Valeton gp 100 инструкция на русском - Самые разные инструкции по применению

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USER’S MANUAL

ForFirmwareV1.2

Related Manuals for Valeton GP-100

Summary of Contents for Valeton GP-100

Page 1
USER’S MANUAL ForFirmwareV1.2…
Page 2: Table Of Contents

TABLE OF CONTENTS Connecting to your amp’s WELCOME ···········1 RETURN ATTENTION ··········1 ···········16 Connecting your mixer, OVERVIEW ··········2 interface, headphones, and PANEL INTRODUCTION ·····3 other equipment Top Panel ··········3 ·······16 Connecting to your computer Rear Panel ··········4 as an audio interface GETTING STARTED ·····17 ·······4…
Page 3: Welcome

WELCOME Thank you for purchasing a VALETON product. Please read this manual carefully to get the most out of your GP-100. Please keep this manual for future reference. ATTENTION Handling ·Do not get the unit wet. If liquid is spilled on the unit, shut it o immediately.
Page 4: Overview

The built-in tuner gets your guitar in tune. The built-in drum machine and aux input jack set you up to play along with a drum loop, metronome, or your favorite music. Whether you’re a beginner or an old guitar freak, the GP-100’s got it all to let you have at it!
Page 5: Panel Introduction

PANEL INTRODUCTION Top Panel 1. LED Display 6. SAVE button This display shows GP-100’s the patch Use this button to store, rename, and copy the numbers, patch name, and other operation preset. Whenever a preset is modiﬁed, the information. LCD display will show a “*” symbol to indicate 2.
Page 6: Rear Panel

The GP-100 has two operation modes: Play Mode and Edit Mode. Play Mode GP-100 will be in play mode when ﬁrst powered on. The LED screen shows the patch number (from P01 to F99), master volume, patch volume, BPM, patch name and more. Play Mode allows you to navigate presets using the PARA knob or footswitches.
Page 7: Edit Mode

4. See «Editing Patch» for more information on storing a patch. Navigating Patches The GP-100 has two patch banks: the User patch bank, which appears in the LED display as P01 to P99, and the Factory patch bank, which appears in the LED display as F01 to F99. From Play Mode, step on the [+]/[-] footswitches or turn the PARA knob to change presets (Hold down the [+] footswitch to scroll through presets) .
Page 8: Looper Function

Main Display screen to indicate it is on: NOTE The built-in expression pedal also functions when it is turned o . It controls the output volume or input volume of the GP-100, depending on the where it is positioned in the e ect chain.
Page 9: Edit

Remember that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-100 o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings.
Page 10: Stomp Mode

Remember that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-100 o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings.
Page 11: Save Mode

·Press the PARA button or SAVE button to conﬁrm the save. ·Press the EXIT button to exit the SAVE menu. GLOBAL Use the GLOBAL menu to set GP-100’s global functions, including input level, EXP pedal settings, language, and footswitch mode. You can also return to factory settings from this menu.
Page 12: Exp Settings

GLOBAL EXP Settings From this menu, you can control the settings of or calibrate your built-in expression pedal. There are four options within this menu: Target, Expression Range, Volume Range, and Calibrate. ·Target Under the Target option, you can set the pedal’s control target.
Page 13: Calibrate

GLOBAL ·Volume Range When the built in expression pedal is o , it continues to work as a volume pedal. Under the Volume Range option, you can set the volume pedal range and sweep curve. Just like in the Expression Range section, MIN and MAX represent the lowest/highest volume range value respectively.
Page 14: Usb Audio

GLOBAL Calibrate Then, press the pedal toe down strongly and press the PARA button to select Next. If the pedal is successfully calibrated, the following prompt will be displayed. Press the PARA button to conﬁrm the calibration and return to the previous menu. If pedal calibration fails, press the the PARA button to re- calibrate.
Page 15: Footswitch Mode

GLOBAL Footswitch Mode This menu is used to set the GP-100 FOOTSWITCH mode. Turn Quick adjust knob 2 to select the footswitch mode. You can select footswitch mode as PATCH mode or STOMP mode. Language This menu is used to set the GP-100 language.
Page 16: Factory Reset

Factory Reset Use this menu to perform a factory reset. Remember, resetting the GP-100 will delete all of your saved changes and personal settings. Once it is executed, it cannot be undone, so please back up your settings before performing a factory reset.
Page 17: Software

