Mackie 1604 vlz pro инструкция на русском

1604-VLZ PRO

16-CHANNEL

MIC/LINE MIXER

OWNER’S MANUAL

16

15

14

13

12

11

10

9

8

7

6

5

4

3

2

1

PAN

AUX

3

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

EQ

5

4

6

5/6

SHIFT

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

TRIM

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

SOLO

L —   R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRACK

8

TRACK

7

TRACK

6

TRACK

5

TRACK

4

TRACK

3

TRACK

2

TRACK

1

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

+15

-15

U

+15

-15

800

2k

200

8k

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

1

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

2

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

3

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

4

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

5

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

6

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

7

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

8

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

9

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

10

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

11

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

12

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

MID

MID

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

13

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

14

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

15

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

16

MUTE

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

U

U

U

U

U

U

U

U

U

U

U

U

U

U

U

U

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

AUX

SEND

STEREO AUX RETURN

EFFECTS TO

MONITORS

TO AUX

SEND 2

TO AUX

SEND 1

1

2

PWR

PHAN

SOLO

SOLO

1

2

1

2

3

4

1

2

C-R / PHNS

ONLY

RETURNS

SOLO

MAIN MIX

TO SUBS

ASSIGN OPTIONS

1–2

3–4

U

O

O

+20

U

O

O

+20

U

O

O

+15

U

O

O

+15

U

O

O

+20

U

O

O

+20

U

O

O

+10

U

O

O

+10

LEFT RIGHT

PHONES

LAMP

12V

0.5A

TAPE IN

SOLO

RUDE

SOLO

LIGHT

CTL ROOM / PHONES

SUBS 3–4

SUBS 1–2

MAIN MIX

CTL ROOM

SOURCE

TAPE

TAPE TO

MAIN MIX

MAIN

MIX

RIGHT

1

2

3

4

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

28

10

7

4 

2

2

0

4

7

10

20

30

ASSIGN TO MAIN MIX

LEVEL

SET

MODE

 (AFL)

LEVEL SET

NORMAL

(PFL)

U

O

O

+20

O

O

O

O

MAX

0 dB=0 dBu

MAX

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

1604-VLZ PRO

16-CHANNEL MIC/ LINE MIXER

WITH PREMIUM XDR

TM

 MIC PREAMPLIFIERS

1604-VLZ PRO

16-CHANNEL MIC/ LINE MIXER

WITH PREMIUM XDR

TM

 MIC PREAMPLIFIERS

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

4

3

2

1

INSERT

INSERT

INSERT

LINE

INSERT

MIC 4

MIC 3

MIC 2

MIC 1

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

LINE

LINE

LINE

O

O

+6

PHANTOM

ON

POWER

ON

    120 VAC 50/60 Hz 20W

1A/250V SLO-BLO

16

15

14

13

12

11

10

9

8

7

6

5

MIC 16

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

MIC 15

MIC 14

MIC 13

MIC 12

MIC 11

MIC 10

MIC 9

MIC 8

MIC 7

MIC 6

MIC 5

SUB OUT

C-R OUT

MAIN INSERT

(TIP SEND

RING RETURN)

TAPE

TAPE

MAIN OUT

AUX SEND

DIRECT OUT

AUX RETURN

3

R

L

MONO

R

R

R

R

L

R

L

R

L

R

L

L

L

L

1

4

2

5

1

2

3

4

3

1

6

4

2

7

5

3

8

6

4

1

2

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

INPUT

OUTPUT

R

L

(MONO)

(MONO)

(MONO)

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

TO REDUCE THE  RISK OF

FIRE REPLACE WITH SAME 

TYPE FUSE AND RATING

CAUTION:

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR  REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: «MACKIE», «VLZ», «XDR», AND THE «RUNNING MAN» FIGURE •  US PATENT NUMBER 29/049,129 

