets  the  s[…]
Page 115: Korg PS60

IFX (Inser t effects) List 053: Xctr- Comp (Ex citer — Compressor) 111 053: X ctr- Comp (Ex citer — C ompressor) This  effect  combines  a  mono  exciter  and  a  compressor .  Yo u  can  change  the  order  of  the  effects. 054: Xctr- Lmtr (Ex citer — Limiter) This  effect  combines  a  […]
Page 116: Korg PS60

Effect Guide 112 055: Xctr- Phsr (Ex citer — Phaser) This  effect  co mbines  a  mono  limiter  and  a  phaser . 056: OD-Amp ( Overdr ive/Hi.Gain — Amp Simulation) This  effect  combines  a  mono  overdriv e/h igh ‐ gain  distortion  and  an  amp  simulation.  Yo u  can  change  th[…]
Page 117: Korg PS60

IFX (Insert effects) List 058: Wah-Amp (W ah — Amp Simulation) 113 057: OD-Phsr (Overdriv e/Hi.G ain — Phaser) This  effect  combines  a  mono  ov erdrive/high ‐ gain  distortio n  and  a  phaser .  Yo u  can  change  th e  order  of  the  effects. 058: W ah-Amp (W ah — Amp Simulation) This  e[…]
Page 118: Korg PS60

Effect Guide 114 059: Deci-Amp (Decimator — Amp Simulation) This  effect  co mbines  a  mono  decimator  and  an  amp  simulation.  Yo u  can  change  the  order  of  the  effec ts. 060: Deci-Comp (Decima tor — Com p re s so r ) This  effect  combines  a  mono  decimato r  and […]
Page 119: Korg PS60

IFX (Insert effec ts) List 061: Amp- Trml ( Amp Simulation- T remolo) 115 061: Amp — T rml (Amp Simula tion- Tr e m o l o ) This  effect  combines  a  mono  amp  simulation  and  a  tremolo. 062: Organ V ib/Chorus (Organ Vi b r a t o / C h or u s) This  effect  simulates  the  chorus  and  vibrato  ci[…]
Page 120: Korg PS60

Effect Guide 116 Con t rol M od e Preset T ype Cus to m M ix Cus to m De p th Custom Speed If  Control  Mode=Preset,  you  can  use  Preset  Ty p e  to  select  the  effect.  In  this  case ,  the  Custom  Mix/Depth/Speed  settings  are  ignored.  If  Control  Mode=Custom,  the[…]
Page 121: Korg PS60

MFX1 (Mod.) (Master Effect1–Modulation) List No Effect 117 MFX1 (Mod.) (Mast e r Effect1–Modulation) List No Effec t Select  this  if  you  don ʹ t  wa nt  to  use  an  effec t.  If  selected  for  a  master  effe ct,  the  output  will  be  muted. St.C horus (Stereo C horus) This […]
Page 122: Korg PS60

Effect Guide 118 St.Phaser (Ster eo Phaser) This  effect  cre ates  modulation  by  shiftin g  the  phase  of  the  sound.  It  is  effective  when  applied  to  sounds  such  as  electric  piano.  This  is  a  stereo  effe ct,  in  which  opposite ‐ phase  […]
Page 123: Korg PS60

MFX2 (Rvb/Dly) (Master Effect2–Revreb/Delay) List No Effect 119 MFX2 (Rvb/Dly) (Master Ef fec t2–Revreb/Delay) List No Effec t Choose  th is  if  yo u  don ʹ t  wa nt  to  use  an  effect.  Wh en  selected  for  the  master  effect,  this  mutes  the  out put. Hall This  is  a  […]
Page 124: Korg PS60

Effect Guide 120 EQ (Equalizer) EQ Choose  this  if  yo u  don ʹ t  wa nt  to  use  an  effe ct.  When  selected  for  the  master  effect,  this  mutes  the  output. F ull parameter Quick parameter V alue Explanation Tr i m ← 0…100 Input le vel Bass Gain [dB] BassGain –18.0…+18.0 Lo[…]
Page 125: Korg PS60

121 App endices Alterna te Modula tion Sourc e ( AMS) Alternate Modula tion Overview Alter nate Mo dulat ion S ource s Alternate  Modulation  lets  you  use  controller s,  envelopes,  LFOs,  etc.  to  modulat e  Program  parameters.  Yo u  can  use  one  controller  to  modulate  multiple[…]
Page 126: Korg PS60

Appe ndices 122 JS X This  is  the  horizontal  movement  of  the  main  joystick.  It  also  receives  MIDI  Pitch bend. JS+Y : CC#01 This  is  the  ver t ic al  movement  of  the  main  joystick,  upwards  from  the  center .  It  also  receiv es  MIDI  CC#0[…]
Page 127: Korg PS60

