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ZED SIXTY-10FX & ZED SIXTY-14FX

USER GUIDE

Publication AP8765

Related Manuals for ALLEN & HEATH ZED Sixty-10FX

Summary of Contents for ALLEN & HEATH ZED Sixty-10FX

Page 1: User Guide

ZED SIXTY-10FX & ZED SIXTY-14FX USER GUIDE Publication AP8765…
Page 3: Table Of Contents

CONTENTS Warranty …………….. Conformity Statement ……….Safety Instructions …………Packed Items Checklist ……….Introduction to ZED Sixty-10FX & 14FX ….Specifications …………..Dimensions …………..Block Diagram …………..Mono Input Channel 1&2 (10FX) 1-6 (14FX) ..Mono Input Channel 3&4 (10FX) 7&8 (14FX) ..
Page 4: Warranty

WARRANTY Limited One Year Warranty This product is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner. To ensure a high level of performance and reliability for which this equipment has been designed and manufactured, read this User Guide before operating.
Page 5: Conformity Statement

Allen & Heath could void the compliance of the console and therefore the users authority to operate it. ZED Sixty-10FX & 14FX User Guide AP8765 Issue 2 Copyright © 2012 Allen & Heath Limited. All rights reserved Allen & Heath Limited Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK http://www.allen-heath.com…
Page 6: Safety Instructions

SAFETY INSTRUCTIONS WARNING — Read the following before proceeding : CAUTION AC MAINS IN ~ ATTENTION: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR FUSE TYPE AC SUPPLY 47-63Hz 320VA MAX T 3.15A 20mm 220 — 240V~ 300W MAX T 5.0A 20mm 100 — 120V~ WARNING: This equipment must be earthed.
Page 7
SAFETY INSTRUCTIONS Water and moisture: To reduce the risk of fire or electric shock do not ex- pose the console to rain or moisture or use it in damp or wet conditions. Do not place containers of liquids on it which might spill into any openings. Ventilation: Do not obstruct the ventilation slots or position the con- sole where the air flow required for ventilation is imped-…
Page 8: General Precautions

SAFETY INSTRUCTIONS General Precautions: Damage : To prevent damage to the controls and cosmetics avoid placing heavy objects on the control sur- face, scratching the surface with sharp objects, or rough handling and vibration. Environment : Protect from excessive dirt, dust, heat and vibra- tion when operating and storing.
Page 9: Packed Items Checklist

MUTE MUTE MUTE MUTE MUTE MUTE MUTE PLAYBACK PLAYBACK LEVEL LEVEL ZED Sixty-10FX MIXER ZED Sixty-14FX MIXER Mains Lead This User Guide! Check that the correct mains plug is fitted. Allen & Heath ZED Sixty 10FX & 14FX User Guide…
Page 10: Introduction To Zed Sixty-10Fx & 14Fx

It also makes servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time. The vertical board construction method is unique in a product at this price point and puts the ZED Sixty-10FX and ZED Sixty-14FX in a truly professional class of their own.
Page 11: Effects Processor

INTRODUCTION TO THE ZED Sixty The ZED Sixty mixers are equipped with a 3-band equaliser circuit on each mono input, with swept mid frequency section, and a 2-band EQ on the stereo channels. The frequency and response of each has been carefully chosen to give the maximum performance when using the EQ on a variety of sources.
Page 12: Specifications

SPECIFICATIONS Operating Levels Input Mono channel (XLR) Input -10 to –60dBu for nominal (+11dBu in max) Mono channel Line Input (Jack socket) +10 to –40dBu (+31dBu maximum) Stereo Input (Jack or phono sockets) 0dBu nominal (control = Off to +15dB) Output L/R Outputs ( XLR) Normal/DI out 0dBu/-30dBu +21dBu/-9dBu maximum.
Page 13: Dimensions

DIMENSIONS ZED Sixty-10FX ZED Sixty-14FX O/P Level Left Left Left Left Left Left O/P Level Switch Switch Right Right Right Right Right Right Line Line Line Line Line Line GTR 1 GTR 2 Line Line GTR 1 GTR 2 Hi Z…
Page 14: Block Diagram

BLOCK DIAGRAM SCHEMATIC REC L REC R Allen & Heath ZED Sixty 10FX & 14FX User Guide…
Page 15: Mono Input Channel 1&2 (10Fx) 1-6 (14Fx)

