Nikon d850 инструкция на русском pdf

• Page 1
  Professional Technical Guide — Useful Features —…

• Page 2: Table Of Contents

  Table of Contents Live View: Pinpoint AF …………4 Focus Stacking (Focus Shift Photography) ….8 • “Focus Shift Shooting” …………..10 • Before Shooting …………….12 • Focus Shift Photography …………..13 • Suggested Settings ……………16 • Choosing the Number of Shots ……….18 • Focus Shift: Tips …………….21 • Before Stacking …………….22 • Some Examples of Focus Stacking ……….23 White Balance Tips and Tricks ……… 25 •…

• Page 3
  Focus Peaking …………..36 Cropping and Zoom …………37 On-Camera Batch NEF (RAW) Processing ….. 38 • The Benefits of On-Camera Processing ……..38 • On-Camera NEF (RAW) Processing ……….39 Auto AF Fine-Tuning …………43…

• Page 4: Live View: Pinpoint Af

  Live View: Pinpoint AF The D850’s live view features a new pinpoint AF-area mode for more precise focus than ever before. Pinpoint AF: The camera focuses precisely on the intended point (in this case, the stamens). Intended focus point (enlarged)

• Page 5
  Follow the steps below to take pictures using pinpoint AF. Before proceeding, we recommend that you mount the camera on a tripod and select single-servo autofocus (AF-S). Start live view.   1  Pinpoint AF is available in live view only. Press the a button to start live view.
• Page 6
  Position the focus point.   3  Use the multi selector or touch controls to position the focus point, or press the center of the multi selector to return the focus point to the center of the frame. Zoom in.   4  For greater accuracy, press the X button to zoom in on the se- lected focus point.
• Page 7
  Live View: Pinpoint AF Touch Controls When using touch controls to position the focus point, note that at default settings, the shut- ter will be released when you lift your finger from the display (“touch shutter”); for more accu- rate focus, tap the touch shutter icon to turn the touch shutter off (X).

• Page 8: Focus Stacking (Focus Shift Photography)

  “Focus stacking” combines photos shot at different focus positions into a single image with increased depth of field. The D850’s new focus shift feature, which automatically varies focus over a series of shots, is used to take photos that will later be combined using focus stacking.

• Page 9
  Focus-Stacking Software Note that The following applications support focus stacking. Nikon neither endorses this software nor guarantees its op- eration. • Adobe: Photoshop CC • Helicon Soft: Helicon Focus • Zerene Systems: Zerene Stacker…

• Page 10: «Focus Shift Shooting

  “Focus Shift Shooting” The Focus shift shooting item in the photo shooting menu is used to adjust settings for focus shift photography. The following op- tions are available: • Start: Start shooting. The camera will change the focus distance by the selected amount with each shot.

• Page 11
  Focus Stacking (Focus Shift Photography) • Starting storage folder: Highlight options and press 2 to select or deselect. Choose New folder to create a new folder for each new focus shift sequence, Reset file num- bering to reset file numbering to 0001 when a new folder is created.

• Page 12: Before Shooting

  Before Shooting Use an AF-S or AF-P lens. After mounting the appropriate lens, choose an exposure mode of A or M so that aperture does not change during shooting (recommended). Once settings have been adjusted to your satisfaction, close the viewfinder eyepiece shutter to prevent light entering via the viewfinder interfering with photographs and expo- sure.

• Page 13: Focus Shift Photography

  Focus Stacking (Focus Shift Photography) Focus Shift Photography Follow the steps below to take photographs using focus shift. Rotate the focus-mode selector to AF.   1  Focus shift is not available with manual focus lenses. Focus.   2  The camera takes a series of shots starting from a se- lected focus position and continuing toward infinity.

• Page 14
  Select Focus shift shooting.   3  In the photo shooting menu, highlight Focus shift shooting and press 2 to display focus shift options. Adjust settings.   4  Adjust settings as described on “Focus Shift Shooting” (page 10). For more information, see “Sug- gested Settings”…
• Page 15
  Focus Stacking (Focus Shift Photography) Start shooting.   5  Highlight Start and press J. Shooting starts after about 3 s. The camera takes photographs at the selected interval, begin- ning at the focus distance se- lected at the start of shooting and progressing out toward infinity by the selected focus step distance with each shot.

• Page 16: Suggested Settings

  Suggested Settings For focus shift photography, we recommend that settings be adjusted as described below. Aperture For improved contrast out to the edges of the frame, we generally recommend an aperture 2 to 3 stops from the maximum for the lens. ISO Sensitivity We recommend that you select Off for ISO sensitivity set- tings …

• Page 17
  Focus Stacking (Focus Shift Photography) Exposure smoothing: Off is recommended if lighting and other conditions will not change during shooting, On when pho- tographing landscapes and the like under variable lighting. Silent photography: Choosing On (recommended) limits cam- era shake and reduces power consumption and wear on the shutter.