Here are some common setups to get the most out of GP-100. Using with your instrument and amp Plug your instrument into the GP-100 instrument INPUT jack, and run a cable (or two) from the OUTPUT(s) to your ampliﬁer(s). If you have one amp, run the cable from the left output.
Page 18: Connecting To Your Amp’s Return

Connecting your mixer, interface, headphones, and other equipment Connect GP-100’s outputs to your mixer or audio interface’s corresponding inputs. If you want to send a mono signal out, use GP-100’s left output channel. To prevent damage to your equipment, make sure the mixer or interface channel’s volume is muted before making ANY connections.
Page 19: Connecting To Your Computer As An Audio Interface

Connect a male-to-male 1/8” stereo cable from your audio source (phone or MP3 player) to GP-100’s AUX IN jack. This line will be una ected by GP-100’s internal e ects. Note: if you are running a mono line out, you will…
Page 20: Effect List

EFFECT LIST FX Title Description Parameters & Ranges Based on the legendary Ross™ Sustain (0~99) Controls the compression amount COMP Compressor Output (0~99) Controls the e ect output volume Sustain (0~99) Controls the compression amount Attack (0~99) Controls how soon the compressor Based on the Keeley ®…
Page 21: Dst

EFFECT LIST FX Title Description Parameters & Ranges H-Pitch(0~+24) Controls the lower pitch by half notes L-Pitch(0~-24) Controls the higher pitch by half notes Pitch Polyphonic pitch shifter/harmonizer Dry(0~99) Controls the dry singal level H-Vol(0~99) Controls the high pitch volume L-Vol(0~99) Controls the low pitch volume H-Pitch(0~+12) Controls the lower pitch by one notes L-Pitch(0~-12) Controls the higher pitch by one notes…
Page 22: Amp

EFFECT LIST FX Title Description Parameters & Ranges Based on legendary Electro-Harmonix® Sustain(0~99) Controls the gain amount Lazaro Big Mu Pi®* Tone(0~99) Controls the tone brightness fuzz/distortion pedal Vol(0~99) Controls the e ect output volume Based on legendary Dallas-Arbiter® Fuzz Fuzz(0~100) Controls the gain amount Red Haze Face®* fuzz pedal…
Page 23
EFFECT LIST FX Title Description Parameters & Ranges Vol(0~99) Controls the amp pre gain Output(0~99) Controls the amp output volume Bass(0~99) Controls the amp low frequency response Dark Twin Based on Fender® ’65 Twin Reverb®* Middle(0~99) Controls the amp mid frequency response Treble(0~99) Controls the amp high frequency response Bright(O /On) Switches extra brightne Gain(0~99) Controls the amp pre gain…
Page 24
EFFECT LIST FX Title Description Parameters & Ranges Vol(0~99) Controls the amp pre gain Cut(0~99) Conterclockwise controls the tone brightness Based on Dr. Z® Maz 38 Sr.* Master(0~99) Controls the amp output volume Z38 CL combo (clean sound) Bass(0~99) Controls the amp low frequency response Middle(0~99) Controls the amp mid frequency response Treble(0~99) Controls the amp high freque Gain(0~99) Controls the amp pre gain…
Page 25
EFFECT LIST FX Title Description Parameters & Ranges Gain(0~99) Controls the amp pre gain PRSE(0~99) Controls the amp presence Based on Bogner® Shiva* (20th Master(0~99) Controls the amp output volume BogSV OD Anniversary version, Ch2) Bass(0~99) Controls the amp low frequency response Middle(0~99) Controls the amp mid frequency response Treble(0~99) Controls the amp high frequency response Vol(0~99) Controls the amp pre gain…
Page 26
EFFECT LIST FX Title Description Parameters & Ranges Gain(0~99) Controls the amp pre gain Based on Grindrod® Pendragon Vol(0~99) Controls the amp output volume Knights PG20C* Bass(0~99) Controls the amp low frequency response (Drive channel) Middle(0~99) Controls the amp mid frequency response Treble(0~99) Controls the amp high frequency response Gain(0~99) Controls the amp pre gain PRSE(0~99) Controls the amp presence…
Page 27
EFFECT LIST FX Title Description Parameters & Ranges Gain(0~99) Controls the amp pre gain PRSE(0~99) Controls the amp presence Based on ENGL® Powerball II Master(0~99) Controls the amp output volume Power LD E645/2* (CH4) Bass(0~99) Controls the amp low frequency response Middle(0~99) Controls the amp mid frequency response Treble(0~99) Controls the amp high frequency response Gain(0~99) Controls the amp pre gain…
Page 28
EFFECT LIST FX Title Description Parameters & Ranges Gain(0~99) Controls the amp pre gain Bass(0~99) Controls the amp low frequency response Middle(0~99) Controls the amp mid frequency response Classic Based on Ampeg® SVT* bass Range(220Hz/450Hz/800Hz/1.6kHz/3kHz) Bass Selects from 5 mid frequency ranges Treble(0~99) Controls the amp high frequency response Master(0~99) Controls the amp output volume Vol(0~99) Controls the amp output volume…
Page 29: Cab