MONO INPUT CHANNEL 1&2 (10FX) 1-6 (14FX) Mic Input Socket Standard 3-Pin XLR socket wired as Pin 1=Chassis, Pin 2=hot (+), Pin 3=Cold (-). Line Input Jack Socket Standard 1/4” (6.25mm) Jack socket for balanced or unbalanced line level signals. Wired Tip=Hot(+), Ring=cold (-), Sleeve=Chassis.
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GAIN GAIN GAIN GAIN GAIN — 10 10 — 10 10 — 10 10 — 10 10 — 10 10 MONO INPUT CHANNEL 1&2 (10FX) 1-6 (14FX) HF EQ The HF (High Frequency) equaliser affects the frequency re- sponse of the higher audible frequencies. The corner frequen- cy of 12kHz is around 3dB from the maximum cut or boost of the circuit.
Page 17
MONO INPUT CHANNEL 1&2 (10FX) 1-6 (14FX) FX send This controls the level of signal that is sent to the effects bus and FX output from the channel. The signal is post-fade which means it is affected by the channel fader (so it stays in proportion to the signal going to Mix) and the send con- trol has 6dB gain fully clockwise.
Page 18: Mono Input Channel 3&4 (10Fx) 7&8 (14Fx)

MONO INPUT CHANNEL 3&4 (10FX) 7&8 (14FX) Hi Z input The only difference between these mono inputs is the Hi Z Left inputs for guitars or other instruments. Standard 1/4” (6.25mm) Jack socket for unbalanced line level signals or instrument pickups. Wired Tip=Hot(+), Ring=cold (-), Sleeve=Chassis.
Page 19: Stereo Input Channel 1

STEREO INPUT CHANNEL 1 ST-1b Inputs Standard RCA Phono sockets for unbalanced line level stereo signal sources from equipment such as CD Left Left Left players, sound modules or MP3 players. If your MP3 player has a mini jack socket (most common) use a stereo mini jack plug to 2 x RCA Phono lead.
Page 20
Bank 9-16 STEREO INPUT CHANNEL 1 FX send PARAMETER (HOLD) This controls the level of signal that is sent to the effects bus and FX output from the stereo channel. The signal is post-fade which means it is affected by the channel fader (so it stays in proportion to the signal going to Mix) and the FX to send control has 6dB gain fully clockwise.
Page 21: Stereo Input Channel 2

O/P Level Left Left Left Switch STEREO INPUT CHANNEL 2 Right Right Right ST-2 Input The USB audio input is connected through the Left Left Left break contacts of the standard 1/4” (6.25mm) jack sockets. Plugging into the jacks will override the USB IN L USB input, so if you want to use the ST-2 channel for the USB input signal, make sure nothing is…
Page 22: Zed-Fx Digital Effects Processor

Right Right Left Left ZED-FX EFFECTS PROCESSOR USB IN L USB IN R Effects Type Selection LED. Right Right 8 Green LED’s show one of 16 effects types available. If the Bank FX OUT/ LED is off the green LED’s will show one of 1 to 8 on the effects FOOTSWITCH list (or off if no LED’s are lit), if the Bank LED is on the green Dly+verb (level)
Page 23
ZED-FX EFFECTS PROCESSOR Effects Type List & Description. There are 16 different effects presets in the ZED Effects Processor. Each is fed with a mono signal from the FX bus, and the output from the effects processor is in stereo. Each preset has a parameter adjust control which is matched to the preset.
Page 24: Master Section

MASTER SECTION Main Mix Out XLR connectors Standard XLR output connectors for the main ste- O/P Level Left Left Left Switch reo mix. Impedance balanced to aid interference rejection. A recessed switch on the rear panel re- Right Right Right duces the level by 30dB if it is required to submix these outputs into the XLR inputs of another mixer.
Page 25
MASTER SECTION O/P Level Switch Stereo Meters 12 Segment LED meters with fast attack (4mSec) and medium decay (1Sec). The meters display the signals selected by the Phones Select switches, or the mono Listen signal (PFL) if activated by any of the Listen switches. PFL (Pre-Fade Listen) active LED FX OUT/ A red LED to indicate a Listen switch has been…
Page 26: Connecting To A Computer

CONNECTING TO A COMPUTER USB lead type A to B O/P Level Left Left Left Switch Right Right Right Line Line GTR 1 GTR 2 Hi Z Hi Z Left Left Left USB IN L USB IN R GAIN GAIN GAIN GAIN Right…
Page 27: Usb Connection