• Page 18: Choosing The Number Of Shots

  Choosing the Number of Shots The recommended number of shots varies with the lens, aperture, subject size, focus step width, and the distance to the subject, measured from the closest point on the subject to the focal plane mark (E) on the camera body. The figures given on pages 19 to 20 assume that the cam- era and subject are positioned as shown below.

• Page 19
  Focus Stacking (Focus Shift Photography) Table 1: AF-S Micro NIKKOR 60 mm f/2.8G ED, aperture f/5.6, distance 20 cm (7.9 in.) Focus step width 110 110 90 — — 240 200 135 110 90 — — 300 250 170 140 115 85 —…
• Page 20
  Table 3: AF-S VR Micro-Nikkor 105 mm f/2.8G IF-ED, aperture f/5.6, distance 35 cm (13.8 in.) Focus step width 130 80 — 220 200 185 150 130 100 85 — 300 270 255 200 175 135 110 90 — — —…

• Page 21: Focus Shift: Tips

  Focus Stacking (Focus Shift Photography) Focus Shift: Tips Although you can reduce the number of shots by increas- ing the step width, if the step width is greater than the depth of field, you may notice a mix of in- and out-of-focus areas when the photos are stacked.

• Page 22: Before Stacking

  If the subject moves during shooting (for example, be- cause you are shooting outdoors), focus stacking may not produce the desired results. Zooming in on the petals reveals that they have been stacked in over- lapping positions, giving the effect of a multiple exposure. Before Stacking Delete any photos not in the desired focus range before stacking.

• Page 23: Some Examples Of Focus Stacking

  Focus Stacking (Focus Shift Photography) Some Examples of Focus Stacking Here are some sample images, together with the gear and settings used to create them. Lens AF‑S Micro NIKKOR 60 mm f/2.8G ED Distance to subject 20 cm/8 in. Focus step width Subject size Interval until next shot 0 5 cm/2 in.

• Page 24
  Focus Stacking (Focus Shift Photography) Lens AF‑S NIKKOR 24–70 mm f/2.8E ED VR Focal length Focus step width 70 mm Distance to subject Approx. 1.5 m/4.9 ft Interval until next shot 0 Subject size Exposure smoothing On — Aperture Silent photography Shots taken/used 15/10 Lens AF‑S Micro NIKKOR 60 mm f/2.8G ED Distance to subject 30 cm/12 in.

• Page 25: White Balance Tips And Tricks

  White Balance Tips and Tricks Auto white balance is recommended with most light sources. If the desired results cannot be achieved with auto white balance, choose an option from the list below or use preset white balance. White Balance Options Choose from the following options: Option Description…

• Page 26
  Option Description H Direct sunlight 5200 Use with subjects lit by direct sunlight. N Flash 5400 Use with optional flash units. G Cloudy 6000 Use in daylight under overcast skies. Use in daylight with subjects in the M Shade 8000 shade.

• Page 27: Auto White Balance For Incandescent Lighting

  White Balance Tips and Tricks Auto White Balance for Incandescent Lighting v offers a choice of AUTO Keep white (reduce warm colors), AUTO Normal, and AUTO Keep warm lighting colors. The warm cast of in- candescent lighting can be eliminat- ed by selecting Keep white (reduce warm colors) or preserved by select- ing Keep warm lighting colors.

• Page 28: Natural Light Auto

  Natural Light Auto Adapted as it is to natural light sources, D Natural light auto produces better results under natural lighting than comparable auto white balance options. White balance adapts to changes in lighting, producing results close to those seen by the naked eye whether your subject is a sun- set or fall colors.

• Page 29: Color Temperature Information

  White Balance Tips and Tricks Color Temperature Information The color temperature chosen for auto white balance can be viewed in the playback photo information display. Use this value as a reference when selecting a value for Choose color temp. To view color temperature, go to Playback display options in the playback menu and place a check next to Shooting data.

• Page 30: Measuring Preset Manual White Balance

  Measuring Preset Manual White Balance In live view, you can measure white balance from any white or grey object in the frame (spot white balance). Select preset manual white balance.   1  Press and hold the U button and rotate the main command dial until L (Preset manual) is displayed in the monitor.

• Page 31
  White Balance Tips and Tricks Position the target over a white or grey area.   4  While L flashes in the display, use the multi selector to posi- tion the target over a white or grey area of the frame. To zoom in for more precise positioning, press the X button.