EFFECT LIST FX Title Description Parameters & Ranges TWD 2×12 Custom modiﬁed Fender®* 2×12″ cabinet DarkTW 2×12 Vintage Fender® ’65 Twin Reverb* 2×12″ cabinet L-Star 2×12 Mesa/Boogie® Lonestar* 2×12″ cabinet 2Rick 2×12 Two-Rock®* 2×12″ cabinet J-120 2×12 Legendary «Jazz Chorus» 2×12″ cabinet UK-GN 2×12 Marshall®…
Page 30: Mod

EFFECT LIST FX Title Description Parameters & Ranges Simulates an OM type acoustic guitar V OL (0~99) Controls the Jumbo Simulates a jumbo acoustic guitar output volume Simulates a GA type acoustic guitar FX Title Description Parameters & Ranges 125Hz(-50~+50) Boosts/cuts the frequency band 400Hz(-50~+50) Boosts/cuts the frequency band 800Hz(-50~+50) Boosts/cuts the frequency band…
Page 31: Delay

EFFECT LIST FX Title Description Parameters & Ranges Depth(0~99) Controls the ﬂanger depth Rate (0.1~10Hz) Controls the e ect speed Classsic ﬂanging e ect that is rich and Flanger PreDly (0~99) Controls the pre delay time natural FdBk (0~99) Controls the feedback amount Sync (O /On) Switches Tap Tempo sync on/o Depth(0~99) Controls the ﬂanger depth Based on a BBD-based blue vibrato pedal,…
Page 32
EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Fdbk (0~99) Controls the feedback amount P-Echo Produce pure, precised delay sound Time (20ms-4000ms) Controls the delay time Sync (O /On) Switches Tap Tempo sync on/o Trail (O /On) Switches e ect trail on/o Mix (0~99) Contols the wet/dry signal ratio Fdbk (0~99) Controls the feedback amount…
Page 33: Reverb

EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Fdbk (0~99) Controls the feedback amount Time (20ms-4000ms) Controls the delay time Producing a delay e ect S-Depth (0~100) Controls the sweeping depth Swp Echo with sweeping ﬁlter S-Rate (0~100) Controls the sweeping speed modulated repeats…
Page 34: Drum Rhythm List

EFFECT LIST REVERB FX Title Description Parameters & Ranges Simulates the sound Mix (0~99) Controls the wet/dry signal ratio character produced by Decay (0~99) Controls the reverb decay time Spring a vintage spring Tone (0~99) Controls the e ect tone brightness reverberator Trail (O /On) Switches e ect trail on/o Special-tuned reverb…
Page 35
DRUM RHYTHM LIST Genre Type Time Signature Default Tempo Rock 2 120BPM Rock 3 120BPM Surﬁn 120BPM Shu le 120BPM R’n’R 120BPM Ballad 120BPM SF3/4 120BPM Rock5/4 120BPM Classic 120BPM SF4/4 120BPM Garag 120BPM Hard 1 120BPM Hard 2 120BPM Nu 1 120BPM Nu 2…
Page 36
DRUM RHYTHM LIST Genre Type Time Signature Default Tempo Blues 1 120BPM Blues 2 120BPM Blues 3 120BPM Blues B-grass 120BPM Country 120BPM Folk 120BPM Blues 4 120BPM Latin 1 160BPM Latin 2 160BPM Latin 3 160BPM Pop 1 160BPM Pop 2 160BPM Bossa1…
Page 37: Troubleshooting

·If you’re using an external expression pedal to control distortion or other similar parameters, check to see if the expression pedal is set up properly. ·Check your e ects parameter setup. If e ects are set to extremes, GP-100 may only emit noise. Problems With Expression Pedal ·Check your expression pedal on/o settings.
Page 38: Specification