CONNECTION DRAWING—LIVE MIXING O/P Level Left Left Left Switch Right Right Right Line Line Line Line Line Line GTR 1 GTR 2 Hi Z Hi Z Left Left Left USB IN L USB IN R GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN…
Page 28: Connection Drawing-Studio Recording

CONNECTION DRAWING—STUDIO RECORDING KT-88 O/P Level Left Left Left Switch Right Right Right Line Line Line Line Line Line GTR 1 GTR 2 Hi Z Hi Z Left Left Left USB IN L USB IN R GAIN GAIN GAIN GAIN GAIN GAIN GAIN…
Page 29: Connecting To Pro Tools (Mac)

CONNECTING A ZED TO PRO TOOLS 9(& UP) ON A MAC 1. Connect your ZED mixer to your Mac via USB and power on the mixer. 2. With Pro Tools (PT) installed, open Audio MIDI Setup on your Mac. PT should have created a Pro Tools Aggregate I/O folder in the Audio Devices list.
Page 30: Connecting To Pro Tools (Windows)

CONNECTING A ZED TO PRO TOOLS 9(& UP) ON A WINDOWS PC On a Windows system, Pro Tools 9 and (higher) support third party audio interfaces only in conjunction with ASIO drivers. Pro Tools won’t recognize WDM devices such as the standard USB Audio Codec used by the ZED mixers.
Page 31: Sound Mixing Tips For First Time Users

SOUND MIXING TIPS FOR FIRST TIME USERS Step 1: Connect your Sources Plug in your microphones, instruments, audio players using the connection drawings on p27 & 28 as a rough guide. If condenser microphones are being used: Keep the faders down and channel mutes activated, switch on 48V to Mics.
Page 32
SOUND MIXING TIPS FOR FIRST TIME USERS Step 4: Add Effects Reverb or echo effects can be used to add ambience and character to certain types of audio sources, particularly singers. Select the type of effect required using the FX section SEL buttons. Send some audio signal to the FX bus by turning the FX control clockwise on your preferred channel — try a vocal channel first.
Page 33: Wiring Information

WIRING INFORMATION PROCESSOR Insert cable wiring RETURN INSERT SEND GROUND RETURN SEND LINK RING TO SLEEVE TO UNBALANCE General Wiring Information Y-Adapter Y-Adapter RCA phono jacks 2 Outputs to 1 Input adapter 1 Output to 2 Inputs RCA PHONO CABLE UNBALANCED No ! INSTRUMENT CABLE…
Page 34: Product Support

See more products from ALLEN & HEATH at: www.allen-heath.com Large Live Sound mixers — iLive digital, and GL Series Small Format Live Sound mixers — ZED, MixWizards and PA Series DJ products — Xone Series Sound Management Series — iDR Series Registering your product Thank you for buying the Allen &…

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ZED-10FX AP7763

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– ALLEN & HEATH. – . , . ALLEN & HEATH : 1. . 2. ; ; , ALLEN & HEATH. 3. , ALLEN & HEATH . 4. . 5. ALLEN & HEATH ( – , ) . 6. . , . . ALLEN & HEATH, . 89/336/EEC 92/31/EEC 73/23/EEC 93/68/EEC. 1 2 EN55103 1996 E4 E1, E2, E3, 89/336/EEC. . , Allen & Heath . , . , , Allen & Heath. ZED 10FX AP7763 ©

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— . ……………………………………………………………. 2 . ………………………. 3 . …………………………………………………… 6 . …………………………………………………………. 7 .

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Mic Mic Mic Mic Line Line GTR 1 GTR 2 Hi Z O/P Level Switch Left Left Left Right Right Right Hi Z USB Left Left Left Right Right Right USB IN L 20 0 40 20 0 40 GAIN — 10 10 60 40 M L 20 0 40 GAIN — 10 10 HPF 60 40 M L 20 USB IN R 40 GAIN — 10 10 HPF 60 40 M G — 10 10 HPF HF 0 -15 500 -15 650 +15

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: ZED Allen & Heath . ZED10 ZED10FX , , Allen&Heath, . : ZED , . ZED , , , — . . : / MixWizard, ( ZED-10FX . 60dB) ZED-10 . GTR/Hi Z: ZED-10FX ZED-10 (Field Effect Transistor) A FET . . Allen & Heath 7 ZED 10FX

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: ZED-10FX 2- ZED10 3. . : Zed 10FX , , Heath. — Reverb Flanger TAP. DSP . 24- Allen & Chorus. / , TAP , 48 » » . : , , . high-end . USB: . ZED. : , Allen & Heath . 8 ZED 10FX