Alternate Modulatio n So urce (AMS) Alternate Modulation settings 123 AMS operations and their result Notes for the table *1 EXT(+–):  JS  X,  Ribbon:CC#16,  Knob  Mod1  (CC#17),  Knob  Mod2  (CC#19),  Knob  Mod3  (CC#20),  Knob  Mod4  (CC#21) *2 When  Te m p o  is  selected  as  an  […]
Page 128: Korg PS60

Appe ndices 124 The eff ect s of AMS on various param- eters, and example applications We ’ l l  describe  some  examples  of  using  alternate  modula ‐ tion. Note:  The  parameter  names  and  va lu e s  used  in  these  expla ‐ nations  can  be  viewed  and  edited  in  m[…]
Page 129: Korg PS60

Alternate Modulatio n So urce (AMS) Alternate Modulation settings 125 Filter LFO1/2 Intensity (p age 41) The  LFO  1/2  filter  modulation  intensity  can  be  controlled  by  the  EG,  Common  LFO,  keyboa rd  tracking,  controller ,  or  tempo  etc.  Yo u  can  use  Intensity ?[…]
Page 130: Korg PS60

Appe ndices 126 LFO Frequency (page 51) The  frequency  of  LFO  1,  2  or  Common  LFO  can  be  con ‐ trolled  by  the  EG,  keyboard  tracking,  controllers,  or  tempo  etc.  Yo u  can  also  use  the  LFO2  frequency  to  modulate  LFO1,  or  use […]
Page 131: Korg PS60

Dynamic Modulation Sour ce (Dmod) Alternate Modulation settings 127 Dynamic Modulation Sourc e (Dmod) Yo u  ca n  control  certain  effect  parameters  using  the  joystick,  realtime  control  knobs,  etc.  “on  the  fly .”  For  progra ms  of  the  Organ  category ,  yo u  c[…]
Page 132: Korg PS60

Appe ndices 128 Gate2, Gate2+D mpr (Gate2 , Gate2+ Dampe r) This  is  essentiall y  the  same  as  for  Gate  1  or  Gate  1  +  Dmpr .  Howe ver  when  Gate  2  or  Gate  2  +  Damper  are  us ed  as  a  dynamic  modula tion  source  for  the  EG  of[…]
Page 133: Korg PS60

Foot Pedal Assign Alternate Modulation settings 129 F oot Pedal Assign Here  you  can  specify  the  function  that  will  be  controlled  by  an  assignable  pedal  (separately  sold  XVP ‐ 10,  EXP ‐ 2)  con ‐ nected  to  the  DAMPER/P EDAL/SW1  or  PEDAL/ SW2  jack. ?[…]
Page 134: Korg PS60

Appe ndices 130 MIDI transmission when the PS60’ s controllers ar e used The  following  tables  show  the  relation  be twee n  the  MIDI  messages  that  are  transmitted  when  the  PS60’ s  controllers  are  used,  and  the  AMS  (alternate  modulation  source)  or ?[…]
Page 135: Korg PS60

PS60 and MIDI CCs Response s to standard MIDI controllers 131 PS60 and MIDI C Cs Responses to standar d MIDI controll ers The  followin g  table  shows  how  the  PS60  responds  to  MIDI  control  change  messages,  and  the  relation  betwee n  settings  and  controller  mo veme nts  […]
Page 136: Korg PS60

Appe ndices 132 *1 Bank  select  messages  are  normally  specified  as  program  change  ev ents.  Howev er  in  some  cases  this  will  be  insuffi ‐ cient  when  you  wish  to  change  banks  on  an  external  device.  In  such  cases,  you  can ?[…]
Page 137: Korg PS60

PS60 and MIDI CCs Parameters controlled by MIDI CCs #70-79 133 P arameters c ontrolled b y MIDI C Cs #70-79 CC#70–79  correspond  to  the  P S60’ s  program  parameters  listed  below . When  a  performance  receiv es  CC#70–79  messages  for  a  tim ‐ bre  whose  MIDI  channel  ma[…]
Page 138: Korg PS60

Appe ndices 134 MIDI applications About MIDI MIDI  stands  for  Mu sical  Instrument  Digital  Interface,  and  is  a  wor ld ‐ wide  standard  for  exchanging  var i o u s  types  of  musical  data  betw een  electronic  musical  instruments  and  computers.  When  MID[…]
Page 139: Korg PS60