XDR

TM

 EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

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N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
R
R
R
R
R
R
R
R
R
R
R
R
R
R
R
R
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
V
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
G
G
G
G
G
G
G
G
G
G
G
G
G
G
G
G
M M M M
M M M M M M M M M
M M M
d d
d d d d d d d d d d
d d d d
1604-VLZ PRO
16-CHANNEL
MIC/LINE MIXER
OWNER’S MANUAL
120 VAC 50/60 Hz 20W POWER

Краткое содержание страницы № 2

12. Damage Requiring Service — This Mackie product should be serviced only by qualified service personnel when: CAUTION AVIS RISK OF ELECTRIC SHOCK A. The power-supply cord or the plug has been damaged; or DO NOT OPEN B. Objects have fallen, or liquid has spilled into this Mackie RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR product; or CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK C. This Mackie product has been exposed to rain; or DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE D.

Краткое содержание страницы № 3

READ THIS PAGE!!! We realize that you must have a powerful Other Nuggets of Wisdom hankerin’ to try out your new 1604-VLZPRO. Or For optimum sonic performance, the channel you might be one of those people who never faders and the MAIN MIX fader should be set near reads manuals. Either way, all we ask is that the “U” (unity gain) markings. you read this page NOW, and the rest can wait Always turn the MAIN MIX fader and CTL until you’re good and ready. But do read it — ROOM/PHONES knob down befo

Краткое содержание страницы № 4

N N N N N N N N N N N N N N N N E E E E E E E E E E E E E E E E I I I I I I I I I I I I I I I I R R R R R R R R R R R R R R R R V V V V V V V V V V V V V V V V P P P P P P P P P P P P P P P P A A A A A A A A A A A A A A A A C C C C C C C C C C C C C C C C B B B B B B B B B B B B B B B B I I I I I I I I I I I I I I I I G G G G G G G G G G G G G G G G M M M M M M M M M M M M M M M M d d d d d d d d d d d d d d d d INTRODUCTION Thank you for choosing a Mackie Designs pro- Whenever a specific 1604

Краткое содержание страницы № 5

CONTENTS LEVEL-SETTING PROCEDURE ………………………. 3 PRE ……………………………………………….. 21 INSTANT MIXING …………………………………….. 3 5/6 SHIFT ………………………………………. 21 HOOKUP DIAGRAMS ………………………………… 6 OUTPUT SECTION DESCRIPTION ………………… 22 CONVERTING TO RACKMOUNT MODE ………….. 9 MAIN MIX FADER ……………………………… 22 PATCHBAY DESCRIPTION ………………

Краткое содержание страницы № 6

HOOKUP DIAGRAMS out in out in FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 Stereo Power Amplifier 1604-VLZ PRO 8-Track Tracking 6 Studio Monitors PWR OL PWR OL HIGH RESOLUTION ON HIGH RESOLUTION ON STUDIO MONITOR OFF STUDIO MONITOR OFF Keyboard, or other line-level input Cassette or DAT Stereo EQ w/Compressor Bass Preamp Drum Guitar Effects Machine L L 12 3 4 16 15 14 13 12 11 10 9 8 7 6 5 4 3 R L R L R L R R STEREO MONO 21 PHONES SUB OUTS C/R OUT TAPE TAPE MAIN MAIN O

Краткое содержание страницы № 7

1604-VLZ PRO Stereo P.A. 7 r k e c d a r r o t Left PA Speaker Right PA Speaker Keyboard, or other line-level input Stereo EQ Keyboard, or other line-level input Stereo Compressor FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Optional Live Recording Drum Guitar Effects CH CH 1 2 Machine Stereo Power Amplifier CD Player NOTE: for mono PA, use mono output to feed FOH. L L 12 16 15 14 13 12 11 10 9 8 7 6 5 3 4 R L R L R L R R STEREO MONO 4 3 21 PHONES SUB OUTS C/R OUT TAPE TAPE MA