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+6 to –63dBu for nominal (+17dBu in max) Mono channel (XLR) Input Mono channel Line Input (Jack socket) +10 to –26dBu (+30dBu maximum) Insert point (TRS Jack socket) 0dBu nominal +21dBu maximum Stereo Input (Jack sockets) 0dBu nominal (control = Off to +10dB) Stereo input (phono sockets) 0dBu

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Mic Mic Line Mic Line Mic GTR 1 O/P Level Switch Left Left Left Right Right Right GTR 2 Hi Z Hi Z Left USB Left Left USB IN L 20 0 40 GAIN 20 0 40 GAIN — 10 10 60 40 M L 20 0 40 GAIN — 10 10 60 40 M L HPF 20 USB IN R 40 GAIN — 10 10 60 40 M G HPF Right — 10 10 HPF 0 HF HF 0 HF 5 5 -15 -15 500 650

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— MIC IN LINE IN L R USB AUDIO INPUT INSTRUMENT IN ST1-b L R L R ST1-a L R USB AUDIO INPUT L R Phantom Power GAIN + — 100Hz MO HPF LF HF HF 3 BAND EQUALISER HM MONO CHANNELS 3&4 MONO CHANNELS 1&2 CLASS A FET HI-Z DI GAIN BOOST GAIN LF 2 BAND EQUALISER STEREO CHANNEL 1 DSP EFFECTS MIX PLAYBACK

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1&2 Mic 3XLR. Pin 1= hassis, Pin 2=Hot (+), Pin 3=Cold (-). Line 1/4” (6.25mm) Jack- Mic . Tip=Hot (+), Ring=Cold (-), Sleeve= hassis. Line Gain 0 20 40 +10dB o +60dB ( ( GAIN . –10dB o +40dB Mic) Line). 100Hz — 10 10 60 40 M L HPF . (6dB ) 100Hz. , XLR, Mic Line jack. HF -15 500 650 +15 1k 200 dBr

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1&2 HF . 12 3 -15 500 650 . +15 1k 200 f 2k 3k MID 120 dBr 20.00 4k 15.00 10.00 5.00 0.00 -5.00 -15 +15 -10.00 LF -15.00 -20.00 10.00 Hz -15 100.00 1000.00 10000.00 30000.00 +15 FX 0 : 120-250 , 2 3 . +6 AUX 0 dBr 20.00 +6 15.00 10.00 PAN 5.00 0.00 -5.00 L R -10.00 -15.00 LEVEL 0 -20. 00 10.00 Hz

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1&2 HF FX -15 500 650 , +15 1k . post-level, 200 f , Level. 2k 6dB. 3k MID 120 4k AUX -15 , +15 AUX. LF pre-level, . . , . +6dB. -15 FX Aux — +15 0 . PAN , +6 . AUX Pan . 0 . +6 PAN LEVEL , L LEVEL — , R . 0 Record . +10 Pan Mix L-R Record Level Record, . Listen Listen . , Allen & Heath 14 Level.

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3&4 Hi Z 1-2 4- 3- Hi Z . 1/4” (6.25 ) . Mic GTR 1 Ring=Cold (-), Sleeve=Chassis. Hi Z GT Hi Z JackTip=Hot(+), XLR , , Hi . Hi Z , 0 20 , . (10Mohms), a FET (Field Effect Transistor) Class A, , . 40 GAIN G — 10 10 60 40 M G HPF Hi Z Input GAIN BOOST OUT Hi Z Input GAIN BOOST IN V V 4.35 4.35 2.18

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1 ST-1b RCA Phono Left (CD-MP3 , ). mini jack, stereo mini jack 2 x RCA MP3 Phono. Right ST-1a 1/4” jack. Left ST1b break- (RCA Phono) jackST1 , ST1b. ST-1 Gain Right : “ .” ST1. +15dB. EQ 0 12kHz 5 80Hz, 15dB. -15 — +15 dBr 2 0.00 HF 1 5.00 1 0.00 -15 +15 LF 5 .0 0 0 .0 0 -5 .0 0 -1 0 .0 0 -15 +15

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1 FX , HF . post-level, -15 +15 -15 +15 , Level. 6dB. LF AUX , AUX. pre, level, . . . FX +6dB. 0 Aux — . +6 AUX 0 Balance » +6 — «. Bal . — BAL . L R LEVEL LEVEL , 0 — , . +10 Record Record . Bal Level Mix L-R cord, Re. Listen Listen . , Allen & Heath 17 Level. ZED 10FX

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2 ST-2 USB Left 1/4” (6.25 break. USB. ST-2 ) jack- jack, USB , . jack- , Right 0 5 -15 : ST-2 USB ! +15 , . Record OUT RCA , USB. Left Right Playback Input 1/4” (6.25mm) jack. USB Left USB IN L , USB IN R . CD USB break- Right jackUSB. Record Bus USB OUT Aux-FX USB Record. , L R MAIN MIX ain Mix.