MIDI applications Messages tr ansmitted and received by the PS60 135 •I n  Performance,  transmission/reception  can  be  switched  on/off  for  each  timbre.  Switching per formanc es Yo u  ca n  use  program  change  messages  to  switch  perfor ‐ mances. • Performances  000–019 […]
Page 140: Korg PS60

Appe ndices 136 C ontrolling por tamento Portamento tim e (C C#05) [Bn, 05, vv] If  you  assign  the  above  CC#  to  an  assi gnable  pedal  on  the  PS60  and  use  it,  portamento  time  messages  will  be  transmit ‐ ted,  changing  the  ti me  over  wh ich  the […]
Page 141: Korg PS60

MIDI applications Messages tr ansmitted and received by the PS60 137 Using v a rious contr ollers Here  we  will  explain  typical  ways  to  use  th e  var io u s  co n ‐ trollers.  Y Foot pedal (C C#04) [B n, 04, vv ] If  the  CC#  above  is  assigned  as  the  Assignable  Peda l  f[…]
Page 142: Korg PS60

Appe ndices 138 Resetting all contr o lle rs on a specific channel Reset all contr ollers (C C#121) [Bn, 79, 00] (value 00) When  this  is  receiv ed,  the  va l ue  of  all  controllers  on  that  channel  w ill  be  reset.  How ever ,  notes  that  are  playing  at  the  time  t[…]
Page 143: Korg PS60

MIDI applications Messages tr ansmitted and received by the PS60 139 Inquir y message re quest [F0, 7E, nn, 06, 01, F7] Inquiry message [F0, 7E, nn, 06, 02, (nine byt es), F7] When  an  inquiry  message  request  is  received,  the  PS60  will  respond  by  transmitting  an  inquiry  message  that […]
Page 144: Korg PS60

Appe ndices 140 Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1 1 . TR ANS MI TTE D DA TA 1-1 CHA NNE L ME SSA GES [H] :Hex, [D] :Decimal |Status| Second Third | Description ( Transmitted by ….) |ENA | |[Hex] | [H][D] [H][D] | | | | 8n kk (kk) 40 (64) | Note Off ( Key Off ) *1| A | | 9n kk (kk) vv (vv[…]
Page 145: Korg PS60

MIDI Implemen tation 141 1 1 -2 SYSTEM REALTIME MESSAGES Status[Hex] Description ( Transmitted when … ) F8 Timing Clock ( Always in Performance/Prog Edit) *3 FE Active Sensing ( Always ) *4 *3 Transmits these messages when MIDI Clock in Global mode is Internal. *4 Transmits these messages when MIDI Clock in Global mode is External. 1 1 -3 SYSTEM […]
Page 146: Korg PS60

Appe ndices 142 2 2 .RECOGNIZED RECEIVE DATA 2-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal |[Hex] | [H][D] [H][D] | | | Status Second | Third | Description ( Use ….. ) |ENA | [Hex] [H] [D] | [H] [D] | 8n kk (kk)| xx (xx) | Note Off A | 9n kk (kk)| 00 (00) | Note Off A | 9n kk (kk)| vv (vv) | Note On (vv) = 1-127 A | An kk (kk)| vv (vv) | Poly Key P[…]
Page 147: Korg PS60

MIDI Implemen tation 143 AMS : Alternate Modulation Source FX Dmod Src : Effect Dynamic Modulation Source n : MIDI Channel No. (0 — 15) •••••• Usually Global Channel. When in Performance, each timbre’s channel.(Status is INT) g : Always Global Channel No. (0 — 15) x : Random ENA T : Enabled when Enable After Touch in Global mode is[…]
Page 148: Korg PS60

Appe ndices 144 4015-2 Y anokuchi, Inagi-city, T ok yo 206-0812 Japan © 2010 K ORG INC. IMPORT ANT NO TICE TO C ONSUMERS This  product  has  been  manufactured  ac cording  to  strict  specifications  and  voltage  requirements  that  are  applicab le  in  the  country  in  which  it  […]

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Summary of Contents for Korg PS60

Page 2: Precautions

Page 3: Main Features Of The Ps60

Page 4: Table Of Contents

Page 5: Connecting Speakers Or Headphones

Page 6: About The Ps60’S Panel

Page 8: Selecting A Timbre (Sound)

Page 9: Layering Multiple Sounds (Layer)

Page 10: Splitting The Keyboard And Assigning Sounds (Split)

Page 12: Using Controllers

Page 13: Switching The Rotary Speaker Simulator Between Slow/Fast

Page 14: Using The Performance Controls To Adjust The Sound

Page 15: Master Effect And Equalizer (Eq)

Page 16: Storing A Performance

Page 17: Recalling A Performance

Page 18: Detailed Sound Editing And Settings (Edit)

Page 20: Specifications (Condensed)

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