Краткое содержание страницы № 8

1604-VLZ PRO Video Setup 8 out Video Deck Video Deck Studio Monitors Video Deck PWR OL PWR OL ON ON HIGH RESOLUTION HIGH RESOLUTION STUDIO MONITOR OFF STUDIO MONITOR OFF Multi-VCR Video Switcher with Time Code CD Player Interface Computer in with Audio Card FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Keyboard, or other line-level input Sampler CH CH 1 2 Stereo Power Amplifier Master Video L L 12 16 15 14 13 12 11 10 9 8 7 6 5 4 3 3 4 R L R L R L R R STEREO MONO 21 PHONES SUB OU

Краткое содержание страницы № 9

CONVERTING TO RACKMOUNT MODE Not only is the new 1604-VLZPRO a compact, An optional accessory called the ROTOPOD- professional-quality tabletop mixer, it’s rack- VLZ is available and can be used in desktop or mountable! Its unique rotating input pod rackmount installations. It will put the patchbay makes this possible. jacks on the same plane as all the knobs, buttons and One of the things that revolutionized the compact faders. This is a lifesaver in applications that demand mixer industry w

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E E E E E E E E E E E E E E E E R R R R R R R R R R R R R R R R P P P P P P P P P P P P P P P P C C C C C C C C C C C C C C C C I I I I I I I I I I I I I I I I M M M M M M M M M M M M M M M M PATCHBAY DESCRIPTION At the risk of stating the obvious, this is and noise. You can plug in almost any kind of where you plug everything in: microphones, mic that has a standard XLR-type male mic line-level instruments and effects, and the ulti- connector. Always be sure to perform the mate destination for

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N I V A B G d LINE INPUTS This 15dB of attenuation can be very handy TRIM 1 U when you are inserting a signal that is very hot, 1 These /4″ jacks share circuitry (but not or you want to add a lot of EQ gain, or both. 060 phantom power) with the mic preamps. You +15dB -45dB Without this “virtual pad,” a scenario like that AUX can use these inputs for virtually any signal U might lead to channel clipping. you’ll come across, from instrument levels as 1 +15 low as –50dB to operating levels of –10d

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SPLIT MONITORING But let’s not forget that the 1604-VLZ PRO is a 4-bus mixer. These buses lead to the SUB With split monitoring, you use the first eight , and are designed to accomplish the OUTS channels for your sound sources: vocal mics, task of getting channels to the multitrack with- drum mics, keyboard/synth outputs, guitar out using the direct outputs. effects outputs, that sort of thing. From there, For example, a channel is assigned to the channels manipulate the sound, but are SUB O

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E E E E E E E E E E E E E E E E R R R R R R R R R R R R R R R R P P P P P P P P P P P P P P P P C C C C C C C C C C C C C C C C I I I I I I I I I I I I I I I I M M M M M M M M M M M M M M M M 120 VAC 50/60 Hz 20W POWER PHANTOM MAIN OUT MAIN INSERT TAPE TAPE C-R OUT SUB OUT AUX RETURN AUX SEND DIRECT OUT 1A/250V SLO-BLO BAL/UNBAL (TIP SEND INPUT OUTPUT BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL ON ON RING RETURN) L L L 3 1 4 3 2 1 5 3 1 75 3 1 L L L L L L (MONO) (MONO) (MONO) MONO R R

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This method is exactly WARNING: When we say the same as the double- the headphone amp is busing feature found in loud, we’re not kidding. It other mixers. Built-in double can cause permanent ear busing is nothing more than damage. Even intermedi- Y-cords living inside the mixer instead of ate levels may be painfully loud with some hanging out the back. If we had room for the earphones. BE CAREFUL! extra jacks, we would have thrown them in, Always turn the CTL ROOM/PHONES knob but we don’t, so we

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E E E E E E E R R R R R R R P P P P P P P C C C C C C C I I I I I I I M M M M M M M MAIN INSERT ing mono signals to mic inputs like camcorders, telephone interface boxes, even answering 1 These /4″ jacks are for connecting serial machines. With the pot all the way up (fully effects such as compressors, equalizers, de- clockwise), you’ll have 6dB of extra gain with essers, or filters . The INSERT point is after unity gain halfway between the one and two the mix amps, but before the MAIN MIX fade