• Page 32: Muffling The Shutter

  Muffling the Shutter Choose quiet or silent photography where camera noise might be a distraction, for example at stage performances, during interviews, or when photographing wildlife. ”Quiet” Versus “Silent” The differences between quiet shutter release and silent photography are summarized in the following table. Silent photography Quiet shutter release…

• Page 33: Quiet Shutter-Release Mode

  Quiet Shutter-Release Mode If quiet shutter-release mode is selected for viewfinder photography, the mirror stays up while the shutter-release button is pressed all the way down. The mirror is lowered (more quietly than in single-frame mode) only when the shutter-release button returns to the halfway position, al- lowing you to control the timing of the click made by the mirror.

• Page 34: Silent Photography

  Silent Photography In silent photography, the shutter remains open between shots, eliminating shutter noise altogether during live view. To enable silent photography, press the i button during live view and select On (Mode 1) or On (Mode 2) for Silent live view photography. •…

• Page 35: Movie Stills

  Muffling the Shutter Movie Stills Another way to reduce camera noise is to film movies si- lently and later make JPEG stills using Save current frame. Pause playback on the desired frame.   1  Press 3 to pause playback and then press 4 or 2 to display the desired frame.

• Page 36: Focus Peaking

  Focus Peaking In manual focus mode, the Peaking level item in the i-button menu can be used to enable focus peaking, which employs colored outlines to indicate objects that are in focus. Area in focus The options in the Peaking level menu are 3 (high sensitivity), 2 (stan- dard), 1 (low sensitivity), and Off;…

• Page 37: Cropping And Zoom

  Cropping and Zoom Quick crop can be used during playback to save the crop currently visible in the monitor, creating a copy with an aspect ratio of 4 ∶ 3. Use it for quick “what-you-see-is-what- you-get” cropping (for other aspect ratios, use the Trim op- tion in the retouch menu).

• Page 38: On-Camera Batch Nef (Raw) Processing

  On-Camera Batch NEF (RAW) Processing JPEG copies can be created from NEF (RAW) images using the NEF (RAW) processing option in the camera retouch menu. The Benefits of On-Camera Processing On-camera batch NEF (RAW) processing lets you apply identical settings to multiple images in a single pass; for greater efficiency, you can even select images by date.

• Page 39: On-Camera Nef (Raw) Processing

  On-Camera NEF (RAW) Processing Follow the steps below to create JPEG copies of NEF (RAW) images using the camera NEF (RAW) processing option. Select NEF (RAW) processing.   1  Highlight NEF (RAW) process- ing in the retouch menu and press 2. Choose a destination.

• Page 40
  Choose how images are selected.   3  Choose from the options below. • Select image(s): Select images manually (proceed to Step 5). Use this option to process a sin- gle image or to select multiple images for batch processing. • Select date: Create JPEG copies of all the NEF (RAW) images taken on selected dates (proceed to Step 4).
• Page 41
  On-Camera Batch NEF (RAW) Processing Select photographs.   5  If you chose Select image(s) in Step 3, a picture selection dialog will be displayed. Highlight im- ages using the multi selector and press the center of the multi selector to select or dese- lect;…
• Page 42
  NEF (RAW) Processing NEF (RAW) processing is available only with NEF (RAW) images cre- ated with D850 cameras. Photos in other formats or shot with oth- er cameras will not be listed in the photo selection dialog in Step 5.

• Page 43: Auto Af Fine-Tuning

  Auto AF Fine-Tuning The D850 can fine-tune autofocus automatically. The re- sults can be used with all lenses of the same type. Use only as required. AF fine-tuning should be performed at the focus distance at which the lens is normally used; fine- tuning performed at short focus distances may be less effec- tive with distant subjects and vice versa.

• Page 44
  Start live view.   2  Rotate the live view selector to C and press the a button. Adjust focus settings.   3  Rotate the focus-mode selec- tor to AF and use the AF-mode button and command dials to select the following: •…
• Page 45
  Auto AF Fine-Tuning Perform auto AF fine-tuning.   6  Press the AF-mode and movie- record buttons simultaneously and keep them pressed until the dialog shown in Step  7 is displayed (this should take AF-mode button slightly over two seconds). Movie-record button Save the new value.

Данная инструкция на русском языке предназначена для фотокамеры
Nikon D850, описывает принцип работы и основные моменты эксплуатации устройства.

Производитель настойчиво рекомендует перед включением фотокамеры
внимательно изучить настоящую инструкцию.

Инструкция для фотокамеры
представлена в формате PDF. Все современные браузеры уже поддерживают данный формат и сложностей с открытием файла возникнуть не должно.

Но если открыть инструкцию все же не удается, то необходимо установить на компьютер программу для чтения PDF файлов, например, Acrobat Reader. Если у вас возникли сложности с открытием инструкции на смартфоне под управлением Android, нужно установить, например, Adobe Acrobat Reader.