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. 8 16 TAP . 1 Dly+verb (level) 9 Plate (decay) 2 Dly+verb (size) 10 Plate (predly) 3 Dly+verb (regen) 11 Plate (colour) 4 PingPong(regen) 12 Hall1 (size) 5 BeatDly (regen) 13 Hall2 (size) 6 Ambient (echo) 14 Arena (size) 7 SlapVerb (size) 15 Flanger (dpth) 8 16 Chorus (dpth) DoubleZED(size) , 1-8

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16 . FX, . . , , Chorus , . , , , . SEL ZED 1 Dly+verb(level) (Classic Plate). Min = 70mS Max = 1.35S, 2 Dly+verb(size) Dly+verb(size) (Classic Plate). Min = 70mS Max = 1.35S, 3 Dly+verb(regen) 4 PingPong(regen) (Classic Plate). . = 70mS Max = 1.35S, PARAMETER . ing Pong ( , . TAP 5 BeatDly(regen)

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. XLR XLR. O/P Level Switch . 30dB XLR . Insert jack1/4” (6.25mm) jack, Ring = , Sleeve = Tip = hassis. 0dBu. : FX OUT Effects & Aux 1/4” (6.25mm) jackTip = hot, Ring = cold, Sleeve = chassis. 0dBu. AUX OUT : +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 0 LEVEL +10 48v L Phones 48v Monitor Source , R

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O/P Level Switch 12(4mS) (1S). , PFL, . PFL , FX OUT AUX OUT +16 +9 +6 +3 0 -3 -6 -9 -12 -16 -20 -30 0 LEVEL +10 L Phones Monitor Source . . ! , R Mix 0 LEVEL . 82! ! +10 AUX MIX PHONES SELECT Record LEVEL 0 +6 Aux , . Playback jack+10 . Playback (USB ), Record. 0 MAIN MIX ( ) , Aux Phones LEVEL .

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USB Mic Mic Mic Mic Line Line GTR 1 GTR 2 Hi Z A-B O/P Level Switch Left Left Left Right Right Right Hi Z USB Left Left Left Right Right Right USB IN L 20 0 40 20 0 40 GAIN — 10 10 60 40 M L 20 0 40 GAIN — 10 10 60 40 M L HPF 20 USB IN R 40 GAIN — 10 10 60 40 M G HPF — 10 10 HF 0 HF 5 -15 -15 500

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GAIN — 10 10 -15 -15 120 200 500 -15 HF f LF MID FX AUX 1k HPF 0 0 3k 2k 650 +15 4k +15 +15 +6 +6 0 20 500 -15 120 -15 -15 PAN AUX FX LF MID 200 f HF — 10 10 GAIN Hi Z Mic 40 Mic 1k HPF 3k 2k 650 +15 4k +15 +15 0 0 0 20 Mic 500 -15 200 120 -15 -15 +6 +6 Hi Z Mic 40 GTR 2 0 20 GAIN — 10 10 HF f LF

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— 500 -15 +15 1k HPF 0 20 40 +15 1k HPF 2k 0 0 3k +15 4k +15 120 -15 +6 +6 -15 PAN AUX FX LF MID f 200 500 -15 HF — 10 10 GAIN Hi Z 0 20 40 +15 1k HPF 60 40 M G 650 2k 0 0 3k +15 4k +15 120 -15 +6 +6 -15 PAN AUX FX LF MID f 200 500 -15 HF — 10 10 GAIN Hi Z Mic 0 20 Mic GAIN — 10 10 HF 2k 0 0 3k +15

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S T R T S R S T R LINK RING TO SLEEVE TO UNBALANCE Y-Adapter Y-Adapter 2 Outputs to 1 Input RCA PHONO CABLE RCA phono jacks adapter 1 Output to 2 Inputs UNBALANCED No ! UNBALANCED INSTRUMENT CABLE UNBALANCED BALANCED TRS JACK CABLE BALANCED Sleeve=ground Yes Sleeve=ground Ring=cold (-) Ring=cold