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E E E E E E E E E E E E E E E E R R R R R R R R R R R R R R R R P P P P P P P P P P P P P P P P C C C C C C C C C C C C C C C C I I I I I I I I I I I I I I I I M M M M M M M M M M M M M M M M POWER SWITCH PHANTOM LED If this one isn’t self-explanatory, we give up. Located right next to the POWER LED in the You can leave this switch on all the time; the output section, this is just to let you know which 1604-VLZ PRO is conservatively designed, so way you have the PHANTOM switch set. If your he

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N I V A B G d CHANNEL STRIP DESCRIPTION The sixteen channel strips look alike and A Clean Fade TRIM 1 U function identically. The only difference is that Faders are not rocket the eight on the left have DIRECT OUT jacks science — they operate by 060 +15dB -45dB and the eight on the right don’t. We’ll start dragging a metal pin (the AUX U at the bottom and work our way up. wiper) across a carbon-based 1 strip (the track). It is possible for airborne +15 U “U” LIKE UNITY GAIN crud to land on th

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N I V A B G d If you’re printing new tracks or bouncing ex- LEVEL SET (PFL) is also the preferred mode for SR (sound reinforcement, or live sound), to isting ones, you’ll also use the 1–2 and 3–4 switches, but not the L–R switch. Here, you preview channels before they are let into the don’t want the subgroups sent back into the mix. It won’t give you stereo placement, but will MAIN MIX, but sent out, via the SUB OUTS give you signal even if the fader is pulled down. TRIM 1 Remember, LEVEL SET (P

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N I V A B G d come on as a result of clipping. That’s pretty CONSTANT LOUDNESS ! ! ! boring. So, to liven things up, this LED will The 1604-VLZ PRO’s MUTE glow steadily when that channel’s PAN controls employ a de- switch is engaged. sign called “Constant If you need a quick reference to these LEDs, Loudness.” It has nothing write this on the back of your hand: to do with living next to a freeway. As you turn name color flickering glowing the PAN knob from left to right (thereby caus- –20 (SO

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N I V A B G d LOW CUT +15 +10 The LOW CUT switch, often referred to as a +5 high pass filter (all depends on how you look at it), cuts bass frequencies below 75Hz at a 0 rate of 18dB per octave. This ain’t no thrown-in –5 TRIM 1 dime-store filter — an 18dB per octave curve U –10 requires an elaborate circuit. Nothing but the –15 060 +15dB -45dB best for you. 20Hz 100Hz 1kHz 10kHz 20kHz AUX U LOW CUT on ev- We recommend that you use +15 1 ery sound source except kick drum, bass guitar, +10 +15

• Mackie 1604-VLZ PRO — page 1

  1 604-VLZ PRO 1 6-CHANNEL MIC / LINE MI XER O WNER ’ S MAN U AL 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 PAN AUX 3 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 EQ 5 4 6 5/6 SHIFT PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE TRIM 12 3 4 5 6 7 8 9 10 1 1 12 1 3 14 15 16 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – …

• Mackie 1604-VLZ PRO — page 2

  2 CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES IN …

• Mackie 1604-VLZ PRO — page 3

  3 Part No. 0006982-90 Rev. A1 06/03 ©2003 Mackie Designs Inc. All Rights Reserved. W e realize that you must have a powerful hankerin’ to try out your new 1604-VLZ PRO. Or you might be one of those people who never reads manuals. Either way , all we ask is that you read this page NOW , and the rest can wait until you’re good and r eady . But d …

• Mackie 1604-VLZ PRO — page 4

  4 PAN AUX 3 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 EQ 5 4 6 5/6 SHIFT PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE TRIM 12 3 4 5 6 7 8 9 10 1 1 12 1 3 14 15 16 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R …