SPECIFICATION Technical Speciﬁcations ·A/D/A Converter: 24-bit high performance audio ·Sampling Frequency: 44.1 kHz ·SNR: 110dB ·Maximum Simultaneous E ects: 9 ·Preset Memory: 99 User Presets/99 Factory Presets ·Looper: 90 seconds of record time ·Drum Machine: 100 Patterns Analog Input Connections ·Guitar Input: 1/4”…

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В разделе Процессоры и мультиэффекты

Брэнд Valeton, появившийся на рынке в 2014 году, позиционирует себя как независимая компания, хотя на выставках постоянно делит стенд с Hotone. Возможно, это конечно и две разные компании, ютились же PRS долгое с Mesa/Boogie на франкфуртской MusikMesse на одном стенде, пока PRS не дорос до крупных площадей, и ему стало тесно. Не буду заострять на этом внимание, а перейду непосредственно к продукту.

Valeton GP-100 – представляет собой компактный напольный гитарный процессор с двумя ножными кнопками и педалью экспрессии. Кнопки позволяют листать пресеты (режим Patch Mode) или включать/выключать подгруппы эффектов или отдельные примочки (Stomp Mode). Управление параметрами и редакция осуществляется четырьмя крупными поворотными ручками и пятью кнопочками. Экранчик маленький, как у какого-нибудь NUX MG-100, зато цветной, как и у упомянутого NUX.

Выход стереофонический, кабинет эмулированный. Прибор позволяет загружать до двадцати пользовательских импульсов гитарных кабинетов в дополнение к сорока уже зашитым в память. Имеется и выход на наушники.

Гитарный процессор Valeton GP-100 моделирует звучание сорока пяти усилителей, как гитарных, так и басовых и даже для акустической гитары. Процессор предлагает свыше пятидесяти эффектов динамической, модуляционной и пространственной обработки. Питчевой обработки пока нет, но возможно со временем и она появится, прошивка имеет свойство обновляться, а USB позволяет загружать новые версии. Одновременно можно использовать до семи эффектов, располагая их в любом порядке. Кроме того эффекты можно поместить как перед эмулятором усилителя, так и после, типа в разрыв, и даже после кабинетэмулятора.

Мозги прибора защищает крепкий металлический корпус. Размер меньше, чем iPad Mini 4, кроме, естественно, толщины. Вес – 800 грамм.

Технические характеристики Valeton GP-100

— 24-bit 44.1kHz signal processing
— Advanced digital modeling technology delivers organic tone
— Over 140 high quality effects
— Editable effect chain
— 45 legendary guitar/bass/acoustic amp types
— 40 factory IR cabinets
— Supports storing 20 user IRs
— 50+ dynamic/drive/EQ/mod/delay/reverb effects
— USB audio interface function with stereo audio streaming
— Stompbox and preset modes for different situations
— 198 presets (99 factory, 99 user)
— High quality looper
— 100 high quality drum patterns
— Durable metal chassis and footswitches
— Built-in chromatic tuner
— Intuitive PC/Mac editor
— 1/4″ stereo outputs
— 1/8″ headphone output
— Stereo 1/8″ Aux Input
— Built-in expression pedal
— DC 9V power supply

A/D/A Converter: 24-bit high performance audio

Sampling Frequency: 44.1 kHz
SNR: 110dB
Maximum Simultaneous Effects: 9
Preset Memory: 99 User Presets/99 Factory Presets
Looper: 90 seconds of record time
Drum Machine: 99 Patterns

Analog Input Connections

Guitar Input: 1/4″ Unbalanced (TS)
Input Impedance: 1M Ohms
Aux Input: 1/8″ Stereo (TRS)
Aux Input Impedance: 10k Ohms

Analog Output Connections

Left/Right Outputs: 1/4″ Unbalanced (TS)
Left/Right Output Impedance: 1k Ohms
Headphone Output: 1/8″ Stereo (TRS)
Headphone Output Impedance: 47 Ohms

Digital Connections

USB Port: USB 2.0 Type-B
USB Recording Specification
Sample Rate: 44.1 kHz
Bit Depth: Supports 16-bit or 24-bit
Dimensions: 198mm(L) x 134mm(W) x 28mm(H)
Unit Weight: 800g

Power

Power Requirements: DC 9V, 500mA

Обзор гитарного процессора Valeton GP-100 — №1

Гитарный процессор Valeton GP-100 — очень удобный, интуитивно понятное управление. Заводские пресеты из коробки очень классные. Красивый и железный. IR Кабинеты не уступают в качестве AMT Pangea CP100. Но перегруз всё-таки наверное уступает аналоговому преампу AMT S2 (но это субъективно на мой вкус).