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: www.allen-heath.com ALLEN & HEATH — iLive, ML GL — ZED, MixWizard DJ — PA Xone Sound Management Series — iDR Series Allen & Heath ZED 10FX. , .. , www.allen-heath.com/register.asp . , , , .. , , : Allen & Heath Ltd, Kernick Industrial Estate, Penryn, Cornwall TR10 9LU, UK Allen & Heath 27 ZED

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Устройство из раздела: микшерный пульт

Бренд-производитель: ALLEN & HEATH

Наименование модели: ALLEN & HEATH ZED-10FX

Язык: Руководство на русском языке

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Размер файла: 6,25 MB

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Источник

INTRODUCTION TO THE ZED Sixty

Background Overview:

The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beau-

tiful county of Cornwall in the UK and are manufactured alongside a wide range of profes-

sional audio mixing consoles to the same high standards. Many of the components used in

ZED Sixty-10FX and ZED Sixty-14FX are exactly the same as in the larger Allen & Heath

products and the construction methods are also very similar — utilising individual vertically

mounted channel circuit boards with each rotary control fixed with a metal nut to the front

panel. This provides a very robust product that will resist damage and give years of reliable

use. It also makes servicing much easier should it be required, with the ability to remove one

particular channel from the mixer at a time. The vertical board construction method is

unique in a product at this price point and puts the ZED Sixty-10FX and ZED Sixty-14FX in a

truly professional class of their own.

The audio circuitry is based on years of continual development and refinement , the perfor-

mance of all the elements within the mixer is scrutinised and perfected to ensure the very

best sound quality possible.

Multi-application:

ZED’s are great for live mixing! Their layout makes them very easy to use and easy to

achieve a great sound. They are also perfect for recording, either a live show or an audio

project at home can be built up track by track using the USB digital audio interface. The flexi-

bility and quality of these mixers make them stand out from the crowd. You can plug your

guitars or instruments straight into the class A discrete FET high impedance inputs, cater for

up to eight microphones, two stereo sources with MP3 player compatibility, separate 2-track

record outputs and a stereo playback input for 2-track replay or perhaps interval music from

a CD player, XLR main stereo outputs with inserts, comprehensive monitoring with head-

phones and separate monitor speaker outputs, 48V microphone phantom power, DI level

switching for sub mixing, and not least of all, the same digital effects algorithms as those used

on our flagship digital consoles costing 150 times as much!

All this and the ability to withstand life being gigged night after night—there is nothing else

like it at this price point.

ZED mixers are also ideal for teaching establishments, houses of worship, hotels and confer-

ence centres where their ease of use and robust qualities make them a top choice.

Mic/Line Pre-amps:

Based on the pre-amps from the MixWizard series, the ZED Sixty pre-amps use low noise

discrete transistor circuitry to achieve high gain (60dB max), low noise and good linearity.

GTR/Hi Z Inputs:

Specially designed, two ultra high impedance discrete class A FET (Field Effect Transistor)

inputs for plugging any kind of guitar or instrument straight in. A 26dB gain boost switch

allows instruments with very low output pickups to be used, and the FET does a great job of

emulating the valve/tube input circuitry commonly found on instrument combos or amplifi-

ers.

Allen & Heath

ZED Sixty 10FX & 14FX User Guide

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USER GUIDE

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Summary of Contents for ALLEN & HEATH ZED Sixty-10FX

Page 1: User Guide

Page 3: Table Of Contents

Page 4: Warranty

Page 5: Conformity Statement

Page 6: Safety Instructions

Page 8: General Precautions

Page 9: Packed Items Checklist

Page 10: Introduction To Zed Sixty-10Fx & 14Fx

Page 11: Effects Processor

Page 12: Specifications

Page 13: Dimensions

Page 14: Block Diagram

Page 15: Mono Input Channel 1&2 (10Fx) 1-6 (14Fx)

Page 18: Mono Input Channel 3&4 (10Fx) 7&8 (14Fx)

Page 19: Stereo Input Channel 1

Page 21: Stereo Input Channel 2

Page 22: Zed-Fx Digital Effects Processor

Page 24: Master Section

Page 26: Connecting To A Computer

Page 27: Usb Connection

Page 28: Connection Drawing-Studio Recording

Page 29: Connecting To Pro Tools (Mac)

Page 30: Connecting To Pro Tools (Windows)

Page 31: Sound Mixing Tips For First Time Users

Page 33: Wiring Information

Page 34: Product Support

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