• Mackie 1604-VLZ PRO — page 5

  5 CONTENTS PRE ……………………………………………….. 21 5/6 SHIFT ………………………………………. 21 OUTPUT SECTION DESCRIPTION ………………… 22 MAIN MIX F ADER ……………………………… 22 VLZ MIX ARCHITECTURE ……………………. 22 SUB F ADERS …………………………………….. …

• Mackie 1604-VLZ PRO — page 6

  6 1604-VLZ PR O 8-T rack T racking 8 7 6 5 4 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21 1 2 3 4 R L R R L R L R L R L R 1 2 3 4 5 6 DIRECT OUT BAL/UNBAL CHANNEL INSERTS AUX RETURNS MAIN INSERT C/R OUT BAL/UNBAL MAIN OUT BAL/UNBAL MONO STEREO P HONES OUT AUX SENDS BAL/UNBAL 12 3 4 SUB OUTS BAL/UNBAL CHANNEL INPUTS L L L R L R TAPE OUT TAPE IN 1 6 1 5 1 4 …

• Mackie 1604-VLZ PRO — page 7

  7 1604-VLZ PR O Ster eo P .A. 8 7 6 5 4 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21 1 2 3 4 R L R R L R L R L R L R 1 2 3 4 5 6 CHANNEL INSERTS AUX RETURNS MAIN INSERT MONO STEREO P HONES OUT 12 3 4 CHANNEL INPUTS L L L R L R TAPE OUT TAPE IN 1 6 1 5 1 4 1 3 1 2 1 1 1 0 987654321 3 2 1 DIRECT OUT BAL/UNBAL C/R OUT BAL/UNBAL MAIN OUT BAL/UNBAL AUX SENDS B …

• Mackie 1604-VLZ PRO — page 8

  8 1604-VLZ PR O Video Setup 8 7 6 5 4 3 4 5 6 7 8 9 10 11 12 13 14 15 16 21 1 2 3 4 R L R R L R L R L R L R 1 2 3 4 5 6 CHANNEL INSERTS AUX RETURNS MAIN INSERT MONO STEREO P HONES OUT 12 3 4 CHANNEL INPUTS L L L R L R TAPE OUT TAPE IN 1 6 1 5 1 4 1 3 1 2 1 1 1 0 987654321 3 2 1 DIRECT OUT BAL/UNBAL C/R OUT BAL/UNBAL MAIN OUT BAL/UNBAL AUX SENDS BAL …

• Mackie 1604-VLZ PRO — page 9

  9 CONVER TING TO RACKMOUNT MODE Not only is the new 1604-VLZ PRO a compact, professional-quality tabletop mixer , it’s rack — mountable! Its unique rotating input pod makes this possible. One of the things that revolutionized the compact mixer industry was the “convertible pod” found on the original, cl assic CR-1604. Using an ordi- nary Phil …

• Mackie 1604-VLZ PRO — page 10

  10 UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 4321 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- BAL LINE LINE LINE O O +6 PHANTOM ON POWER ON 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO 16 15 14 13 12 11 10 98765 MIC 1 6 INSERT INSERT INSERT INSERT INSERT I …

• Mackie 1604-VLZ PRO — page 11

  11 LINE INPUTS These 1 / 4 » jacks share circuitry (but not phantom power) with the mic preamps. Y ou can use these inputs for virtually any signal you’ll come across, from instrument levels as low as –50dB to operating levels of –10dBV to +4dBu, as there is 60dB of gain available via the TRIM knob . Always be sure to perform the Level-S …

• Mackie 1604-VLZ PRO — page 12

  12 SPLIT MONITORING W ith split monitoring, you use the first eight channels for your sound sources: vocal mics, drum mics, keyboard/synth outputs, guitar effects outputs, that sort of thing. From there, the channels manipulate the sound, but are not assigned to the output section. Instead, they’re patched from the channel’ s DIRECT OUT jacks t …