На MAC OS гитарный процессор Valeton GP-100 цепляется мгновенно без драйверов, удобно мониторить запись без задержки воткнувшись в проц, а комп при этом пишет, ущербный джек на наушники 3.5мм почему не сделали 6.3 не понятно. Звук встроенных барабанов мне в гитарных процессорах Digitech нравился больше, более дубасящий был, а у валетона мягковатые барабаны при подключении к компу барабаны не играют на запись — может я не разобрался, но в целом клёвая игрушка для гитариста.

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PANEL INTRODUCTION

Rear View

11. INPUT Jack

1/4″ mono audio jack, for connecting guitar.

12. OUTPUT L/OUTPUT R Jack

1/4″ TRS output interfaces can be conﬁgured

for mono or stereo operation. Use them to

connect to a single guitar speaker, a pair of

stereo guitar speakers, or directly to the input

of a PA or recording device.

13. AUX IN

1/8″ TRS input for connecting external devices

GETTING STARTED

The GP-100 has two operation modes: Play Mode and Edit Mode.

Play Mode

GP-100 will be in play mode when ﬁrst powered on. The LED screen shows the patch number (from

P01 to F99), master volume, patch volume, BPM, patch name and more. Play Mode allows you to

navigate presets using the PARA knob or footswitches.

(phone, MP3 player) for practice and

jamming.

14. PHONES

1/8″ TRS output for connecting headphones.

15. USB

USB 2.0 Type-B connects to your computer

for use with GP-100 software, or as a USB

audio interface.

16. Power Supply Connection

Power supply input (9V DC center negative) .

A. Patch No.

B. Patch name

C. Foot switch mode

D. Master volume

E. Patch BPM

F. Patch volume

G. EXP pedal state

H. Patch state

I. DRUM state

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A/D/A Converter: 24-bit high performance audio

Sampling Frequency: 44.1 kHz
SNR: 110dB
Maximum Simultaneous Effects: 9
Preset Memory: 99 User Presets/99 Factory Presets
Looper: 90 seconds of record time
Drum Machine: 99 Patterns

Analog Input Connections

Guitar Input: 1/4″ Unbalanced (TS)
Input Impedance: 1M Ohms
Aux Input: 1/8″ Stereo (TRS)
Aux Input Impedance: 10k Ohms

Analog Output Connections

Left/Right Outputs: 1/4″ Unbalanced (TS)
Left/Right Output Impedance: 1k Ohms
Headphone Output: 1/8″ Stereo (TRS)
Headphone Output Impedance: 47 Ohms

Digital Connections

USB Port: USB 2.0 Type-B
USB Recording Specification
Sample Rate: 44.1 kHz
Bit Depth: Supports 16-bit or 24-bit
Dimensions: 198mm(L) x 134mm(W) x 28mm(H)
Unit Weight: 800g

Power

Power Requirements: DC 9V, 500mA

Обзор гитарного процессора Valeton GP-100 — №1

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Quick Links

Related Manuals for Valeton GP-100

Summary of Contents for Valeton GP-100

Page 2: Table Of Contents

Page 3: Welcome

Page 4: Overview

Page 5: Panel Introduction

Page 6: Rear Panel

Page 7: Edit Mode

Page 8: Looper Function

Page 9: Edit

Page 10: Stomp Mode

Page 11: Save Mode

Page 12: Exp Settings

Page 13: Calibrate

Page 14: Usb Audio

Page 15: Footswitch Mode

Page 16: Factory Reset

Page 17: Software

Page 18: Connecting To Your Amp’s Return

Page 19: Connecting To Your Computer As An Audio Interface

Page 20: Effect List

Page 21: Dst

Page 22: Amp

Page 29: Cab

Page 30: Mod

Page 31: Delay

Page 33: Reverb

Page 34: Drum Rhythm List

Page 37: Troubleshooting

Page 38: Specification

Технические характеристики Valeton GP-100

Analog Input Connections

Analog Output Connections

Digital Connections

Power

Обзор гитарного процессора Valeton GP-100 — №1

GETTING STARTED

Play Mode

Analog Input Connections

Analog Output Connections

Digital Connections

Power

Обзор гитарного процессора Valeton GP-100 — №1