• Mackie 1604-VLZ PRO — page 13

  13 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 4 321 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- BAL LINE LINE LINE O O +6 PHANTOM ON POWER ON 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO 16 15 14 13 12 11 10 9 876 5 MIC 1 6 INSERT INSERT INSERT INSERT INS …

• Mackie 1604-VLZ PRO — page 14

  14 This method is exactly the same as the double- busing feature found in other mixers. Built-in double busing is nothing mor e than Y -cords living inside the mixer instead of hanging out the back. If we had room for the extra jacks, we would have thrown them in, but we don’t, so we didn’t. Sonically , ther e is no difference whatsoever . Y -c …

• Mackie 1604-VLZ PRO — page 15

  15 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE O O +6 PHANTOM ON POWER ON 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO 16 15 14 13 12 11 1 MIC 1 6 INSERT INSERT INSERT INSERT INSERT INSERT INSERT MIC 1 5 MIC 1 4 MIC 1 3 MIC 1 2 MIC 1 1 MIC 1 0 C-R OUT MAIN INSERT (TIP SEND RING RETURN) TAPE TAPE MAIN OUT R L MON …

• Mackie 1604-VLZ PRO — page 16

  16 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 432 1 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- BAL LINE LINE LINE O O +6 PHANTOM ON POWER ON 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO 16 15 14 13 12 1 1 10 98765 MIC 1 6 INSERT INSERT INSERT INSERT INSE …

• Mackie 1604-VLZ PRO — page 17

  17 CHANNEL STRIP DESCRIPTION A Clean Fade Faders ar e not rocket science — they operate by dragging a metal pin (the wiper) across a carbon-based strip (the track). It is possible for airborne crud to land on the track. Should that happen, you may hear scratchy noises or signal drop- outs as the wiper stumbles over the crud. Do all you can to kee …

• Mackie 1604-VLZ PRO — page 18

  18 If you’re printing new tracks or bouncing ex- isting ones, you’ll also use the 1–2 and 3–4 switches, but not the L–R switch. Here, you don’t want the subgroups sent back into the MAIN MIX , but sent out, via the SUB OUTS jacks, to your multitrack inputs . However , if you’re printing tracks via the DIRECT OUT jacks , all the channe …

• Mackie 1604-VLZ PRO — page 19

  19 CONST ANT LOUDNESS ! ! ! The 1604-VLZ PRO’s PA N controls employ a de- sign called “Const ant Loudness.” It has not hing to do with living next to a freeway . As you turn the PA N knob from left to right (thereby caus- ing the sound to move from the left to the center to the right), the sound will appear to remain at the same volume (or lo …

• Mackie 1604-VLZ PRO — page 20

  20 20 Hz 100 Hz 1k Hz 10k Hz 20k Hz – 15 – 10 – 5 0 +5 +10 +15 20 Hz 100 Hz 1k Hz 10k Hz 20k Hz – 15 – 10 – 5 0 +5 +10 +15 Most of the root and lower harmonics that define a sound are located in the 100Hz–8kHz frequency range, and you can cr eate drastic changes with these two knobs. Many engineers use MID EQ to cut midrange frequenci …

• Mackie 1604-VLZ PRO — page 21

  21 W e recommend going into a ster eo reverb in mono and returning in ster eo. W e have found that on most “stereo” r everbs, the second input just ties up an extra aux send and adds nothing to the sound. There ar e exceptions, so feel fr ee to try it both ways. Should you choose to use two aux sends, use the “odd” AUX ( 1 , 3 or 5 ) to fee …

• Mackie 1604-VLZ PRO — page 22

  22 AUX SEND STEREO AUX RETURN EFFECTS TO MONITORS TO AUX SEND 2 TO AUX SEND 1 1 2 PWR PHAN SOLO SOLO 1 2 1 2 3 4 1 2 C — R / PHNS ONLY RETURNS SOLO MAIN MIX TO SUBS ASSIGN OPTIONS 1 – 2 3 – 4 U O O +20 U O O +20 U O O +1 5 U O O +1 5 U O O +20 U O O +20 U O O +10 U O O +1 0 LEFT RIGHT PHONES LAMP 12 V 0.5A TAPE IN SOLO RUDE SOLO LIGHT CTL ROOM …

• Mackie 1604-VLZ PRO — page 23

  23 Now you know how to select the signals you want to send to the engineer’s control room and/or phones. From there, these signals all pass through the same level control, aptly named: CTL ROOM/PHONES As you might expect, this knob controls the levels of both the stereo C-R OUTS and PHONES output . The control range is from off through unity gain …

• Mackie 1604-VLZ PRO — page 24

  24 MODE (NORMAL (AFL)/LEVEL SET (PFL)) Y ou may have already seen this, but in case you missed it: The 1604-VLZ PRO’s solo system comes in two flavors: NORMAL (AFL) (sometimes called SIP , or solo-in-place) and LEVEL SET (PFL) (sometimes called PFL, or pr e-fader-listen). In NORMAL (AFL) , the soloed channel’s signal is sent dir ectly to the C- …

• Mackie 1604-VLZ PRO — page 25

  25 METERS The 1604-VLZ PRO’s peak metering system is made up of two columns of twelve LEDs. Decep- tively simple, considering the multitude of signals that can be monitored by it. If nothing is selected in the SOURCE matrix and no channels are in SOLO , t h e meter display will just sit there. T o put them to work, you must make a selection in th …

• Mackie 1604-VLZ PRO — page 26

  26 AUX SENDS SOLO Once again, in a live sound situations AUX SEND 1 and 2 are likely to feed your stage monitors. Y ou’ll want to check the mix you’re sending them, and that’s what these two but- tons are for . ( AUX 3 through AUX 6 have no such switch.) Beside each switch is a gr een LED that, just like the channel’ s –20 LED , helps you …

• Mackie 1604-VLZ PRO — page 27

  27 ( MAIN MIX TO SUBS switch up) and you did a drum fade-out usi ng subgroup faders 1 and 2 , the “dry” signals would fade out, but the “wet” signals would keep on singing. All you would hear is the drum reverb (the “wet”), and none of the original drum signals (the “dry”). That’ s be- cause the reverb is being fed by the channel? …

• Mackie 1604-VLZ PRO — page 28

  28 1604-VLZ PRO BLOCK DIAGRAM MAIN L SUB 3 MAIN R SUB 2 SUB 1 SUB 4 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 SIP L SIP R PFL LOGIC 75Hz HPF MID HI 80 100–8K 12K LO L R 1 2 3 4 SIP L SIP R PFL PHANTOM POWER (GLOBAL SWITCH TRIM MIC IN LINE IN DIRECT OUT (CH’S 1–8 ONLY) INSERT LOW CUT –20 (FLICKER) SOLO (GLOW) OL (FLICKER) MUTE (GLOW) EQ GAIN FR …

• Mackie 1604-VLZ PRO — page 29

  29 GAIN STRUCTURE DIAGRAM +22dBu max in 15dB loss, TRIM down 45dB gain, TRIM up LINE IN, all channels MIC IN, all channels 60dB gain, TRIM up 0dB gain, TRIM down +22dBu max in +15dB up – 15dB down – 15dB down – 15dB down LOW +15dB up MID +15db up HIGH +10dB up FADER PAN – 4dB center EQ MIX 0dB 1/4″ Unbal Out and RCA Tape Out +6dB (1/4& …

• Mackie 1604-VLZ PRO — page 30

  30 SPECIFICA TIONS Main Mix Noise 20Hz–20kHz bandwidth, 1 ⁄ 4 » Main Out, channel Trims @ unity gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right Main Mix fader unity, channel faders down: –86.5dBu (90dB Signal to Noise Ratio, ref +4dBu) Main Mix fader @ unity, channel faders …

• Mackie 1604-VLZ PRO — page 31

  31 SER VICE INFO Details concerning W arranty Service are spelled out on the W arranty Card included with your mixer (if it’s missing, let us know and we’ll rush one to you). If you think your 1604-VLZ PRO has a problem, please do everything you can to confirm it before ca l l- ing for service. Doing so might save you from being deprived of you …

• Mackie 1604-VLZ PRO — page 32

  32 APPENDIX A: CONNECTIONS “XLR” CONNECTORS Mackie mixers use 3-pin female “XLR” con- nectors on all microphone inputs, with pin 1 wired to the grounded (earthed) shield, pin 2 wired to the “high” (”hot” or positive polarity) side of the audio signal and pin 3 wir ed to the “low” (“cold” or negative polarity) side of the sig …

• Mackie 1604-VLZ PRO — page 33

  33 SPECIAL MACKIE CONNECTIONS The balanced-to-unbalanced connection has been anticipated in the wiring of Mackie jacks. A 1 ⁄ 4 » TS plug inserted into a 1 ⁄ 4 » TRS balanced input, for example, will automatically unbalance the input and make all the right connections. Con- versely , a 1 ⁄ 4 » TRS plug inserted into a 1 ⁄ 4 & …

• Mackie 1604-VLZ PRO — page 34

  34 Using the Send Only on an Insert Jack If you insert a TS (mono) 1 ⁄ 4 » plug only partially (to the first click) into a Mackie insert jack, the plug will not activate the jack switch and will not open the insert loop in the circuit (thereby allow- ing the channel signal to continue on its merry way through the mixer). This allows you to t …

• Mackie 1604-VLZ PRO — page 35

  35 TIP (SEND) RING (IN) TIP (OUT) RING (RETURN) TO MIXER CHANNEL INSERT RING (RETURN) TIP (SEND) TO PROCESSOR INPUT FROM PROCESSOR OUTPUT Y-cord insert cable Y-cord splitter cable MUL TS AND “Y”s A mult or “Y” connector allows you to route one output to two or more inputs by simply providing parallel wiring connections. Y ou can make “Y? …

• Mackie 1604-VLZ PRO — page 36

  36 PAN AUX 3 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 EQ 5 4 6 5/6 SHIFT PRE PRE PRE PRE PRE PRE PRE PRE TRIM 12 3 456 78 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 SOLO L — R 3 – 4 1 – 2 OL — 20 OL — 20 O …

• Mackie 1604-VLZ PRO — page 37

  37 UTILISE UN FUSIBLE DE RECHANGE DE M Ê ME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE 4321 INSERT INSERT INSERT LINE INSERT MIC 4 MIC 3 MIC 2 MIC 1 BAL UN- BAL BAL UN- BAL BAL UN- BAL BAL UN- BAL LINE LINE LINE O O +6 PHANTOM ON POWER ON 120 VAC 50/60 Hz 20W 1A/250V SLO-BLO 16 15 14 13 12 11 10 9876 5 MIC 1 6 INSERT INSERT INSERT INSERT INSER …

• Mackie 1604-VLZ PRO — page 38

  38 COLOPHON (Roll credits please) Manual written by Jeff Gilbert, based on a vignette by Ron Koliha, with tidbits borrowed from almost everywhere. Manual then defaced with proofreading pens in the hands of Mackie’s legendary T ech Support staff. Manual composed on a rinky-dink PC using a low-budget word processor , then converted to this amazing …

• Mackie 1604-VLZ PRO — page 39

  39 1604-VLZ PRO LIMITED W ARRANTY 3. Make sure that the problem can be dupli- cated. If you bring your product to an Authorized Service Center and they can’t find anything wrong with it, you may be charged a service fee. 4. If the Mackie Authorized Service Center is located in another city, pack the product in its original shipping carton. More i …

• Mackie 1604-VLZ PRO — page 40

  Mackie Designs Inc. 16220 W ood-Red Road NE • W oodinville, W A 98071 • USA US and Canada: 800.898.3211 Europe , Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 F ax: 425.487.4337 • www .mackie.com E-mail: sales@mackie.com …